Speed Tile: A parable of Technological Dependence... John Hunter, an unfulfilled artist, literally chucks his video production business into the Chicago River and embarks on a quest to understand the strange and subtle powers of the speed tile, an odd, technological artifact that he finds in the dunes of Michigan. A haunting ghost town covered by sand, an ancient, witch-like bookstore owner and a lumbering house-mover all provide hints to the secret powers inside these alien devices. Hunter’s family watches in horror as the speed tile invades his consciousness and the mind of his twelve-year-old daughter as he creates ever more bizarre and frightening images inspired by the evil device. A mysterious physicist from the Far East and an evil sea captain from the past converge with Hunter on a deserted island in Lake Michigan seeking the secret of eternal life. In a crumbling lighthouse, Hunter finally confronts the horror that his speed tile has become.
Amy and the Tortoise" is an environmental cautionary tale for young readers. Combining vibrant images with compelling storytelling, this book shares our world's bleak future if humanity does not put a lid on global warming. It is illustrated with Leben's surrealistic imagery, tempering the message with the humorous solutions of technocrats called bald-headed suiters. Although the content is relevant for all ages, the book is aimed at mid-grade kids to raise awareness of the environmental problems that are plaguing our world. The story of "Amy and the Tortoise" was also produced as a movie by John Leben, the author and illustrator. The movie version is also published at the end of the book as a QR code for readers who would also like to watch the movie. Amy, a twelve year old girl, lives under a glass dome and sometimes has to wear a gas mask when the elephants let her go outside. Her outside friend is Gus, a grumpy 100 year old tortoise, who barely survived the ravages of global warming in his younger days. Amy narrates Gus's story of environmental disaster when humanity almost destroyed the planet. Gus remembers a worsening environment beset by storms, floods and unbreathable air when technocrats called Bald-Headed Suiters created habitats where people could live. But the Suiters cared little about the planet or the animals that populated it. Their solutions were short-sighted, only focused on the survival of humanity. After the forests burned in the fires of global warming, the Suiters collected the few remaining trees and preserved them under glass domes. They called them Tree Museums. The Suiters did nothing to replant the forests, but, using their Tree Museum technology, they also built villages under giant glass domes. The people survived under the domes, but they felt like prisoners, like the trees in the Tree Museums. With humanity isolated under glass, a funny thing happened... the world began to heal. Humanity, and especially the Bald-Headed Suiters, were like a virus, sickening the planet. The animals, including Gus the tortoise, noticed the change and went to work rebuilding the forests... their homes that were devastated by the fires of global warming. As the new forests grew, the Suiters dreamt of rebuilding their cities and reestablishing their dominance over nature, setting the stage for an epic struggle between the animals and the Suiters. This story, although frightening, is deeply relevant for children. Addressing the climate crisis starts with education and awareness so future generations have the necessary knowledge and resources to come together and save our beautiful planet Earth.
This study reverses the question implicit in title of Christa Wolf’s now-canonical 1990 novella Was bleibt (What remains), looking instead at what was lost during the process of German reunification. It argues that, in their work during and after the Wende, most literary authors from both East and West Germany responded ambivalently to the reunification. Many felt, on the one hand, a keen sense of loss as the GDR dissolved and an expanded Federal Republic summarily absorbed former Eastern Germany. They mourned the ideals of democratic socialism, tolerance, and internationalism that the GDR had held dear, as well as the country’s rich cultural life. On the other hand, however, they recognized that the GDR was a fundamentally corrupt surveillance state whose industry weighed heavily on the environment while failing to buoy the country’s economy. By looking at works by some of the most important authors from either side of the border, this study shows that those who unequivocally embraced the reunification were clearly in the minority.
In this historical and theological study, John G. Gager undermines the myth of the Apostle Paul's rejection of Judaism, conversion to Christianity, and founding of Christian anti-Judaism. He finds that the rise of Christianity occurred well after Paul's death and attributes the distortion of the Apostle's views to early and later Christians. Though Christian clerical elites ascribed a rejection-replacement theology to Paul's legend, Gager shows that the Apostle was considered a loyal Jew by many of his Jesus-believing contemporaries and that later Jewish and Muslim thinkers held the same view. He holds that one of the earliest misinterpretations of Paul was to name him the founder of Christianity, and in recent times numerous Jewish and Christian readers of Paul have moved beyond this understanding. Gager also finds that Judaism did not fade away after Paul's death but continued to appeal to both Christians and pagans for centuries. Jewish synagogues remained important religious and social institutions throughout the Mediterranean world. Making use of all possible literary and archaeological sources, including Muslim texts, Gager helps recover the long pre-history of a Jewish Paul, obscured by recent, negative portrayals of the Apostle, and recognizes the enduring bond between Jews and Christians that has influenced all aspects of Christianity.
J. J. White reexamines the use of myth in fiction in order to bring a new terminological precision into the field. While concentrating on the German novel (Mann, Broch, and Nossack), he discusses the work of Alberto Moravia, John Bowen, Michel Butor, and Macdonald Harris as well, in order to show the modern predilection for myth in whatever national literature. Throughout his discussion, Mr. White delineates carefully his specific subject: the novel in which mythological motifs are used to prefigure events and character—Joyce's Ulysses is, of course, the archetypal novel in this tradition. Setting forth his terms, and making clear his use of them, Mr. White then analyzes the wide appeal of the mythological novel for both twentieth-century novelists and critics: he distinguishes four ways in which modern novelists use myth and surveys the range of critical literature on the subject. His concluding chapters are discussions of specific texts in which he differentiates between novels which have a unilinear parallel between myth and plot, novels of "juxtaposition" in which chapters retelling myth parallel modern action, and novels of fusion in which the action of the modern account synthesizes more than one mythic prefiguration of mythological motif. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.
Die Sekunde, die dein Leben verändert Joe Castle ist ein Ausnahmetalent. Bereits in seinen ersten Spielen für die Chicago Cubs schlägt er einen Home Run nach dem anderen. Die Fans sind begeistert, und es dauert nicht lange, bis das ganze Land den jungen Spieler frenetisch feiert. Joes Weg an die Spitze scheint vorgezeichnet zu sein, bis er eines Tages auf dem Spielfeld Warren Tracey gegenübersteht, einem mittelmäßigen Werfer der New Yorker Mets, der Joes Erfolg nicht ertragen kann. Es beginnt ganz unspektakulär mit einer Zerrung im Oberschenkel. Der First Baseman der Chicago Cubs stürzt, und die Mannschaft braucht plötzlich einen freien Spieler, der die Position übernehmen kann. Damit kommt Joe Castle ins Spiel, ein einundzwanzigjähriger College-Spieler, der eine vielversprechende Saison hinter sich hat. Es dauert nicht lange, bis Castle seinen ersten Rekord für die Cubs aufstellt: drei Home Runs in einem Spiel. Noch glaubt jeder an Anfängerglück, doch Castle beweist brillant das Gegenteil. Er erzielt einen Home Run nach dem anderen und wird bald im ganzen Land als Jahrhunderttalent umjubelt. Bis er während eines Spiels gegen die New Yorker Mets auf Warren Tracey triff t, der einen Ball wirft, der Joe Castles Leben für immer verändern wird. Dreißig Jahre später macht sich Traceys Sohn auf den Weg, um Joe Castle um Vergebung für seinen Vater zu bitten. Eine schicksalhafte Reise, deren Ausgang ungewiss ist.
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