The most important book at the borderland of psychology and politics that I have ever read."—Martin E. P. Seligman, Zellerbach Family Professor of Psychology at that University of Pennsylvania and author of Learned Optimism Why are we devastated by a word of criticism even when it’s mixed with lavish praise? Because our brains are wired to focus on the bad. This negativity effect explains things great and small: why countries blunder into disastrous wars, why couples divorce, why people flub job interviews, how schools fail students, why football coaches stupidly punt on fourth down. All day long, the power of bad governs people’s moods, drives marketing campaigns, and dominates news and politics. Eminent social scientist Roy F. Baumeister stumbled unexpectedly upon this fundamental aspect of human nature. To find out why financial losses mattered more to people than financial gains, Baumeister looked for situations in which good events made a bigger impact than bad ones. But his team couldn’t find any. Their research showed that bad is relentlessly stronger than good, and their paper has become one of the most-cited in the scientific literature. Our brain’s negativity bias makes evolutionary sense because it kept our ancestors alert to fatal dangers, but it distorts our perspective in today’s media environment. The steady barrage of bad news and crisismongering makes us feel helpless and leaves us needlessly fearful and angry. We ignore our many blessings, preferring to heed—and vote for—the voices telling us the world is going to hell. But once we recognize our negativity bias, the rational brain can overcome the power of bad when it’s harmful and employ that power when it’s beneficial. In fact, bad breaks and bad feelings create the most powerful incentives to become smarter and stronger. Properly understood, bad can be put to perfectly good use. As noted science journalist John Tierney and Baumeister show in this wide-ranging book, we can adopt proven strategies to avoid the pitfalls that doom relationships, careers, businesses, and nations. Instead of despairing at what’s wrong in your life and in the world, you can see how much is going right—and how to make it still better.
This book presents the case that liberal constitutionalism in the global South is a legacy of colonialism and is inappropriate as a means of securing effective peace in regions that have been subject to recurrent conflict. The work demonstrates the failure of liberal constitutionalism in guaranteeing peace in the postcolonial global South. It develops an alternative, more compelling constitutionalism for peacebuilding in conflicted regions. This is based on constitutionalism that recognises plurality as a major feature in the global South. Drawing on events in Nigeria, it develops a constitutional model, based on Cognitive Justice, which could deliver peace by addressing historic, conceptual, legal, institutional and structural issues that have created social inequality and injustice. The study also incorporates insights from the development of plurinational constitutions in South America. The book will be an invaluable resource for researchers, academics and policy-makers with an interest in constitutional legal theory, peacebuilding and postcolonial studies
Crime is not exactly a risky business for movie makers. In fact, this category has always been high on Hollywood's agenda, and there are very few crime films that have actually lost money. Crime and film noir make such a fascinating subject, that although the author set out to detail 150 of his favorite films, he has actually reviewed 185! 125 of these movies are also supplied with their exhaustive credit details, as well as copyright and other release information, plus a brief synopsis. Fortunately, many of these movies - both justly famous and even the unjustly neglected - are now available on DVD. Many are also frequently presented on pay TV.
Movies detailed in this book include both films that are well-known and those that are somewhat obscure, although nearly all are now available on DVD. Titles include The Bat Whispers, The Bishop Misbehaves, Black Midnight, Caesar and Cleopatra, Chisum, City Beneath the Sea, Comedy of Terrors, Corsair, The Count of Monte Cristo, Cromwell, The Egyptian, The Glass Web, How To Marry a Millionaire, The Jack-Knife Man, Key to the City, Kiss Me Deadly, Ladies Love Danger, Midnight, Our Hospitality, The Road to Reno, So This Is New York, Stella Dallas, Stormy Weather, The Thirteenth Guest, Tickle Me, Titanic, Tower of London, Transatlantic Merry-Go-Round, The Valley of Decision, Viva Zapata!, You Can't Cheat an Honest Man.
Over the course of his legendary career, which spanned eight decades, Gielgud reached a vast and varied audience, as attested by his status as one of only ten people to have won all four of America's top entertainment awards - a Academy Award, a Tony, an Emmy, and a Grammy. From his London stage debut in 1921, when he was only seventeen, through such highly successful later-day films as Gandhi, Shine, and Elizabeth, Gielgud never failed to make an indelible impression.
From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films
How long have psychotherapists been depicted in films? Nearly as long as there have been films—or psychotherapists, for that matter. This isn’t surprising if one considers that the Freudian revolution in psychology and the invention of motion pictures occurred at about the same time. What may be surprising is the sheer number of times that psychotherapists, in their many guises, have shown up in the movies and how their depiction has reflected changing social attitudes about psychotherapy over the last century. This comprehensive worldwide filmography examines over 5000 movies. Films in which mental health professionals appear, or in which others act in that capacity, are listed alphabetically. A preface explains the criteria for a film’s inclusion, and a lengthy introduction and guide to the filmography explores the changing social attitudes mirrored by the movies. Appendices list the titles by decade; alternate titles for many films; recent releases; and qualifying adult films.
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