There has always been something wrong about All Hallows Church. Reports dating back to Roman times reveal that it has always been a bad place—blighted by strange sightings, unusual phenomena, and unexplained disappearances. So in the 1990s, a team of para-psychiatrists is sent in to investigate the various mysteries surrounding the Church and its unsavoury legends. From the start, they begin to discover a paranormal world that defies belief. But as they dig deeper, not only do they uncover some of the secrets behind the ancient edifice designed by “Zombie King” Thomas Moreby but, hidden away beneath everything else, something so ancient and so terrifying that it is using the architect himself as a conduit to unimaginable evil. After four days and nights, not everybody survives—and those that do will come to wish they hadn’t. Imagine The Haunting of Hill House, The Amityville Horror, The Entity and The Stone Tape rolled together into the very fabric of a single building. And then imagine if all that horror is accidentally released . . .
Book #1 in the Midnight Movie Monograph series from ELECTRIC DREAMHOUSE PRESS. Horror Author John Llewellyn Probert takes an indepth look at Cult Classic Comedy Horror Theatre Of Blood, starring Vincent Price. Passionate, intelligent, and accessible. Midnight Movie Monographs go where other critical series fear to tread!
TOWARDS the close of the seventies I began to collect Welsh folklore. I did so partly because others had set the example elsewhere, and partly in order to see whether Wales could boast of any story-tellers of the kind that delight the readers of Campbell'sPopular Tales of the West Highlands. I soon found what I was not wholly unprepared for, that as a rule I could not get a single story of any length from the mouths of any of my fellow countrymen, but a considerable number of bits of stories. In some instances these were so scrappy that it took me years to discover how to fit them into their proper context; but, speaking generally, I may say, that, as the materials, such as they were, accumulated, my initial difficulties disappeared. I was, however, always a little afraid of refreshing my memory with the legends of other lands lest I should read into those of my own, ideas possibly foreign to them. While one is busy collecting, it is safest probably not to be too much engaged in comparison: when the work of collecting is done that of comparing may begin. But. after all I have not attempted to proceed very far in that direction, only just far enough to find elucidation here and there for the meaning of items of folklore brought under my notice. To have gone further would have involved me in excursions hopelessly beyond the limits of my undertaking, for comparative folklore has lately assumed such dimensions, that it seems best to leave it to those who make it their special study.
Written by an acclaimed occult scholar, this book is a through are credible exploration of the UFO phenomenon - from Kenneth Arnold's 1947 sighting of the first 'flying saucers' to present-day sightings.
There has always been something wrong about All Hallows Church. Reports dating back to Roman times reveal that it has always been a bad place—blighted by strange sightings, unusual phenomena, and unexplained disappearances. So in the 1990s, a team of para-psychiatrists is sent in to investigate the various mysteries surrounding the Church and its unsavoury legends. From the start, they begin to discover a paranormal world that defies belief. But as they dig deeper, not only do they uncover some of the secrets behind the ancient edifice designed by “Zombie King” Thomas Moreby but, hidden away beneath everything else, something so ancient and so terrifying that it is using the architect himself as a conduit to unimaginable evil. After four days and nights, not everybody survives—and those that do will come to wish they hadn’t. Imagine The Haunting of Hill House, The Amityville Horror, The Entity and The Stone Tape rolled together into the very fabric of a single building. And then imagine if all that horror is accidentally released . . .
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