John Lydon has secured prime position as one of the most recognizable icons in the annals of music history. As Johnny Rotten, he was the lead singer of the Sex Pistols - the world's most notorious band, who shot to fame in the mid-1970s with singles such as 'Anarchy in the UK' and 'God Save the Queen'. So revolutionary was his influence, he was even discussed in the Houses of Parliament, under the Traitors and Treasons Act, which still carries the death penalty. Via his music and invective he spearheaded a generation of young people across the world who were clamouring for change - and found it in the style and attitude of this most unlikely figurehead. With his next band, Public Image Ltd (PiL) Lydon expressed an equally urgent impulse in his make-up - the constant need to reinvent himself, to keep moving. From their beginnings in 1978 he set the groundbreaking template for a band that continues to challenge and thrive in the 2010s. He also found time for making innovative new dance records with the likes of Afrika Baambaata and Leftfield. Following the release of a solo record in 1997, John took a sabbatical from his music career into other media, most memorably his own Rotten TV show for VH1 and as the most outrageous contestant ever on I'm a Celebrity…. Get Me Out of Here!He then fronted the Megabugsseries and one-off nature documentaries and even turned his hand to a series of much loved TV advertisements for Country Life butter. Lydon has remained a compelling and dynamic figure - both as a musician, and, thanks to his outspoken, controversial, yet always heartfelt and honest statements, as a cultural commentator. The book a fresh and mature look back on a life full of incident from his beginnings as a sickly child of immigrant Irish parents who grew up in post-war London, to his present status as a vibrant, alternative national hero.
Little Jehanne Darc , peasant maid from the village of Domremy, France, was born into an era of constant internal conflict and war with the English. At the age of 13 she was visited by visions from God which directed her to lead an army in defense of her beloved country. For this, she ultimately suffered a fiery death and a position as the most revered martyr in history. This is the story of Saint Joan, told in a unique format, by one of her greatest admirers, John Martin Atkins. A 48 year old scholar from southern Indiana, John was too old to carry a gun but too patriotic to sit at home and read about the Great War in 1917. As he sought a way to do his part, he discovered that the YMCA was launching a pioneer program to provide lectures for the Doughboys. John leapt at the opportunity and was soon in France. Joan of Arc was his favorite subject; a most appropriate selection, here in the country of her birth, her triumphs and the ultimate tragedy. Not only did he thrill the troops with his vivid and passionate tale of her life, he simultaneously studied at the very places of her exploits to keep his lectures fresh and exciting. Domremy, Tours, Orleans, Rheims and Rouen was the hallowed ground for his research and inspiration between lectures. The war ended but he remained in France to study her life and set foot on every foot of ground that she trod. After much soul searching he determined that the form of his essay should be that of Epic Poetry. And thus began a 35 year labor of love. When questioned regarding his motive for writing this historically factual Epic Poem, he replied: "I sought to pluck so precious a literary jewel from the dusty pages of history and place it, if I could, into the fine art of poetry." At the end of this long period of gestation, John could not find a publisher. He then asked his grandson, Richard for help. A promise was made and after another long period, a team of first cousins finally brought this beautiful work to light. We are proud to present the results of a true labor of love!
This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.
Argues that Stonehenge's scientific purpose was to observe the setting midwinter sun, and that astronomical observations made by the ancient Britons were as rational and methodical as they are today.
The days of the image brands are over, and new marketing has gone mainstream. The worlds biggest companies are pursuing a post-advertising strategy, moving away from advertising and investing in leading edge alternatives. In the vanguard of the revolution has been John Grant, co-founder of the legendary agency St. Lukes and author of The New Marketing Manifesto, whose radical thinking has informed a generation. Now Grant is set to stun the industry again. In The Brand Innovation Manifesto, he redefines the nature of brands, showing why old models and scales no longer work and revealing that the key to success today is impacting peoples lifestyles (think Starbucks, iPod and eBay). At the heart of the book is the concept of the brand molecule to which new cultural ideas can be constantly added to keep pace with change. Cataloguing 32 classes of idea, Grant presents a practical approach to mixing and matching them within your own market to develop new brand ideas - and new ideas for existing brands.
The author is one of Castleford's most dedicated supporters. His personal experience following the club stretches back almost fifty years. In addition, he has endeavoured to educate himself about the early yearsof the team's fortunes, not least the achievements of the 1930s and the doldrums of the 1950s.
When the game is on the line, some coaches tense up. They scream, they yell. But Mike Brey remains calm, having instilled confidence in his players and having built a system in which they have great freedom. Fueled with a competitive streak that belies his fun and easygoing demeanor, Brey has turned Notre Dame into a national contender. When he took over Notre Dame, the school had not reached the NCAA Tournament in a decade. Under Brey the Fighting Irish have qualified for the Big Dance 12 times in 17 seasons, reaching the Elite Eight in 2015 and 2016. And in 2018 he passed the legendary Digger Phelps to become the winningest coach in program history. In this autobiography Brey, the son of educators and athletes, depicts the culture he has created at Notre Dame while profiling his amazing basketball path, having learned from coaching legends Morgan Wootten and Mike Krzyzewski. From the whirlwind turn of events during Matt Doherty's departure that led to his hiring, to recruiting battles, to changing conference affiliations, to epic NCAA Tournament games against Kentucky and Wisconsin, to defeating Tobacco Road powers en route to winning in the ACC, Brey reflects on his remarkable life and career in Keeping It Loose. That includes growing up in the Beltway, teaching at DeMatha Catholic High School, coaching under Krzyzewski, and guiding Delaware into the NCAA Tournament. Brey shares insider stories and memories of Fighting Irish stars Troy Murphy, Luke Harangody, Jerian Grant, Bonzie Colson, and many more. You'll learn why the man described as the "loosest coach in America" is also one of its finest.
These volumes contains a verbatim transcription of the Wilkes County Court minutes. Two individuals have abstracted the earliest Wilkes County court minutes, those for the period 1778 to 1797. First, in 1974-1975 by Mrs. W.O. Absher, and in 2014 as 2nd edition by James Alan Williams.
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