John Malick and Associates: New Classicists features superb photography of luxury homes in a range of traditional styles. The book is a valuable resource for architects, interior designers, builders, and home decorators Based in the San Francisco Bay Area in California, the classically trained architects of John Malick and Associates draw from numerous historical styles, including English Arts and Crafts, Mediterranean, and Georgian Colonial. Each project reflects the spirit of a unique time and place, while also addressing current needs and budgets. The projects featured in this monograph abandon the modern idiom and return to a time when buildings reflected noble achievements, pastoral visions, and sacred resonances. They embrace construction methods that revive the lost art of craftsmanship. Time-tested materials and picturesque details such as post-and-beam construction reflect the care and craft that are the signatures of artistic attention. Authentic finishes and hardware infuse a sense of beauty and livability rarely achieved by modern architecture. Through lush photography and engaging text, the reader is able to experience the sophistication of a Palladian neoclassical villa, the warmth of a Yorkshire cottage, and the sun-washed simplicity of a Mediterranean village nestled in the hills.
Terrence Malick is the most enigmatic film director currently working. Since the early seventies, his work has won top prizes at film festivals worldwide and brought him wide recognition as the cinematic equivalent of a poet. His life is shrouded in mystery, leaving audiences with rumors, few established facts, and virtual silence from the filmmaker himself following his last published interview in 1979. This has done nothing to dim the luminous quality of his films, from Badlands (1973) and Days of Heaven (1978), to later works such as The Thin Red Line (1998), The Tree of Life (2011), and A Hidden Life (2019). The Magic Hours: The Films and Hidden Life of Terrence Malick is the first true biography of this visionary filmmaker. Through interviews and in-depth research, John Bleasdale reveals the autobiographical grounding of many of Malick's greatest films as well as the development of an experimental form of filmmaking that constantly expands the language of cinema. It is the essential account for anyone wishing to understand Malick and his work.
The story of an atheists search for universal ethics, God Is a Heartless Recluse demonstrates that theists claim of God as their Heavenly Father is delusional. A god who allows terminal childhood diseases, mass murderers, cannibals, and genocides is at best a heartless recluse. In reality, God is a figment of megalomaniacal minds that dont have the courage to accept the facts: Humans evolved from earlier primates. God is a human invention: animism, panpsychism, pantheism, polytheism, monotheism. The universe is indifferent to humanity. Paradise is a fictional luxury resort. Humanity is an adolescent civilization with the potential to mature, spread across the Milky Way, then to other galaxies and other universesto live forever in this eternal multiverse.
Conference of the Birds is John Heilpern's true story of an extraordinary journey. In December 1972, the director Peter Brook and an international troupe of actors (Helen Mirren and Yoshi Oida among them) left their Paris base to emerge again in the Sahara desert. It was the start of an 8,500-mile expedition through Africa without precedent in the history of theater. Brook was in search of a new beginning that has since been revealed in all his work--from Conference of the Birds and Carmen to The Mahabharata and beyond. At the heart of John Heilpern's brilliant account of the African experiment is a story that became a search for the miraculous.
Read the Review! We all travel the road of life and on occasion encounter road defects and detours. Some of us will reach a detour and conceive what we think to be a dead end, only to find one of life’s crossroads and a choice that must be made. Come along, travel with me on the five year journey and the choice that saved my life.
Popular movies can be surprisingly smart about politics - from the portentous politics of state or war, to the grassroots, everyday politics of family, romance, business, church and school. Politics in Popular Movies analyses the politics in many well-known films across four popular genres: horror, war, thriller and science fiction. The book's aims are to appreciate specific movies and their shared forms, to understand their political engagements and to provoke some insightful conversations. The means are loosely related 'film takes' that venture ambitious, playful and engaging arguments on political styles encouraged by recent films. Politics in Popular Movies shows how conspiracy films expose oppressive systems; it explores how various thrillers prefigured American experiences of 9/11 and shaped aspects of the War on Terror; how some horror films embrace new media, while others use ultra-violence to spur political action; it argues that a popular genre is emerging to examine non-linear politics of globalisation, terrorism and more. Finally it analyses the ways in which sci-fi movies reflect populist politics from the Occupy and Tea Party movements, rethink the political foundations of current societies and even remake our cultural images of the future.
Spiritual themes are common in movies: The unconventional savior. The hero’s journey. The redemption tale. The balance of creation. Journalist John A. Zukowski reflects on twelve major spiritual themes in the world of cinema, discussing films from Dead Man Walking to Bruce Almighty, from Groundhog Day to Chariots of Fire, and many more. See them all—read them all—before you die!
This biography provides readers with a look at the life of Oscar-winning actor George Clooney. Chapters include coverage of his childhood, his experiences breaking into acting, and his more recent activities with acting, directing, and producing. Clooney's interest in ending genocide brought the issue to the forefront of news for a long time, using his fame as a platform for civil change.
An examination of how the films we see and the books we read affect our faith and our view of the world. With the Apostles' Creed as his foundation, author May interprets popular works such as The Grapes of Wrath, Cool Hand Luke, Slaughterhouse-Five, and Saving Private Ryan through the lens of religious faith.
Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
This study examines the historical relationship between tragicomedy in the modernist theatre and the performative culture of Western consumer societies. While discussing a wide range of playwrights, it focusses specifically on the work of Samuel Beckett, Harold Pinter and Sam Shepard. Their plays, it is argued, illuminate the forms of pleasure, fear, performance and corruption which dominate our daily lives. Tragicomedy is seen as unique becuae of the existential playfulness and confusion of its protagonists, and because of its muted vision of apocalypse in the nuclear age.
“John Winters offers a master class in literary sleuthing, untangling the many lives and unearthing the origin story of America’s foremost Renaissance man of letters.” —Kelly Horan, coauthor of Devotion and Defiance With more than fifty–five plays to his credit—including the 1979 Pulitzer Prize–winning Buried Child, an Oscar nod for his portrayal of Chuck Yeager in The Right Stuff, and an onscreen persona that’s been aptly summed up as “Gary Cooper in denim”—Sam Shepard’s impact on American theater and film ranks with the greatest playwrights and actors of the past half–century. Sam Shepard: A Life gets to the heart of Sam Shepard, presenting a compelling and comprehensive account of his life and work. In a new epilogue, added by the author after Shepard’s untimely death in July of 2017, John J. Winters offers a glimpse into the enigmatic author’s last days, when very few knew he was suffering from ALS. “An excellent biography . . . Mr. Winters is especially good on the backstage of one of Mr. Shepard’s most frequently revived works, True West . . . Mr. Winters has an interesting story to tell, and he recounts it ably, bringing us close to a figure who, he admits, avoids intimacy.” —The Wall Street Journal “A new, thoroughly researched biography . . . Winters does indeed capture a personality more anxious and self–doubting than previous biographers have grasped.” —The Washington Post “Meticulously presents the facts of Shepard’s complex life along with incisive descriptions and analyses of diverse productions of Shepard’s demanding and innovative plays . . . Winters portrays Shepard as a magnetic, enigmatic, and multitalented artist drawing on a deep well of loneliness and self–questioning, keen attunement to the zeitgeist, and penetrating insight into human nature.” —Booklist (starred review)
Loss is an inescapable reality of life, and individuals need to develop a capacity to grieve in order to mature and live life to the full. Yet most western movie audiences live in cultures that do not value this necessary process and filmgoers finding themselves deeply moved by a particular film are often left wondering why. In Cinema as Therapy, John Izod and Joanna Dovalis set out to fill a gap in work on the conjunction of grief, therapy and cinema. Looking at films including Million Dollar Baby, The Son’s Room, Birth and The Tree of Life, Cinema as Therapy offers an understanding of how deeply emotional life can be stirred at the movies. Izod and Dovalis note that cinema is a medium which engages people in a virtual dialogue with their own and their culture’s unconscious, more deeply than is commonly thought. By analysing the meaning of each film and the root cause of the particular losses featured, the authors demonstrate how our experiences in the movie theatre create an opportunity to prepare psychologically for the inevitable losses we must all eventually face. In recognising that the movie theatre shares symbolic features with both the church and the therapy room, the reader sees how it becomes a sacred space where people can encounter the archetypal and ease personal suffering through laughter or tears, without inhibition or fear, to reach a deeper understanding of themselves. Cinema as Therapy will be essential reading for therapists, students and academics working in film studies and looking to engage with psychological studies in depth as well as filmgoers who want to explore their relationship with the screen. The book includes a glossary of Jungian and Freudian terms which enhances the clarity of the text and the understanding of the reader.
(Screen World). The 2006 edition of Screen World highlights the surprise Academy Award-winner for Best Picture, Crash, featuring Matt Dillon, Terrence Howard, and Sandra Bullock, which also won Academy Awards for Best Original Screenplay and Best Film Editing; the groundbreaking gay love story Brokeback Mountain, winner of three Academy Awards, with Oscar-nominated performances by Heath Ledger and Jake Gyllenhaal; the Johnny Cash biopic Walk the Line, which earned a Best Actress Academy Award for Reese Witherspoon and a Best Actor nomination for Joaquin Phoenix; Philip Seymour Hoffman's uncanny, Oscar-winning Best Actor impersonation of Truman Capote in Capote; Best Supporting Actress winner Rachel Weisz in The Constant Gardener; plus George Clooney's Good Night, and Good Luck, and Syriana, the former bringing him Oscar nominations as director and writer, the latter the Academy Award for Best Supporting Actor. Screen World's outstanding features include: * A color section of highlights and a comprehensive index. Full-page photograph s of the four Acadmey Award-winning actors as well as photos of all acting nominees; A look at the year's most promising new screen personalities; Complete film information: cast and characters, credits, production company, date released, rating, capsule plot summary, and running time; Biographical entries: a priceless reference on over 2,400 living stars, including real name, school, and date and place of birth; Obituraries for 2005; The top box office stars and top 100 box office films. Includes over 1000 color and b&w photos.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.