From award-nominated writer John Langan comes a collection of uneasy meetings. A frustrated professor and his graduate student assistant accompany a group of soldiers to a remote Scottish island to learn what is buried there. A man plays an audiotape left for him by his late father and is initiated into a family story of monstrous deeds. A student learns frightening lessons in a surreal tutoring center. A young couple struggles to make their stand against a group of inhuman pursuers in a ravaged landscape. And, in a new story, an artist discovers a mysterious statue whose completion becomes his obsession.
The haunting debut novel by the Bram Stoker Award-winning author—“think Henry James and Joyce Carol Oates with just a few paragraphs of Joe Lansdale” (Tor.com). For the last few years, Veronica Croydon has been at the center of scandal, first as the younger woman for whom her famous professor left his wife, and then as his apparent widow. When a writer staying at the same vacation home as Veronica has the chance to hear her story, he jumps at it. What follows takes him to the dark heart of a father's troubled relationship with his only son, in a story that stretches from the Hudson Valley to Afghanistan; and from post-9/11 America to Victorian England. House of Windows is a haunting exploration of a marriage under strain from forces both psychological and paranormal. With its combination of literary complexity and chilling supernatural violence, it is widely considered a masterpiece of contemporary horror fiction. New introduction by Adam Nevill Reading Group Guide included “John Langan is a writer of superb literary horror. Both House of Windows and The Fisherman are dark and unsettling contemporary masterpieces.” —Peter Straub, New York Times bestselling author
John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten tales of cosmic horror. In these stories, he continues to chart the course of 21st Century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate. A Halloween haunted house becomes a conduit to something ancient and uncanny. The effigy of a movie monster becomes instrumental in a young man's defence against a bully. A family diminishes while visiting a seaside town, leaving only one to remember what changed. Lured in by fate, a father explores a mysterious tower, and the monster imprisoned within. Mourning his death, a young man travels to his father's hometown, seeking closure, but finds himself beset by dreams of mythic bargains and a primaeval, corpse-eating titan.
This text provides students with the essential reading and study skills they need to become independent learners in college. A brief guide to important word skills, it also covers motivational skills which encourage the right attitude. This new edition is an alternate version of Form A, offering fresh reading selections, over 200 exercises and activities including: a complete chapter from an introductory sociology textbook, the PRWR (preview-read-write-recite) study method, a new introduction which helps students determine which skills to hone and an explanation of new library computerized search facilities.
In the words of the text's best-selling author, John Langan, "Grammar books can be really dull. But they don't have to be. "English Essentials is a new text that makes grammar, punctuation, and usage interesting--with pictures, stories, and activities students will enjoy." The affordable price, ease of use, and simple, familiar language distinguish this engaging text from others on the market.
Exploring Writing emphasizes personalized learning. Powered by Connect Writing, students gain access to an adaptive personalized learning plan which helps them become more aware of what they already know and what they need to practice.
Focuses on the essay using the author's wide range of writing assignments and activities that reinforce the four bases of effective writing: unity, support, coherence, and sentence skills.
Substitutions - Michael Marshall Smith Michael Marshall Smith recalls: "This story came about in the simplest way, the way I always enjoy most - something happening in real life that makes you think 'What if?' "Our household gets a lot of its food via an online delivery service, and one day when I was unpacking what had just been dropped at our house I gradually realised there was something...not quite right about the contents of the bags. "There's two things that are strange about that experience. The first is that - given that every household is likely to buy at least some things in common - you don't realise straight away that you've been given the wrong shopping. You don't immediately think 'This is wrong', more like . . . 'This is weird'. The second is how personal it is, gaining accidental access to this very tangible evocation of some other family's life. You can't help but wonder about the people the food was really destined for. "In real life, I just called up the delivery guy and got it sorted out: but in fiction, you might tackle things slightly differently . . ." Out Back - Garry Kilworth "'Out Back' was written for a group of friends," Kilworth recalls, "who appear as characters in the story under their initials, as I do myself. Those who know me well will recognise the protagonists. "Iken is a real village on the edge of the marshes behind Snape Maltings in Suffolk. Two years ago I wandered along the periphery of the reed beds which stretch down towards the coast as a green and golden sea, the waves created by the winds that blow across the flatlands. Looking at the church that sits on a knoll above the marshes I thought, 'This is a perfect setting for a horror story.' And so . . ." City of the Dog - John Langan "This story arose from my desire to see what I could do with the figure of the ghoul," reveals Langan, "and as I've tried to indicate within the narrative, I drew inspiration both from H.P. Lovecraft ('Pickman's Model') and CaitlĂn R. Kiernan (Daughter of Hounds). "The miserable years in New York State's capital, though, were mine alone.
Grounded in John Langan’s Four Bases – unity, coherence, sentence skills, and support – Exploring Writing employs a unique personalized learning plan to address student deficits in grammar and mechanics and to free instructional time for activities emphasizing writing process and critical thinking.
Fourteen original stories inspired by the influential horror writer, including tales by Laird Barron, CaitlĂn R. Kiernan, Gemma Files, and Brian Evenson. Compiled by Hugo and Bram Stoker Award–winning editor Ellen Datlow, these original stories of the supernatural employ H. P. Lovecraft’s trademark terror of the cosmic unknown. A fresh generation of writers have been set free to play in his playground, exploring new themes and new horrors. In “Oblivion Mode” by Laird Barron, a revenge-fueled woman and her ragtag band confront a vampiric baron. Rumored to have belonged to a Donner Party survivor, a jade figurine winds its way through many different hands and centuries, spreading evil along the way in CaitlĂn R. Kiernan’s “Excerpts for An Eschatology Quadrille.” In Gemma Files’s “Little Ease,” a pest exterminator meets a woman researching Enochian—the language of angels—and makes a horrific discovery in the walls of a building. A woman’s new pair of bifocals comes with a warning she should take seriously in “Glasses” by Brian Evenson. Also included are tales by Siobhan Carroll, Orrin Grey, Richard Kadrey, A. C. Wise, Brian Hodge, Stephen Graham Jones, John Langan, Maria Dahvana Headley, David Nickle, and Livia Llewellyn. “The power of this anthology shows in that it’s not only a must for Lovecraft fans, but for any fan of solid, mature, and mind-boggling weird fiction, courtesy of one of the finest editors in the industry.” —New York Journal of Books “You don’t need to be a fan of H.P. Lovecraft to enjoy the quality storytelling in this book. If you are, though, you might enjoy it even more.” —Horrible Book Reviews
College Writing Skills with Readings 10e highlights the importance of writing with a purpose by focusing on four bases of writing, unity, support, coherence, and sentence skills. The four bases provide students with clear guidance on how to organize their thoughts, structure their main idea into a thesis, provide supporting evidence to their claim, and revise and edit their work into a well thought-out essay. College Writing Skills with Readings personalizes and grounds students’ writing experience by placing all of its reading, writing, and essay examples within three key realms - personal, academic, and workplace (PAW) - to emphasize the importance of writing in every facet of life.
English Skills with Readings emphasizes personalized learning to address student deficits in grammar and mechanics. Powered by Connect Writing, students gain access to an adaptive personalized learning plan which helps them become more aware of what they already know and what they need to practice to prepare themselves for college-level writing.
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