This study seeks to redefine the double role of those writers who have often been referred to as "French Catholic novelists." After a brief overview of the Catholic Renaissance movement in modern literature, three acknowledged geniuses in this "sub-genre" - Georges Bernanos, Francois Mauriac, and Julien Green - are meticulously reexamined in light of their Christian vocation. For the first time in English, the writings of the Franco-Russian novelist, Vladimir Volkoff, are also discussed in considerable detail. The book concludes with a theoretical chapter that raises troubling questions that apply to the "double vocation," namely: What is the distinctive character of fiction when it is written by a professing Christian? Are the two vocations of Christian and novelist fully compatible of mutually exclusive?
The Beauty That Saves, a collection of essays by many of the most prominent American and European scholars on Weil, begins with a foreword by well-known writer Vladimir Volkoff who discusses, in a very moving manner, "What Simone Weil Means to Me". An introductory essay by Eric O. Springsted highlights the general character of Weil's thought and introduces the specific problematic of this collection. The first section addresses the subject of Weil on language. A key to understanding Weil's aesthetic is grasping how she understood language and its various usages. From within that understanding is contained a point d'appui of her philosophical thought as a whole. Her universe of meaning, its hierarchies, its subjection to necessity, its mystical intimacies, is not something she simply wrote about, it is contained in the way she wrote. With Weil's language established, the second section deals with Weil's explicit reflections on aesthetics, including essays on her sacramental imagery, morality and literature, music, and her classical reading of tragedy. As these essays point out, her aesthetic demands a moral and religious reading of the universe. The third section presents a number of specific Weilan readings of art, where what has been discussed in previous essays receives concrete application and illustration through essays on Weil and Wallace Stevens, music, and Georges Bernanos.
American writer Julien Green's (1900–1998) origins, artistic motivation, and identity was a source of mystery and confusion even for those that most fêted him. The first non-French national to be elected to the Académie française, Green authored several novels (The Dark Journey, The Closed Garden, Moira, Each Man in His Darkness, and the Dixie trilogy), a four-volume autobiography (The Green Paradise, The War at Sixteen, Love in America and Restless Youth), and his famous Diary. In this study, John. M Dunaway begins with an examination of the autobiographical context of Julien Green's works, in which the duality of mystic and sensualist is quite clearly polarized. He then proceeds through a selected series of Green's fictional works in an attempt to show the birth and nature of the third self as a personal myth of the artist. He then considers the fiction in chronological order with the intention of demonstrating the evolution of the myth of the third self in Green's career.
The mind unlearns with difficulty what has long been impressed upon it. ' Seneca Reductionism, is, without question, the most successful analytical approach available to the experimental scientist. With the advent of techniques for cloning and sequencing DNA, and the development of a variety of molecular probes for localizing macromolecules in cells and tissues, the biologist now has available the most powerful reductionist tools ever invented. The application of these new technologies has led to a veritable explosion of facts regarding the types and organization of nucleotide sequences present in the genomes of eukaryotes. These data offer a level of precision and predictability which is unparalleled in biology. Recombinant DNA techniques were initially developed to gather information about the structure and organization of the DNA sequences within a genome. The power and potential of these techniques, however, extend far beyond simple data collection of this kind. In an attempt to use the new technology as a basis for analyzing development and evolution, attention was first focused on the topic of gene regulation, an approach that had proven so successful in prokaryotes. It is now clear that this has not been an adequate approach. Lewin (1984) has quoted Brenner as stating 'at the beginning it was said that the answer to the understanding of development was going to come from a knowledge of the molecular mechanisms of gene control. I doubt whether anyone believes this any more.
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