What a talented, wonderful, and complete writer."--Mel Brooks "By far the best thing about my stuff I've ever read."--Arthur Miller "These are wonderful portraits."--Edna O'Brien "The high-water mark of theatrical reportage. Exhilarating! Smart! Lahr gives as much thunderous pleasure as the great entertainers he writes about."--Richard Avedon "There's never been an American critic like John Lahr. His writing exalts, honors, and dignifies the profession and, more importantly, the art."--Tony Kushner
John Lahr’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man’s quest to understand his father; it is an extraordinary examination of a life in American show business.
A great theater critic brings twentieth-century playwright Arthur Miller's dramatic story to life with bold and revealing new insights "New Yorker critic Lahr shines in this searching account of the life of playwright Arthur Miller. . . . It's a great introduction to a giant of American letters."--Publishers Weekly Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller (1915-2005), the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller's life--his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller's role as a public intellectual--this book demonstrates the synergy between Arthur Miller's psychology and his plays. Concentrating largely on Miller's most prolific decades of the 1940s, 1950s, and 1960s, Lahr probes Miller's early playwriting failures; his work writing radio plays during World War II after being rejected for military service; his only novel, Focus; and his succession of award-winning and canonical plays that include All My Sons, Death of a Salesman, and The Crucible, providing an original interpretation of Miller's work and his personality.
A reissue in hardback of critic John Lahr's famous 1982 study of Noël Coward's plays"Noël Coward," said Terence Rattigan, "is simply a phenomenon, and one that is unlikely to occur ever again in theatre history." A phenomenon he certainly was, and it is part of John Lahr's purpose in this book to show how that phenomenon called "Noël Coward" was largely Coward's own careful creation. Lahr's penetrating critical study of Coward's drama investigates all the major and minor plays of "The Master". Private Lives, Design for Living and Hay Fever make a fascinating group of "Comedies of Bad Manners". Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine". Lahr then goes on to explore the "politics of charm" oozing through The Vortex, Easy Virtue and Present Laughter. In all Coward's plays Lahr uncovers a coherent philosophy in which charm is both the subject of Coward's comedies and the trap which made his very public life a perpetual performance.
John Lahr’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man’s quest to understand his father; it is an extraordinary examination of a life in American show business.
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
(Applause Books). "I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the other hand, so trite, so meretricious, or so banal... I find his reviews full of insights and perceptions that make reading a collection of this sort as exciting as reading a gripping novel. John's wit is dazzling and is never displayed for its own sake, but to drive home an aspect of the review... It was exciting for me to read through this collection and see such warm praise for so many films that I feel have been unjustly ignored." Bruce Beresford
Commingled human remains are encountered in situations ranging from prehistoric ossuaries to recent mass fatality incidents. Commingled Human Remains: Methods in Recovery, Analysis, and Identification brings together tools from diverse sources within the forensic science community to offer a set of comprehensive approaches to resolving issues associated with commingled remains. This edition focuses on forensic situations, although some examples from prehistoric contexts are also addressed. Commingling of bones and other body parts is a major obstacle to individual identification that must be addressed before other forensic determinations or research can proceed. Regardless of the cause for the commingling (transportation disaster, terrorist attack, natural disaster, genocide, etc.) it is critical that the proper experts are involved and that the proper techniques are employed to achieve the greatest success in making identifications. Resolution of commingling nearly always requires consideration of multiple lines of evidence that cross the disciplinary lines of modern forensic science. The use of archaeology, DNA, and forensic anthropology are several areas that are critical in this process and these are core topics presented in this book. Even a relatively "simple mass fatality event can become very complicated once body fragmentation and commingling occur. Expectations associated with all phases of the process from recovery of remains to their final identification and release to next of kin must be managed appropriately. - A powerful resource for those working in the forensic sciences who need to plan for and/or address the complex challenges associated with commingled and fragmentary human remains - Written by an international group of the foremost forensic scientists presenting their research and candid experiences of dealing with commingled human remains, offering recommendations and providing "lessons learned" which can be invaluable to others who find themselves facing similar challenges - Contains chapters on remains recovery, laboratory analysis, case studies, and broader topics such as mass fatality management and ethical considerations
As early as the Silent Era, movie studios were sued over depictions of real people and events. Filmmakers have always altered the details of true stories and actual persons, living or dead, to make narratives more workable and characters more compelling. When truth and fantasy become inextricably mixed, the effect on people's lives can be significant, even devastating. This expanded second edition presents an updated history of legal issues surrounding the on-screen embellishment of reality, with a focus on important court decisions and the use of disclaimers. Seventeen courtroom dramas are given fact-versus-fiction analyses, and the The Perfect Storm (1991) is covered in extensive detail. A concluding chapter is devoted to actors who became so identified with fictionalized characters that they sought exclusive rights to those personas.
“Funny, outrageous, cynical, and spellbinding.”—People magazine. In this first-ever digital edition of John Gregory Dunne’s acclaimed collection Crooning, readers find evidence from the get-go confirming the writer’s reputation as one of the most clear-seeing, incisive observers of the American cultural and political scene. In sixteen sharp, distinctively voiced essays, Dunne profiles a blacklisted Hollywood screenwriter who three decades later passed himself off as a young Chicano novelist; considers the Kennedy men and conservative William F. Buckley, takes us inside California’s labyrinthine water politics and criminal justice system, details the workings of the Los Angeles county morgue, and is on the ground observing in Jerusalem just weeks before the intifada enveloped the West Bank and Gaza Strip in 1987. Here, too, are superbly entertaining accounts of the Hollywood star system and studio machine, Dunne drawing on two decades of experience as an L.A.-based journalist and fiction-writer with regular forays into screenwriting. He is candid and insightful about the business of writing and life of the dedicated writer as well. In “Laying Pipe,” Dunne chronicles the five-year experience of writing his epic novel The Red White and Blue. And in “Critical,” he focuses on book reviews and reviewers from his perspective as an author who, along with manifold strong notices, also received the occasional critical knock. He names names, and takes the opportunity to fire back at one of his critics. Early in Crooning, Dunne tells us that when he tires of the writing grind, he fantasizes about being a Johnny Mercer-like crooner, then reveals a moment later that he is tone deaf. The title, then, is playful - and in more than one way. Instead of writing sweet narrative melodies, Dunne built his career through work that exposes, challenges, thrums with opinion, and bristles with spiky, knowing humor. Download Crooning and dive into a book of provocative reportage, great stories, and witty, vigorous prose.
In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star. Above all, Lithgow’s memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John’s boyhood. From bedtime stories to Arthur’s illustrious productions, performance and storytelling were constant and cherished parts of family life. Drama tells of the Lithgows’ countless moves between Arthur’s gigs—John attended eight secondary schools before flourishing onstage at Harvard—and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater. Before Lithgow gained fame with the film The World According to Garp and the television show 3rd Rock from the Sun, his early years were full of scenes both hilarious and bittersweet. A shrewd acting performance saved him from duty in Vietnam. His involvement with a Broadway costar brought an end to his early first marriage. The theater worlds of New York and London come alive as Lithgow relives his collaborations with renowned performers and directors, including Mike Nichols, Bob Fosse, Liv Ullmann, and Meryl Streep. His ruminations on the nature of theater, film acting, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. Lithgow’s memory is clear and his wit sharp, and much of the humor that runs throughout Drama comes at his own expense. But he also chronicles the harrowing moments of his past, reflecting with moving candor on friends made and lost, mistakes large and small, and the powerful love of a father who set him on the road to a life onstage. Illuminating, funny, affecting, and thoroughly engrossing, Drama raises the curtain on the making of one of our most beloved actors.
For Junior, Senior, and Graduate courses in Human Evolution taught in anthropology and biology departments. This book is the most comprehensive collection of cutting edge articles on human evolution. Designed for use by students in anthropology, paleontology, and evolutionary biology, this edited volume brings together the major ideas and publications on human evolution of the past three decades. The book spans the entire scope of human evolution with particular emphasis on the fossil record, including archaeological studies.
Eighty prize-winning films of the 1930s are discussed in detail, with complete cast and technical credits, background notes, etc. Movies covered include "Gone With The Wind," "The Wizard of Oz," "Garden of Allah," "The Hurricane," "San Francisco," "In Old Chicago," "Lost Horizon," "It Happened One Night," "Sweethearts," "The Broadway Melody," "The Adventures of Robin Hood," "Tabu," "Wings," "Stagecoach," "Dr Jekyll and Mr Hyde" (both Fredric March and Spencer Tracy versions), "Cimarron," "Cleopatra," "Grand Hotel.
John Gennari sets out on a quest to find tutti, the everythingness that sits on the edgenow smooth, now serratedbetween Italian America and African America. Tutti, a black friend of his says, the unshakeable belief in beauty, in overflow, in everythingness, the bursting, indelible beauty in a world where there is so much suffering and wounding and pain . . . . Frank Sinatra s legend has meanwhile grown through the idolatry of a new hip-hop generation, we see octogenarian Tony Bennett (Anthony Dominick Benedetto) undertaking concert tours with 20-something Lady Gag (Stefani Angelina Germanotta) while Mario Batali continues to imperialize and monetize Italian cuisine, and Rick Pitino and other Italian American coaches shape championship rounds of college basketball. The essential argument about American culture, Gennari persuasively insists, is the argument about racespecifically, whether blackness, as supporters of jazz exhorted, is an essential ingredient of American cultural reality, or whether, as white nativists warned, going back to the 1920s, it is a dangerous threat to national identity, a force of cultural degeneracy. By the early 60s, Motown had set up cross-racialism by modeling the figure of the Italian pop ballad singer (and Marvin Gaye cut four ballads-and-standards Motown albums, his touchstones being Nat King Cole but also Sinatra and Perry Como). Gennari deftly sketches the interweavings of Italian and African American popular music from jazz to doo wop, soul to hip hop, including the surprising history of Italians in New Orleans music early in the 20th century. Then there s Spike Lee s Do the Right Thing, evoking the racism of Howard Beach and Bensonhurst, but showcasing the untarnished Brooklyn neighborhoods of Cobble Hill and Carroll Gardens. New York and New Jersey and New Haven are at the center of this remarkable book about the intermingling, mergers, contact zones of African America and Italian America, a big space where territorial masculinity vibrates with robust matriarchal energy; where traditions of singing, dancing, and eating embrace the funky vitality and unembarrassed pleasures of the body; where ear-and-eye intensive sensibilities mark extroverted, charismatic presentations of the public self; a history, complicated to be sure, of collaboration, intimacy, hostility, and distancing. Gennari writes with passion, drawing on black and Italian cultural history, literature, food TV, performance art, and cultural criticism to explore the alterations of pain and pleasure, suffering and joy, deprivation and abundance which have produced so much music, cuisine, athletic prowess, and cinemafull of flavor and soulfulness intrinsic to the nation s spirit and psychic health.
More than 50 of Hollywood's most famous movies are examined in detail in this book, which provides full cast and production credits, release dates, background information, DVD suppliers, plus up-to-date assessments and reviews. This information not only covers almost everything you would want to know about some of your favorite movies, but guides you towards further classic films you might enjoy! To name just twenty of the more than fifty titles, they include An American in Paris, The Apartment, The Caine Mutiny, Casablanca, China Seas, Duck Soup, From Here To Eternity, Gone With The Wind, The Greatest Show On Earth, If I Had a Million, In Old Chicago, It Happened One Night, Laura, Out of the Past, The Palm Beach Story, the Picture of Dorian Gray, A Place in the Sun, two versions of State Fair, The Wizard of Oz, Wonder Bar, and Yankee Doodle Dandy.
Imperial Germany's "Iron Regiment" of the First World War offers a rare English-language account of a premier German infantry unit. Renowned as the Iron Regiment for its fighting record in the legendary 1916 Battle of the Somme, its service spanned from WW I's earliest battles through its destruction by US Marines in the Argonne Forest in the war's final days. Inspired by a wartime journal written by the author's grandfather, an IR 169 veteran, much of the book is drawn from rare soldier accounts, many published here for the first time in English. The voice of these soldiers take us into the other side of the trenches and through the unimaginable horrors of the First World War. This second edition adds over 100 pages of text, maps, and pictures to the original publication. "An excellent writing looking at WW 1 from a German soldier's perspective. I highly recommend it to everyone interested in learning more about the Great War." Gerald York, Colonel (Ret), US Army Grandson of Sergeant Alvin York, famed US Army WW I Medal of Honor Recipient "This book stands head and shoulders above previously published unit histories and should not be ignored for its substantial value in providing the whole picture of many of the war's landmark battles." Roads to the Great War "War histories of German regiments during either the First or Second World War are comparatively rare, and this book is a welcome addition." Britain at War Magazine "A complete lifecycle account of a German regiment for the duration of the First World War, and so a rare contribution to those wishing to see the war from the German perspective." Great War Society ---------------- The author, John K. Rieth, is a retired US Army Lieutenant Colonel with a lifelong interest in military history. He is the author of Patton's Forward Observers: The History of the 7th Field Artillery Battalion and is a member of the US Army Historical Foundation and the Western Front Association.
(Applause Books). This the first book to examine the films of the acclaimed and popular Indian-born and Harvard educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. John Kenneth Muir analyzes all of Nair's work, including: Salaam Bombay! (1988), the groundbreaking story of a young boy abandoned by his family on the streets of Bombay; Mississippi Masala (1991), an interracial small town romance between an Indian woman (Sarita Choudhury) and an African American businessman (Denzel Washington); Monsoon Wedding (2001), featuring a Bollywood carnival atmosphere, one of the most successful foreign films ever released in the United States; Hysterical Blindness (2002), the HBO film featuring Uma Thurman and Juliette Lewis, looking for love in all the wrong places; The big-budget Hollywood adaptation of the Thackery novel Vanity Fair (2004), starring Reese Witherspoon, Gabriel Byrne, and Eileen Atkins.
In 1869 the State of Indiana founded Purdue University as Indiana’s land-grant university dedicated to agriculture and engineering. Today, Purdue stands as one of the elite research and education institutions in the world. Its halls have been home to Nobel Prize- and World Food Prize-winning faculty, record-setting astronauts, laureled humanists, researchers, and leaders of industry. Its thirteen colleges and schools span the sciences, liberal arts, management, and veterinary medicine, boasting more than 450,000 living alumni. Ever True: 150 Years of Giant Leaps at Purdue University by John Norberg captures the essence of this great university. In this volume, Norberg takes readers beyond the iconic redbrick walls of Purdue University’s West Lafayette campus to delve into the stories of the faculty, alumni, and leaders who make up this remarkable institution’s distinguished history. Written to commemorate Purdue University’s sesquicentennial celebrations, Ever True picks up where prior histories leave off, bringing the intricacies of historic tales to the forefront, updating the Purdue story to the present, and looking to the future.
A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, highlighting for concept emphasis, updated song titles and lyrics, and illustrations.
In About Beckett Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Beckett's work is so significant and enduring. Professor Fletcher first met Beckett in 1961 and his book is filled not only with insights into the work but also interviews with Beckett and first-hand stories and observations by those who helped to put his work on the stage, including Dame Peggy Ashcroft, Roger Blin, Peter Hall, Max Wall and George Devine. As an introduction to Beckett and his work, Professor Fletcher's book is incomparable.
A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, highlighting for concept emphasis, updated song titles and lyrics, and illustrations.
The wonderful world of Oz is a magical place—and has been for generations of Americans since L. Frank Baum penned his enduring classic in 1900. With the 1939 movie starring Judy Garland, Oz was forever woven into our culture. Over the course of the twentieth century, Oz continued to capture the hearts of the American people—as well as people all over the world. This book documents that magical journey through beautiful photographs of the world’s largest collection of Oz memorabilia. Whether it’s first-edition covers, a munchkin costume, or the Wicked playbill, the iconic items on these pages tell the story of America’s most beloved fairy tale. Come over the rainbow and see why there truly is no place like Oz.
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