“The best English novel since the war.” -- Philip Roth Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend—and the perfect spy. But in the wake of his estranged father’s death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus? In A Perfect Spy, John le Carré has crafted one of his crowning masterpieces, interweaving a moving and unusual coming-of-age story with a morally tangled chronicle of modern espionage.
Villainsac is a small market village situated in Southwest France which was constructed during the 13th century by Count Alphonse de Poitiers. The Count begets an illegitimate son called Charles who was tyrannical and mentally unstable. The Count therefore built a Chateau where he had Charles incarcerated until he died on 13th January 1289 or according to folk tale, suddenly disappeared. The Chateau lay empty until it was occupied again in 1858 by John Henry Forbes, a wealthy London banker, and who on the night of 5th May 1868 also disappeared. In 2006 the Chateau was purchased by John Mortimer, also a wealthy banker. However, after signing the first contract for the purchase of the Chateau, the Maire discovers a document which proves to be a Decree signed by Count Alphonse enforcing the owner of the Chateau to pay a pension to the local residents, free of tax. John Mortimer is a wealthy man but finding the money to fund the pensioners seems impossible. John returns to London and late one afternoon in the City, John stumbles upon a pub which he had never noticed in the past called the “Alphonse.” On entering the pub John finds that he has gone back in time to 1868 and is addressed by the landlord as Mr. Forbes. He purchases a pint of beer, sits down at a table, and passes out. He is awoken back in his own time by a young man, whom in time; John will find familiar. Realising that he has been taken for John Forbes, he contrives to make a Will with himself the main beneficiary. Strange events start to occur, and it is presumed that the spirit of a person who died by means other than of natural causes was imprisoned in the tunnel. Meanwhile, the ancient Decree becomes public knowledge, and a great deal of interest is shown by the village folk. Cleverly, this is quelled less the Tax Officials should find out about it. However, there are three ladies in the village who have nothing much more to do than snoop on other people’s business and are hell bent in finding the truth about the pension payments; as a result, all three meet their untimely deaths. They do in their plight managed to attract the attention of the Tax Office which generates the interest of Mme. Baldazzini (Tax Officer). In order to find the truth, she finally gate crashes a Hallowe'en Party given by John Mortimer at the Chateau thus manages to gain access to his study and filing cabinets. In doing so, she becomes possessed and disappears. This generates further interest by the police, the news media, and the Tax Office. Further super natural disturbances occur at the Chateau which culminate in a surreal sexual experience being encountered between John and Mathieu Laffite (John’s Valet). John makes a trip to the Cayman Islands where his funds are held. He meets Charles Snoopchut Sfenalono who has a seat next to him on the aircraft and is staying at the same hotel on the island; John soon realises that Charles has very strange powers. Mathieu is asked to travel to the island, when he arrives, Charles has mysteriously disappeared. John goes to the bank where the Manager tells him that a further letter of wishes by Mr Forbes had been found and written at the same time as the Will, this letter gives further instructions that the monies are to be transferred to a Mr Charles Snoopchut Sfenalono. The night after John and Mathieu return to the Chateau, Mathieu is unable to sleep and in his disturbed state decides to take his bedding downstairs to sleep outside John’s room in the corridor. The following morning Mathieu discovers that John is missing he alerts the rest of the occupants in the Chateau and a search commences. Mathieu is arrested on the basis that he is the main suspect resulting in the disappearance of John.
Arranged in chronological order, the novelist's lives are opinionated, informative, frequently funny and often shocking. Professor Sutherland's authors come from all over the world; their writings illustrate every kind of fiction from gothic, penny dreadfuls and pornography to fantasy, romance and high literature. The book shows the changing forms of the genre, and how the aspirations of authors to divert and sometimes to educate their readers, has in some respects radically changed over the centuries, and in others - such as their interest in sex and relationships - remained remarkably constant.
Over the past two decades, the process of cultural development and, in particular, the role of reading has been of growing interest, but recent research has been episodic and idiosyncratic. In this biographical dictionary, research devoted specifically to the reading habits of 19th century individuals who shaped Western culture is brought together for the first time. While giving prominent coverage to literary and political figures, the volume's 270 entries also include musicians, painters, educators, and explorers. Each entry includes brief biographical information, a concise summary of literary influences on the subject, and clear direction for further research. The book provides a practical tool for scholars wishing to trace the reading experience of important Western cultural figures. Subjects were selected from the people most responsible for the cultural development of Europe, Britain and the British Empire, and the Americas between 1800 and 1914. Although selective, the sample of 270 figures is substantial enough to suggest broad, cross-cultural habits and effects, enabling scholars to better understand the relationship between reading and culture. In an introductory essay, Powell explores the patterns and relationships that can be discerned from the entries. The first of three anticipated volumes, the book is an important step forward in researching the role of reading in cultural development.
Marking the bicentenary of the birth of William Makepeace Thackeray in 1811, this five-volume set presents a collection of materials relating to the novelist and to his gifted family.
My Haunted Chicago book series turns 10 years old this year (Oct 2015) and to celebrate I'm releasing this special anniversary edition packed full of wicked goodies. All of the classics and favorites are back, completely updated as well as multiple brand new locations. I'm also giving you a super special treat... for the very first time I give to you the complete, unedited version of Pop Rocks, Myths and Madmen, featuring all 6 stories... how cool is that? Be warned this special edition has all of my whit, charming personality, twisted sense of humor and wicked commentary... turned up to eleven. If you are easily offended may I suggest the Family Friendly Edition.
If it were not for the vision and enterprise of Darryl F. Zanuck and 20th Century-Fox, chances are none of us would be enjoying widescreen films today. Instead, we'd still be watching movies and TV on the same postage-stamp screen that became standard when movies began to talk in 1927. This survey of Fox's contributions to the CinemaScope Revolution which that studio started back in 1953, examines no less than 140 key films (with extensive cast and technical credits, plus release details and other background information, including prizes and awards).
In 1963, John Fowles won international recognition with The Collector, his first published novel. In the years following—with the publication of The Magus, The French Lieutenant’s Woman, The Ebony Tower, and his other critically acclaimed works of fiction, nonfiction, and poetry—Fowles took his place among the most innovative and important English novelists of our time. Now, with this first volume of his journals, which covers the years from 1949 to 1965, we see revealed not only the creative development of a great writer but also the deep connection between Fowles’s autobiographical experience and his literary inspiration. Commencing in Fowles’s final year at Oxford, the journals in this volume chronicle the years he spent as a university lecturer in France; his experiences teaching school on the Greek island of Spetsai (which would inspire The Magus) and his love affair there with the married woman who would later become his first wife; and his return to England and his ongoing struggle to achieve literary success. It is an account of a life lived in total engagement with the world; although Fowles the novelist takes center stage, we see as well Fowles the nascent poet and critic, ornithologist and gardener, passionate naturalist and traveler, cinephile and collector of old books. Soon after he fell in love with his first wife, Elizabeth, Fowles wrote in his journal, “She has asked me not to write about her in here. But I could not not write, loving her as I do. . . . What else I betrayed, I could not betray this diary.” It is that determined, unsparing honesty and forthrightness that imbues these journals with all the emotional power and narrative complexity of his novels. They are a revelation of both the man and the artist.
God is love." It's the most basic definition of God in Scriptures, but so profound that it's often misunderstood. In this probing book, a brilliant Bible expositor brings us into the very heart of God by answering such questions as: If God is love, how could He send anyone to hell? What's the difference between the loving God of the New Testament and the angry God of the Old Testament? If God is love, why did He require His Son to die such a cruel death on the Cross? How can God be both loving and jealous? The author argues against the two polar views of God as a sentimental grandfather whose doting love could not bring him to punishment of the disobedient and God as an angry tyrant who would rule by threats. "Both extremes paint a distorted picture of God and further confuse the issue of understanding God's love," Dr. MacArthur writes. He insists that what God loves is actually defined by what He hates, and that neither His love nor His wrath can be understood in isolation from the other. Although the author is clearly aware of the way great men have grappled with these issues in the history of the Church, his doctrinal presentations arise more from the biblical text than from dogmatic theology. He examines in detail the way John?"the apostle of love"?treats love in his First Epistle, then fleshes out the doctrine of God's love in vivid representations of real people interacting with divine love.
This work offers an examination of Manchester's architecture, from its origins to the present-day rebuilding of the city centre. It follows Manchester's growth from a village to what many see as England's second city.
Bursting with images from across time, a sparkling chronicle of rockets, pinwheels, and more. This book illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like “living fireworks,” fiercely fought international competitions, and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens, and Whistler to Katy Perry. But John Withington also covers fireworks’ practical uses—rescues at sea, attempts to control the weather—while not ignoring their dangers, accidents, or efforts to make them safer.
Charles Darwin's years as a student at the University of Cambridge were some of the most important and formative of his life. Thereafter he always felt a particular affection for Cambridge. For a time he even considered a Cambridge professorship as a career and sent three of his sons there to be educated. Unfortunately the remaining traces of what Darwin actually did and experienced in Cambridge have long remained undiscovered. Consequently his day-to-day life there has remained unknown and misunderstood. This book is based on new research, including newly discovered manuscripts and Darwin publications, and gathers together recollections of those who knew Darwin as a student. This book therefore reveals Darwin's time in Cambridge in unprecedented detail.
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