This volume collects all four of the writer-performer’s legendary, award–winning solo shows. John Leguizamo rose to stardom with a series of critically acclaimed solo shows in which he embodied a diverse cast of unforgettable characters. Now all four of these classic theatrical works—Freak, Spic-o-Rama, Mambo Mouth, and Sexaholix—are available in this one essential volume. Mambo Mouth Leguizamo’s first show was an Off-Broadway sensation. In it, he portrayed seven different Latino characters in a bravura performance that earned him both Obie and Outer Critics Circle awards. Spic–O–Rama A “dysfunctional family comedy,” presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak Leguizamo’s Broadway debut tells his own coming–of–age story. A “demi–semi–quasi–pseudo–autobiography,” which went on to become an Emmy special on HBO. Sexaholix: A Love Story Leguizamo’s “raunchy-yet-sweet comic solo performance”—a hit on both Broadway and HBO—explores his own coming of age as he transforms into a father and family man (Washington Post).
Fans of John Leguizamo's smash-hit one-man shows (Mambo Mouth, Spic-o-rama, Freak, and Sexaholix) have already gotten a glimpse into his life, but this book tells the whole story, carrying readers along on a wild journey from his childhood in Queens to his current home at the top of the Hollywood pyramid. An acclaimed director, producer, and play-wright, and one of the highest-paid Latin actors in the world, Leguizamo shares the stories behind his many roles—what inspired them and what transpired as he created them—while dishing on his personal relationships with his family, friends, and celebrity colleagues. Here is both an intimate self-portrait and a unique behind-the-scenes look at the magic and chaos of stardom, a keenly intelligent and insanely funny book that celebrates a remarkably talented artist's greatest achievement: growing up Latino in America and succeeding on his own terms.
This Eisner Award nominee, a graphic novel adaptation of the award-winning Broadway play Ghetto Klown, is a "hilarious Hollywood memoir" (Lin-Manuel Miranda, from his introduction) and "autobiographical dynamite” (Pulitzer Prize–winning author Junot Díaz). Tony Award winner John Leguizamo lays bare his life story in this graphic novel illustrated by artists Christa Cassano and Shamus Beyale. He shares memories of his early years as an actor on stage, on television, and in major motion pictures opposite some of Hollywood’s biggest stars—including Al Pacino, Patrick Swayze, and Steven Seagal—and working for directors Baz Luhrmann and Brian De Palma. Leguizamo also opens up about his loves and marriages, while addressing self-doubt and melancholy in a way that enlightens and entertains. “[John] is a pioneer in theater and comedy, not just for Latin people, but as much as any comic or playwright I’ve ever seen or read. No one makes me laugh louder than this man. We are better because of him.” —Sofía Vergara “The graphic novel of Ghetto Klown captures the infectious spirit of John Leguizamo’s live performances with the same surprising humor and cultural insight. These pages make John seem like the coolest super hero in New York.” —Jesse Eisenberg
This Eisner Award nominee, a graphic novel adaptation of the award-winning Broadway play Ghetto Klown, is a "hilarious Hollywood memoir" (Lin-Manuel Miranda, from his introduction) and "autobiographical dynamite” (Pulitzer Prize–winning author Junot Díaz). Tony Award winner John Leguizamo lays bare his life story in this graphic novel illustrated by artists Christa Cassano and Shamus Beyale. He shares memories of his early years as an actor on stage, on television, and in major motion pictures opposite some of Hollywood’s biggest stars—including Al Pacino, Patrick Swayze, and Steven Seagal—and working for directors Baz Luhrmann and Brian De Palma. Leguizamo also opens up about his loves and marriages, while addressing self-doubt and melancholy in a way that enlightens and entertains. “[John] is a pioneer in theater and comedy, not just for Latin people, but as much as any comic or playwright I’ve ever seen or read. No one makes me laugh louder than this man. We are better because of him.” —Sofía Vergara “The graphic novel of Ghetto Klown captures the infectious spirit of John Leguizamo’s live performances with the same surprising humor and cultural insight. These pages make John seem like the coolest super hero in New York.” —Jesse Eisenberg
Passenger's Side is a non-fiction account, that describes how an ordinary person's life, becomes extraordinary. You'll learn of how one man's life has dramatically changed, because of something he has found... something that was once hidden. The author, John, has discovered a new and amazing relationship. The type of relationship that he has discovered, is one that he never would have imagined... one that he didn't realize could exist. Can miraculous things really happen in a person's life, everyday? In addition to learning of John's personal testimonies and the amazing accounts that he will share with you, Passenger's Side was written to help you. It is a Christian self-help book, that can change your life in a way that is more wonderful than you could imagine. It can and will help you in the "here and now." The author states: "Over and above helping people like you, it is my intention that this book would bring glory to the God. It is God that deserves credit for all good things. We can do nothing worthwhile outside of Him. We have life, only because of Him. It is only the Lord God, who is worthy of praise. I believe this book will give you a better understanding of the Lord, and your own life. You will soon discover that with Jesus Christ as your partner, you can live the kind of life that seems like a wonderful dream. And the best part is; what I am referring to, is available to you now. Even today. So join me on this journey. Open your mind, and your heart, and you will soon discover what I have... that traveling through life in the passenger's side, is the only way to travel!
“A fast-moving account of the era bookended by Stranger Than Paradise and Pulp Fiction . . . [a] Baedeker of off-Hollywood where all roads lead to Park City.” —Interview The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution. At the epicenter of the industry in the 1980s and ’90s, John Pierson reveals what it took to launch such films as Stranger Than Paradise, Clerks, She’s Gotta Have It, and Roger and Me. A chronicle of a remarkable decade for the American independent low-budget film, Spike, Mike, Slackers & Dykes also celebrates the nearly two dozen first-time filmmakers whom Pierson helped make a name for themselves and the hundred others whose success stories he observed at close quarters. “John Pierson has faithfully chronicled the American independent scene. He was there, he knows.” —Spike Lee “Sly, knowledgeable, deeply entertaining . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —Entertainment Weekly “The most contentiously witty and revealing view of off-Hollywood around.” —Rolling Stone “Mr. Pierson, who has lived, breathed, and hunted film for most of his adult life, covers his territory with urgency and conviction, and his single-mindedness is ravishing.” —The New York Times Book Review “Pierson’s prose is quick-moving and witty and reads like a Who’s Who of the off-Hollywood mavericks who make the movies we’d like to see but can’t always find.” —The Washington Post “A marvelously entertaining, educational, and caustic account of the rise of American independent filmmaking.” —The Globe and Mail
A survey of film musicals incorporates interviews with directors and screenwriters, an overview of the genre from the 1920s to the 1990s, and discusses fourteen film musicals from 1996 to 2004, along with musicals on TV.
This monumental work of history removes the Incas from the realm of legend and shows the reality of their struggles against the Spanish invasion. Winner of the 1971 Christopher Award. Index; photographs, maps, and line drawings.
With his breath-taking breakthrough performance in Martin Scorsese's Mean Streets in 1973 he forged an enormously fruitful collaboration - including Taxi Driver, Raging Bull and Goodfellas - that, alongside his roles in the likes of The Godfather Part Two, The Deer Hunter and Once Upon a Time in America, reads like a list of the top Hollywood films of the last 30 years.As a 'method' actor De Niro lives and breathes his roles to bring his unique intensity and brooding menace to the screen; be it feasting on pasta to gain 60lbs for Raging Bull or learning to play the saxophone for New York, New York, nothing is beyond him in his pursuit for perfection. But he's certainly not above sending himself up, particularly in recent years, in films such as Analyse This and Meet the Parents, where he has honed a previously unheralded talent for comedy acting.De Niro cuts an enigmatic figure off screen, where he is notoriously reluctant to discuss his life , though his relationships with supermodels such as Toukie Smith and his current wife Grace Hightower have often made the news. His forays into the director's chair as well as setting up his own production company, TriBeCa Productions, have seen him more willing to discuss his work, and his political views are clear. He is an active supporter of the Democrat Party, lending his support to Barrack Obama, and has pledged to revitalise the TriBeCa region of New York following the September 11 attacks.Throughout a career that has seen him date Naomi Campbell, live in a mental hospital (for his role in Awakening), work as a taxi driver, beat prostate cancer and even meet the Fockers, he's always been at the top of his game.
John McGrath is an executive chef, author and an active film critic who has reported for radio, television and print media for more than 16 years. Author of Watch This Movie, a collection of reviews of his top 1000 films, John is also a veteran of seven Cannes Film Festivals. His last book Its All Part of the Alpine Experience took a behind the scenes look at life as a seasonaire in the worlds most famous ski resort, Chamonix Mont Blanc. Cannes Confidential reveals everything there is to know about the legendary Cannes Film Festival but too afraid to ask. No one has previously attempted taking such an insiders look at the cinema cognoscenti, the hype, the Riviera underworld and the glitz, glamour, sleaze, sex and debauchery that intermingles with the lifestyles of the rich and famous and is the real life blood of the famous festival.
Garcilaso de la Vega, the great chronicler of the Incas and the conquistadors, was born in Cuzco in 1539. At the age of twenty, he sailed to Spain to acquire an education, and he remained there until his death at Córdoba in 1616. As the natural son of a noble conquistador and an Indian woman of royal blood, he took immense pride in both his Spanish and Inca heritage, and, living as he did during a bewildering but stimulating epoch, he personally witnessed the last gasp of the dying Inca empire, the fratricidal conflicts that accompanied the Conquest, and the literary growth as well as the political decline of the Spain of Philip II and Philip III. Garcilaso left for posterity one of the earliest accounts of the ancient Incas, a reliable though admittedly biased chronicle of Spanish conquests in Andean America and a glowing story of Hernando de Soto’s exploration of North America. Though he never lost pride in his Spanish heritage, continued rebuffs in caste-conscious Spain strengthened his pride in his Indian heritage and his sympathy for his mother’s people. Thus his histories, while ennobling Spaniards, also ennobled the Incas, and eventually were to have some influence in the struggle of South Americans for political independence from Spain. In both blood and character El Inca Garcilaso was a true mestizo. He is generally considered to have been the first native-born American to attain the honor of publication. This was the life, and these were the times, that Varner has evoked so richly in his narrative. It rings and glitters with the sounds and colors of festivals, pageantry, and battle; it listens to the murmur of prayers, the defeated mutter of the Incas, the scratch of the scholar’s quill; it pictures both highlights and shadows. For the reader already acquainted with Garcilaso’s chronicles, this book will be a welcome complement; for those who are meeting El Inca here for the first time, it will be a rewarding and satisfying introduction.
Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss. An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore’s buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame.
(Applause Books). "I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the other hand, so trite, so meretricious, or so banal... I find his reviews full of insights and perceptions that make reading a collection of this sort as exciting as reading a gripping novel. John's wit is dazzling and is never displayed for its own sake, but to drive home an aspect of the review... It was exciting for me to read through this collection and see such warm praise for so many films that I feel have been unjustly ignored." Bruce Beresford
THIS IS THE GUIDE TO CLASSIC SUPERHERO MOVIES YOU NEVER KNEW YOU NEEDED. If you mention the word 'superhero' these days, the mind is immediately bombarded by visions from the MCU, DCU and all the numerous phases, extended TV series and animated side-specials that combine to make our eyes bleed with a barrage of different characters fighting each other. But before 1997 people would generally only think of a few things: Christopher Reeve smiling as his Superman kept a watchful eye over Earth's atmosphere, Michael Keaton's Batman running around Gotham dressed in moulded rubber, Nicholas Hammond's Spider-Man being hauled up a wall on a rope, Bill Bixby trying not to unleash his inner Hulk and Flash Gordon camply swashbuckling his way around another galaxy. It's time to don your cowl, cape, shredded jeans and Vultan leatherwear and join John Rain as he wades his way through twenty classic superhero films that stunned, amazed and baffled the world from 1978 to 1997. IS IT A BIRD? IS IT A PLANE? NO, IT'S SUPERBOOK! 'The perfect way to enjoy the best and worst films of your childhood' - Ed Byrne
Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors.
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 55 provides an illustrated listing of every American and foreign film released in the United States in 2003, all documented with more than 1,000 photographs. The 2004 edition of Screen World features such notable films as Peter Jackson's The Lord of the Rings: The Return of the King , which won all 11 Academy Awards it was nominated for, including Best Picture, tying a record; Clint Eastwood's Mystic River , which won Academy Awards for Best Actor Sean Penn and Best Supporting Actor Tim Robbins; Sofia Coppola's Lost in Translation , Academy Award-winner for Best Original Screenplay; and Peter Weir's Master and Commander: The Far Side of the World . Also featured are Patty Jenkins' Monster , featuring Academy Award-winner for Best Actress Charlize Theron, and independent successes such as Gurinder Chadha's Bend It like Beckham and Tom McCarthy's The Station Agent . As always, Screen World 's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Now featuring 16 pages of color photos!
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
Though drug use was widespread in the nineteenth century, the negative influence of narcotics was mostly unknown. Cinema of the early twentieth century was instrumental in making viewers aware of the harmful effects of drugs. Throughout the decades, images of drugs such as marijuana, LSD, and heroin in films impacted—both negatively and positively—the national perception of their use. In fact, the use, popularity, and opinion of certain drugs often follow their status on the big screen. In Hooked in Film, John Markerttakes a close look at the correlation between social policies and the public view of drugs and their portrayals in film. In this volume, Markert examines the changing social attitudes toward illegal drugs and their cinematic depictions from as early as the 1894 film Chinese Opium Den to the present. The first section of this book focuses on the demonization of drugs between 1900 and 1959, followed by an assessment of marijuana on the big screen after 1960, when the drug was shown as part of everyday life with no serious consequences. Post-1960 depictions of heroin use, which have remained consistently negative, are also analyzed. Markert then takes a close look at the portrayals of powdered cocaine after the 1960s and the emergence of crack in the mid-1980s. Finally, Markert discusses hallucinogens, Ecstasy, and methamphetamines and their roles on the big screen. Tracking hundreds of films spanning more than a century, Hooked in Film looks at camp classics like Reefer Madness, comedies such as Cheech and Chong’s Up in Smoke, Dazed and Confused, and Pineapple Express, and dramas, including Panic in Needle Park and Requiem for a Dream. Scholars and students of cinema, popular culture, media studies, and sociology will find this book a valuable examination of how cinematic portrayals of drugs have changed over time, and how those images have influenced public perception of drugs and even public policy.
This book is written to awaken the human spirit, so the individual will understand the personal relationship that exists with God apart from the church congregation or any organization. God wants you to know when hes talking directly to you for your own good without distractions from those around you. God doesnt want you to be deceived by those who have titles in this world because hes removing them from their position. This book will put you on a spiritual path thats designed to bring you home in glory with God.
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 54 provides an illustrated listing of every American and foreign film released in the United States in 2002, all documented with more than 1000 photographs. The 2003 edition of Screen World features such notable films as Chicago , the Academy Award winner for Best Picture; Martin Scorsese's Academy Award-nominated Gangs of New York ; The Pianist , featuring the surprise Academy Award winners Adrien Brody for Best Actor and Roman Polanski for Best Director; Spider-Man , the highest grossing film of 2002; The Hours with Academy Award winner for Best Actress Nicole Kidman; and About Schmidt starring Academy Award nominees Jack Nicholson and Kathy Bates. As always, Screen World's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Includes over 1,000 photos! "The enduring film classic." Variety
(Theatre World). Highlights of this new Theatre World , now in its 58th year, include Mamma Mia! with Louise Pitre; Thoroughly Modern Millie starring Tony Award-winner Sutton Foster; the downtown-moves-uptown triumph Urinetown starring Sutton's sibling Hunter Foster and John Cullum; the one-woman show Elaine Stritch at Liberty ; the Tony Award-winner for Best Play, Edward Albee's The Goat ; Topdog/Underdog , the Pulitzer Prize-winning play by Suzan-Lori Parks, the first African American woman to win a Pulitzer for drama; the revival of Noel Coward's Private Lives ; and Sweet Smell of Success starring John Lithgow. Some notable Off-Broadway productions of the season include Neil LaBute's The Shape of Things with Gretchen Mol, Paul Rudd and Rachel Weisz; Richard Greenberg's (Take Me Out) The Dazzle ; Jason Robert Brown's notable musical The Last Five Years ; tick, tick ... BOOM! , a musical by the late Jonathan Larson ( Rent ); Tony Kushner's Homebody/Kabul ; and Sam Shepard's The Late Henry Moss with Ethan Hawke. Theatre World, the statistical and pictorial record of the Broadway, Off-Broadway, and Off-Off-Broadway seasons, touring companies, and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, and song titles. There are special sections with autobiographical data, obituary information, a longest runs listing, an expanded awards listing, and much, much more. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis's Theatre World ." Harry Haun, Playbill " Theatre World commemorates the history and excitement of the theatre like no other publication. John Willis and his book are indispensable." Alec Baldwin
Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like 'postmodern' and 'postdramatic' have their own contested and defended histories, while notions of truth in verbatim theatre are open to serious critical challenge. Theatre writing can result in no words being spoken and nothing appearing on the page, and productions are stretching the boundaries of space, place and context like never before. This revised and significantly expanded edition of New Performance/New Writing explores immersive and solo theatre, autoethnography, applied drama, performance writing, plot, story, narrative and devising. It presents an invaluable response to questions that arise from new theatre, prompting active reading that enhances classroom and workshop learning, and improves productivity in rehearsal. Each chapter explores a key aspect of theatre study, while an extensive timeline of theatre events gives a broad overview of its evolution. Case studies on practitioners as diverse as Kneehigh, Punchdrunk, Mark Ravenhill and Forced Entertainment are scattered throughout the book, along with detailed suggestions for workshops, which encourage readers to test some of the book's ideas in practice.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia. Explored throughout the text are seven crucial themes: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed for general and scholarly interest, as well as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. It includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for discussion and analysis.
Pittsburgh has been part of the film industry since the days of silent film. Yet, it was not until the 1951 classic Angels in the Outfieldset at Forbes Fieldthat the Steel City had its first major role on the silver screen. Greater Pittsburghs film and television industry has since produced everything from the beloved childrens program Mister Rogers Neighborhood to the cult classic Night of the Living Dead. Most recently, Christopher Nolan has chosen to set the conclusion to his Batman trilogy in the city. From the first nickelodeon and film row of those early days to the locations and cutting-edge sets of today, local author John Tiech takes a behind-the-scenes tour of Pittsburgh cinema.
This is the first comprehensive history of films made in or about Iowa. It reflects some twenty years of collecting, lecturing, and talking with some of Iowa's current generation of independent filmmakers. It covers the span from 1918 to 2013 and gives important background information on dozens of high profile films such as the STATE FAIR films of 1933 and 1945, THE BRIDGES OF MADISON COUNTY, FIELD OF DREAMS, and many others. It is designed as a companion for the State Historical Society's blockbuster "Hollywood in the Heartland" exhibition in Des Moines that is scheduled to run at least through 2016. The book has an interpretive essay covering the entire history as well as paragraph length descriptions of each film. A user-friendly feature is the Index of Films, which makes it easy to locate discussions of individual films. Marty Knepper is a featured commentator on video screens in the "Hollywood in the Heartland" exhibition.
Pristine beaches, limestone mountains, and a tropical rain forest are some of the scenic wonders that make Puerto Rico a modern paradise. Unlike other Latin American places to visit and explore, however, Puerto Rico is a part of the United States, and the people who live there are U.S. citizens. Puerto Rican history dates back to ancient cultures established long before Christopher Columbus explored the island in 1493. Later, these cultures gave way to the influence of Spanish settlers and Africans brought over as slaves. Reminders of all those cultures, such as impressive forts and soaring cathedrals, can still be seen in some of the island’s cities and sampled in its spicy cuisine. Come along and learn about the wildlife of El Yunque, the battles of El Morro, and the people who popularized salsa music. Discover some of the most influential people with Puerto Rican roots, including baseball hall-of-famer Roberto Clemente, actress Rita Moreno, and entertainer Jennifer Lopez. Then make a tasty treat of coconut kisses and a mask to celebrate Carnival as souvenirs of your visit to the Commonwealth of Puerto Rico.
Since the mid-1950s, the psychoactive compound DMT has attracted the attention of experimentalists and prohibitionists, scientists and artists, alchemists and hyperspace emissaries. While most known as a crucial component of the “jungle alchemy” that is ayahuasca, DMT is a unique story unto itself. Until now, this story has remained untold. Mystery School in Hyperspace is the first book to delve into the history of this substance, the discovery of its properties, and the impact it has had on poets, artists, and musicians. DMT has appeared at crucial junctures in countercultural history. William Burroughs was jacking the spice in Tangier at the turn of the 1960s. It was present at the meeting between Ken Kesey's Merry Pranksters and Tim Leary's associates. It guided the inception of the Grateful Dead in 1965. It showed up in Berkeley in the same year, falling into the hands of Terence McKenna, who would eventually become its champion in the post-rave neo-psychedelic movement of the 1990s. Its indole vapor drifted through Portugal's Boom Festival and has been evident at Nevada's Burning Man, where DMT has been adopted as spiritual technology supplying shape, color, and depth to a visionary art movement. The growing prevalence of use is evident in a vast networked independent research culture, and in its impact on fiction, film, music and metaphysics. As this book traces the effect of DMT's release into the cultural bloodstream, the results should be of great interest to contemporary readers. The book permits a broad reading audience to join ongoing debates in studies in consciousness and theology where the brain is held to be either a generator or a receiver of consciousness. The implications of the "spirit molecule" or "the brain's own psychedelic" among other theories illustrate that DMT may lift the lid on the Pandora's Box of consciousness. Features a foreword by Dennis McKenna, cover art by Beau Deeley, and thirty color illustrations by various artists, including Alex Grey, Android Jones, Martina Hoffmann, Luke Brown, Carey Thompson, Adam Scott Miller, Randal Roberts, along with Jay Bryan, Cyb, Orryelle Defenestrate-Bascule, Art Van D'lay, Stuart Griggs, Jay Lincoln, Gwyllm Llwydd, Shiptu Shaboo, Marianna Stelmach, and Mister Strange. Regarded as the “nightmare hallucinogen” or celebrated as the “spirit molecule,” labelled “psychotogenic” or “entheogenic,” considered a dangerous drug or the suspected X-factor in the evolution of consciousness, DMT is a powerful enigma. Documenting the scientists and artists drawn into its sphere of influence, navigating the liminal aesthetics of the “breakthrough” experience, tracing the novum of “hyperspace” in esoteric and science fiction currents, Mystery School in Hyperspace excavates the significance of this enigmatic phenomenon in the modern world. Exposing a great many myths, this cultural history reveals how DMT has had a beneficial influence on the lives of those belonging to a vast underground network whose reports and initiatives expose drug war propaganda and shine a light in the shadows. This conversation is highly relevant at a time when significant advances are being made to lift the moratorium on human research with psychedelics.
The gangster, like the gunslinger, is a classic American character-and the gangster movie, like the Western, is one of the American cinema's enduring film genres. From Scarface to White Heat, from The Godfather to The Usual Suspects, from Once Upon a Time in America to Road to Perdition, gangland on the screen remains as popular as ever.In Bullets over Hollywood, film scholar John McCarty traces the history of mob flicks and reveals why the films are so beloved by Americans. As McCarty demonstrates, the themes, characters, landscapes, stories-the overall iconography-of the gangster genre have proven resilient enough to be updated, reshaped, and expanded upon to connect with even today's young audiences. Packed with fascinating behind-the-scenes anecdotes and information about real-life hoods and their cinematic alter egos, insightful analysis, and a solid historical perspective, Bullets over Hollywood will be the definitive book on the gangster movie for years to come.
A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.
“Playful and (un)deadly serious . . . chew[s] through a near-exhaustive array of films, television, literature, culture, music and even cocktails.”—Times Literary Supplement They have stalked the horizons of our culture, wreaked havoc on moribund concepts of dead and not dead, threatened our sense of identity, and endangered our personal safety. Now zombies have emerged from the lurking shadows of society’s fringes to wander the sacred halls of the academy, feasting on tender minds and hurling rot across our intellectual landscape. It is time to unite in common cause, to shore up defenses, firm up critical and analytical resources, and fortify crumbling lines of inquiry. Responding to this call, Brain Workers from the Zombie Research Center poke and prod the rotting corpus of zombie culture trying to make sense of cult classics and the unstoppable growth of new and even more disturbing work. They exhume “zombie theory” and decaying historical documents from America, Europe, and the Caribbean in order to unearth the zombie world and arm readers with the brain tools necessary for everyday survival. Readers will see that zombie culture today “lives” in shapes as mutable as a zombie horde—and is often just as violent. “An intelligent and highly engaging collection that will appeal to legions of zombie fans, to students in the humanities, and to scholars working in fields that have already been affected by or are now preparing for the zombie apocalypse. It blends entertaining, illuminating, and accessible readings of zombies and zombie culture with unique interventions made from authoritative positions of expertise.”—Julian Murphet, author of Faulkner’s Media Romance
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