(9 Books in One Edition) A General History of the Robberies and Murders of the Most Notorious Pirates, The Book of Buried Treasure, Sea-Wolves of the Mediterranean, The Pirate Gow, The King of Pirates…
(9 Books in One Edition) A General History of the Robberies and Murders of the Most Notorious Pirates, The Book of Buried Treasure, Sea-Wolves of the Mediterranean, The Pirate Gow, The King of Pirates…
This unique collection of "THE PIRATES OF THE HIGH SEAS – Know Your Infamous Buccaneers, Their Exploits & Their Real Histories (9 Books in One Edition)" has been designed and formatted to the highest digital standards. A General History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) Book of Pirates: Fiction, Fact & Fancy (Howard Pyle) The Book of Buried Treasure: Being a True History of the Gold, Jewels, and Plate of Pirates (Ralph D. Paine) The Pirates Own Book: Authentic Narratives of the Most Celebrated Sea Robbers (Charles Ellms) Sea-Wolves of the Mediterranean (Currey E. Hamilton) The Pirates of Panama (A True Account by a Pirate) (John Esquemeling) The Story of the Barbary Corsairs (J. D. Jerrold Kelley and Stanley Lane-Poole) The Pirate Gow (Daniel Defoe) The King of Pirates (Daniel Defoe)
The city of Erbil, which now claims to be one of the oldest continually inhabited cities in the world, lies on the rich alluvial plains at the foot of the piedmont of the Zagros mountains in a strategic position which from the earliest times made it a natural gateway between Iran and Mesopotamia. Within the context of ancient Mesopotamian civilisation there can be no doubt that it will have been one of the most important urban centres. Yet while the citadel of Erbil is without question a site of exceptional interest, archaeologically the mound has until recently remained virtually untouched. O.
Sons and Descendants represents the first comprehensive study of Babylonian family names. Drawing primarily on evidence from legal documents from the early Neo-Babylonian period (747-626 B.C.), the book examines the presence of large, named kin groups at the major Babylonia cities, considering their origins and the important roles their members played as local elites in city governance and temple administration. The period of Neo-Assyrian ascendance over Babylonia marks the first for which there is adequate textual material to allow for a study of these groups, but their continued presence and prominence in Babylonia under the native Neo-Babylonian dynasty and the Persian Empire means that this work is an important contribution to Assyriological understanding of Neo-Babylonian society.
It is too often forgotten that every Assyrian “historical” inscription functioned in a very specific context. This context influenced its content and the way in which it was perceived by ancient viewers and readers. Russell’s goal is to address the reconstruction of the context of these inscriptions in order to elucidate their original impact. In the past, the palace inscriptions, including Assyrian palace inscriptions, have been published in composite editions with little or no reference to the provenience of the individual exemplars; in addition, the original excavation reports often were more interested in the content of the inscriptions than in their locations. To achieve the objective of placing these inscriptions in their original contexts and thereby provide a base for further study of them, and stimulated by two seasons of renewed excavations at Nineveh during which he studied many inscriptions in situ, Russell returned to the British Museum and Layard’s original, handwritten notes from the 19th century excavations at Nineveh—the goal being to catalogue fully and as completely as possible the individual inscriptions and their locations. The results of Russell’s labors are here published, including the first publication of several shorter inscriptions. The book is lavishly illustrated, both with museum photos and with photos by the author of many of the inscriptions in situ. The book will no doubt be the basis of all further study of the relationship between inscription and context in the palaces of the Assyrian kings.
An important collection of eight essays on Ancient Persia (Iran) in the periods of the Achaemenid Empire (539-330 BC), when the Persians established control over the whole of the Ancient Near East, and later the Sasanian Empire. It will be of interest to historians, archaeologists and biblical scholars. Paul Collins writes about stone relief carvings from Persepolis; John Curtis and Christopher Walker illuminate the Achaemenid period in Babylon; Terence Mitchell, Alan Millard and Shahrokh Razmjou draw attention to neglected aspects of biblical archaeology and the books of Daniel and Isaiah; and Mahnaz Moazami and Prudence Harper explore the Sasanian period in Iran (AD 250-650) when Zoroastrianism became the state religion.
Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.
Few people would argue with the films selected for detailed notices and reviews in this book. Many of the movies are award-winners, and most chalked up impressive figures at the box-office. Who would dispute the inclusion of Citizen Kane or Rebecca or The Best Years of Our Lives? However, along with The Yearling and Reap the Wild Wind and Hello, Frisco, Hello, I've also included a few surprises. A magnificent publication. -- Rodney Bourke in International Movie Making (April 2006).
Unlike their American colleagues, British suppliers were extremely slow to release their country's superb libraries of classic films for movie fans to purchase on either VHS tapes or DVD discs. In 2004, little over 100 titles were available. But now there are around 700, with promises of many more to come. This book details some of the best. Over 400 movies in all are described in either minute detail or in summary form! The quality (or lack of quality) in the DVD transfer is fearlessly indicated. The author's emphasis is on movies made before 1970, especially those with popular stars such as Glynis Johns, Gracie Fields, George Formby, Margaret Lockwood, Arthur Askey, Anna Neagle, James Mason, Patricia Roc, Stewart Granger, Vivien Leigh, Laurence Olivier, Will Hay, Tommy Trinder, Alec Guinness, Michael Wilding, Peter Finch, Christopher Lee, Peter Sellers, David Niven, Kenneth More, Kay Kendall, John Gregson, etc.
What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.
(Screen World). John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own.
Remember "Humpy," the talking camel? You'll find him in this book, along with a host of other legendary characters from Alice in Wonderland through the Mysterious Mr Wong to Wild Bill Hickok. Movie stars featured include Lon Chaney, Kay Francis, Buster Keaton, Greta Garbo, Constance Bennett, Adolphe Menjou and Will Rogers. Directors include John Ford, Cecil B. DeMille, Ernst Lubitsch and Fred Zinnemann. It all adds up to many hours of pleasure for classic movie fans who can thumb through details of award-winning films, popular pictures, and little-known masterpieces that deserve wider recognition. Yes, there are famous "B" movies too, like "Sleepers West" and its re-make, "The Narrow Margin.
Traces the history of film production in Northern Ireland from the beginnings of a local film industry in the 1920s and 1930s, when the first Northern Irish 'quota quickies' were made, through the propaganda films of the 1940s and 1950s and on to the cinema of the 'Troubles'.
This book investigates potential neo-Darwinian fallacies, specifically regarding a priori assumptions, that may have led to weak scientific methodology and praxis. It was proposed that five concepts must be true for neo-Darwinism to be true. These are gradualism, the tree of life hypothesis, the evidence of microevolutionary change accounting for macroevolutionary change, time and chance, and methodological naturalism. Prima facie, these concepts have tremendous explanatory power. Yet, with an attempt to carefully examine these concepts, all five seem to be assumed a priori so as to dictate the outcome of neo-Darwinism rather than letting the evidence speak for itself. The evidence left by the Cambrian explosion, genomic potential, genetic entropy, irreducible complexity, genetic limits, cyclical change, probability theory, the epistemology of information, and the law of causality seems to pose a dilemma for neo-Darwinian assumptions.
Gathered in this large volume paperback are some of Hollywood's best loved and most famous movies. In addition to the many film classics, however, the author has included a number of equally entertaining films that deserve to be better known. Many of these movies are now available on DVD. Full credits and detailed reviews are provided for over a hundred of these classic films. Over two hundred more movies are represented by short reviews. Many of the reviews contain DVD details. Of course, not all classic movies have surfaced on DVD to date, but they are being issued at the rate of around forty a month! If you love classic movies, this book will provide an invaluable guide to some of the enjoyable films that are now available (and also, of course, some of the disappointing films that you might wisely avoid).
In this, the first biography of Archibald Campbell Tait since his son-in-law, Randall Davidson's in 1891, John Witheridge tells the story of how a Scottish outsider became Queen Victoria's favourite Archbishop of Canterbury, and the most powerful since Laud in the seventeenth century. Following his childhood in Edinburgh and education at Glasgow University and Balliol College, Oxford, Witheridge describes how Tait's life was shaped by faith, duty and diligence, as well as by harrowing experiences of illness and death. Tait was never content to be an ecclesiastical dignitary, but was ready to intervene and give a lead in the many conflicts, theological and political, that defined his fourteen years at Lambeth. While not always successful, Tait's leadership of the Church during a period of controversy at home and challenge overseas, bravely accomplished against a background of personal tragedy, makes him a landmark figure in the history of the Church of England.
John Richardson is an Oscar-winning special effects supervisor and designer, who has been involved in over 100 movies, including nine James Bond adventures, all eight Harry Potter films, Aliens, Superman, A Bridge Too Far, Straw Dogs, The Omen, Cliffhanger, Far and Away, Willow . . . and many, many more. In creating the magic that flows through these films – by creating huge explosions, beheading people, producing futuristic gadgets, making a man fly or breathing life into creatures that amaze and haunt us – Richardson has come to hold a unique place in cinema history. The son of pioneering FX technician Cliff Richardson, he learned his trade at the feet of a master of the craft. With over five decades of adventures under his belt, and a vast photographic collection of unseen pictures, Richardson now lifts the lid on his exciting and fascinating career of making movie magic.
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