DIVDIVFor a rare book, a desperate buyer turns to violence /divDIV/divDIVSix days a week, Joel Beer hunts for books in Denver. He stalks them in bookstores and thrift stores, at yard sales and estate sales, his eyes scanning spines quickly and ruthlessly, searching for the $0.25 gem that he can resell for $250. If he were the only scout in town, he might be able to make a living, but there are close to a dozen full-timers now—including his archrival, Popeye Lamonica—and Joel is having trouble paying his rent./divDIV /divDIVFacing eviction, Joel and his partner—a slow-witted vagrant named Lacy—go on the hunt. They are about to give up when they find an estate sale offering a $0.50 copy of Walter Behr’s Something for Nothing that is worth $500. But Popeye sees it, too. To make this treasure his, Joel will do whatever it takes—even if it means sacrificing his career./div/div
Bringing together sensation writing and transatlantic studies, this collection makes a convincing case for the symbiotic relationship between literary works on both sides of the Atlantic. Transatlantic Sensations begins with the 'prehistories' of the genre, looking at the dialogue and debate generated by the publication of sentimental and gothic fiction by William Godwin, Susanna Rowson, and Charles Brockden Brown.Thus establishing a context for the treatment of works by Louisa May Alcott, Mary Elizabeth Braddon, Dion Boucicault, Wilkie Collins, Charles Dickens, George Lippard, Charles Reade, Harriet Beecher Stowe and George Thompson, the volumetakes up a wide range of sensational topics including sexuality, slavery, criminal punishment, literary piracy, mesmerism, and the metaphors of foreign literary invasion and diseased reading. Concluding essays offer a reassessment of the realist and domestic fiction of George Eliot, Charlotte Yonge, and Thomas Hardy in the context of transatlantic sensationalism, emphasizing the evolution of the genre throughout the century and mapping a new transatlantic lineage for this immensely popular literary form. The book's final essay examines an international kidnapping case that was a journalistic sensation at the turn of the twentieth century.
Long-lost manuscript becomes a Queensland First after 145 years. Faced with losing his centuries old family estate to debt, Tom Hurstbourne headed to colonial Australia to make his fortune. He had no idea that the Shrewsbury lawyer he left in charge of his affairs would snatch this chance to exact the ultimate revenge on Tom, the last of the Hurstbourne dynasty... Brisbane Editors, Gloria Grant and Gerard Benjamin, transcribed the manuscript and wrote its introduction and contextual notes.
Lacy Stoltz adalah penyidik Dewan Kode Etik Yudisial Florida. Ia pengacara, bukan polisi, dan tugasnya adalah menangani pelanggaran kode etik para hakim. Untungnya, para hakim di negara bagian itu rata-rata jujur, pekerja keras, serta berkomitmen pada peradilan dan keadilan. Sampai seorang mantan pengacara bernama Greg Myers menghubungi Lacy dan mengaku memiliki informasi tentang hakim penerima suap. Uang suap itu amat sangat besar hingga melebihi jumlah uang suap semua hakim korup dari semua negara bagian di Amerika Serikat. Greg mengklaim hakim itu terhubung dengan mafia pemilik kasino besar di tanah Penduduk Asli Amerika yang tak segan-segan membunuh siapa pun yang menghalangi jalan mereka. Informasi itu diperoleh Greg dari klien satu-satunya, sang informan, yang ingin tetap anonim demi keselamatannya sendiri. Lacy tahu kasus ini tidak seperti perkara yang biasa ia tangani, dan kendati terlibat di dalamnya akan mengancam nyawa banyak orang, ia bertekad akan mengungkap kasus ini sampai ke akar-akarnya.
Reprint of the original, first published in 1864. Comprising a description of the important British and Roman Remains in that County. Its Saxon and Danish reminiscences. The Domesday Survey of Shropshire.
Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form. This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and band leaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.
Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
The book leads the reader through the past to the present and here leaves him amid active and progressive men who are advancing, along with him, toward the future. Including, as it does, lives of men now living, it constitutes a connecting link between what has gone before and what is to come after. It is therefore fitting that it should be dedicated to a prominent man of our day in preference to one of former times. The matter presented, in the nature of things, is largely biographical. There can be no foundation for history without biography. History is a generalization of particulars. It presents wide extended views. To use a paradox, history gives us but a part of history. That other part which it does not give us, the part which introduces us to the thoughts, aspirations and daily life of a people, is supplied by biography. The men whose deeds are recorded in this book were or are deeply identified with Texas, and the preservation in this volume in enduring form of some remembrance of them—their names, who and what they were—has been a pleasant task to one who feels a deep interest and pride in Texas—its past history, its heroes and future destiny.
#1 NEW YORK TIMES BESTSELLER • A high-stakes thrill ride through the darkest corners of the Sunshine State, from the author hailed as “the best thriller writer alive” by Ken Follett We expect our judges to be honest and wise. Their integrity is the bedrock of the entire judicial system. We trust them to ensure fair trials, to protect the rights of all litigants, to punish those who do wrong, and to oversee the flow of justice. But what happens when a judge bends the law or takes a bribe? Lacy Stoltz is an investigator for the Florida Board on Judicial Conduct. It is her job to respond to complaints dealing with judicial misconduct. After nine years with the Board, she knows that most problems are caused by incompetence, not corruption. But a corruption case eventually crosses her desk. A previously disbarred lawyer is back in business, and he claims to know of a Florida judge who has stolen more money than all other crooked judges combined. And not just crooked judges in Florida. All judges, from all states, and throughout United States history. And now he wants to put a stop to it. His only client is a person who knows the truth and wants to blow the whistle and collect millions under Florida law. When the case is assigned to Lacy, she immediately suspects that this one could be dangerous. Dangerous is one thing. Deadly is something else. “[A] main character [who’s] a seriously appealing woman . . . a whistle-blower who secretly calls attention to corruption . . . a strong and frightening sense of place . . . [John Grisham’s] on his game.”—Janet Maslin, The New York Times “[John Grisham is] our guide to the byways and backwaters of our legal system, superb in particular at ferreting out its vulnerabilities and dramatizing their abuse in gripping style.”—USA Today “Riveting . . . an elaborate conspiracy.”—The New York Times Book Review Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!
With few exceptions, this work identifies every family that can be traced to the Passaic Valley prior to 1800. It is a massive compilation, treating several generations in the direct line, and it is surprisingly good in the elucidation of family relationships. Several years in preparation, this work names no fewer than 25,000 persons. The principal families covered are: Allen, Alward, Anderson, Badgley, Bailey, Ball, Barle, Bauldwell, Beach, Bebout, Bedell, Bedford, Bonnel, Boyle, Brittin, Broadwell, Brown, Burrows, Byram, Clark, Conklin, Connet, Cooper, Elmer, Enyart, Findlay, Finn, Frazee, French, Griffin, Hall, Hallock, Halsey, Hand, Hart, Heath, Hedges, High, Hill, Hole, Hurin, Jennings, Johnson, Jones, Kilpatrick, Lacy, Lamb, Lambert, Line, Littell, Little, Long, Ludlow, Ludlum, Lum, Lyon, Marshall, Martin, Maxwell, Meeker, Miller, Moore, Morehouse, Mulford, Noe, Oakley, Osborn, Parker, Parrot, Parsons, Pettit, Potter, Price, Prior, Raddin, Randolph, Riggs, Robison, Roff, Roll, Ross, Ruckman, Runyon, Rutan, Samson, Sayre, Scudder, Shipman, Shotwell, Simpson, Smalley, Smith, Spencer, Squier, Stelle, Stevens, Stites, Swain, Terril, Thomas, Thompson, Tilyou, Titus, Todd, Tomkins, Totten, Townley, Tucker, Vail, Valentine, Walker, Ward, Whitaker, Wilcox, Williams, and Wood.
From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.
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