Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation As only an accomplished author, consummate collector, and savvy insider can, John Kobal tells the story of the man who invented Hollywood, Cecil Blount DeMille (1881–1959). Kobal narrates the story of DeMille’s life and follows the director’s career from his first film, The Squaw Man, in 1914, through the seventy films he directed culminating with The Ten Commandments in 1956 before his death in 1959. Even that first film received an enthusiastic response from the public, and that popular enthusiasm would follow DeMille throughout his career. DeMille got his start by observing a film being shot—once standing for hours on a box looking through a window, watching every move made by the director, players, and cameraman. From that humble beginning, he soon mastered the craft of directing and created one of show business’s greatest careers. Autocrat and artist, DeMille immersed himself totally in each picture he directed and demanded complete fealty from his casts and crews. DeMille was said to know more about what the American public wanted than anyone else in Hollywood. He pushed the boundaries of censorship, and audiences responded by forming long lines at the box office. From the American West to ancient Egypt, he created such magical films as The Crusades and The Greatest Show on Earth that brought vividly to life fantasies perfectly suited to post–World War I and mid-century America. Kobal describes DeMille’s impact on Hollywood as a director and showman. He argues that this master filmmaker stands for something largely lost in American filmmaking, a sort of naïve, generous, big-thinking self-confidence—a belief that all things are possible. John Kobal wrote over thirty books on film and photography. His final manuscript, The Lost World of DeMille, was completed shortly before his death in 1991. It is published at last by University Press of Mississippi.
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
AS Media Studies has been specifically written to cover the requirements at AS level for each awarding body. It examines a comprehensive range of topics set by AQA and OCR and is organised using the WJEC format of 'Analysis of Media Forms', 'Representation and Reception' and 'Making Media Texts'. Linking theory to practice, this book has been designed to help students develop practical production skills, while giving a thorough and accessible introduction to the key principles, issues and debates of media studies.
Screen Ages is a valuable guide for students exploring the complex and vibrant history of US cinema and showing how this film culture has grown, changed and developed. Covering key periods from across American cinema history, John Alberti explores the social, technological and political forces that have shaped cinematic output and the varied impacts cinema of on US society. Each chapter has a series of illuminating key features, including: ‘Now Playing’, focusing on films as cinematic events, from The Birth of a Nation to Gone with the Wind to Titanic, to place the reader in the social context of those viewing the films for the first time ‘In Development’, exploring changing genres, from the melodrama to the contemporary super hero movies, ‘The Names Above and Below the Title’, portraying the impact and legacy of central figures, including Florence Lawrence, Orson Welles and Wes Anderson Case studies, analyzing key elements of films in more depth Glossary terms featured throughout the text, to aid non-specialist students and expand the readers understanding of changing screen cultures. Screen Ages illustrates how the history of US cinema has always been and continues to be one of multiple screens, audiences, venues, and markets. It is an essential text for all those wanting to understand of power of American cinema throughout history and the challenges for its future. The book is also supported by a companion website, featuring additional case studies, an interactive blog, a quiz bank for each chapter and an online chapter, ‘Screen Ages Today’ that will be updated to discuss the latest developments in American cinema.
AS Film Studies: The Essential Introduction gives students the confidence to tackle every part of the WJEC AS level Film Studies course. The authors, who have wide ranging experience as teachers, examiners and authors, introduce students step by step, to the skills involved in the study of film. The second edition follows the new WJEC syllabus for 2008 teaching onwards and has a companion website with additional resources for students and teachers. Specifically designed to be user friendly, the second edition of AS Film Studies: The Essential Introduction has a new text design to make the book easy to follow, includes more than 100 colour photographs and is jam packed with features such as: Case studies relevant to the 2008 specification Activities on films including Little Miss Sunshine, Pirates of the Caribbean & The Descent Key terms Example exam questions Suggestions for further reading and website resources
Basics Film-Making: Screenwriting is the second in the Basics Film-Making series and is aimed both at students on film production courses, as well as those wishing to write a short film. The book teaches the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It also provides advice to new film-makers on how to market their productions. This is an essential guide to screenwriting and will teach you to write and produce artistically satisfying shorts.
Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation As only an accomplished author, consummate collector, and savvy insider can, John Kobal tells the story of the man who invented Hollywood, Cecil Blount DeMille (1881–1959). Kobal narrates the story of DeMille’s life and follows the director’s career from his first film, The Squaw Man, in 1914, through the seventy films he directed culminating with The Ten Commandments in 1956 before his death in 1959. Even that first film received an enthusiastic response from the public, and that popular enthusiasm would follow DeMille throughout his career. DeMille got his start by observing a film being shot—once standing for hours on a box looking through a window, watching every move made by the director, players, and cameraman. From that humble beginning, he soon mastered the craft of directing and created one of show business’s greatest careers. Autocrat and artist, DeMille immersed himself totally in each picture he directed and demanded complete fealty from his casts and crews. DeMille was said to know more about what the American public wanted than anyone else in Hollywood. He pushed the boundaries of censorship, and audiences responded by forming long lines at the box office. From the American West to ancient Egypt, he created such magical films as The Crusades and The Greatest Show on Earth that brought vividly to life fantasies perfectly suited to post–World War I and mid-century America. Kobal describes DeMille’s impact on Hollywood as a director and showman. He argues that this master filmmaker stands for something largely lost in American filmmaking, a sort of naïve, generous, big-thinking self-confidence—a belief that all things are possible. John Kobal wrote over thirty books on film and photography. His final manuscript, The Lost World of DeMille, was completed shortly before his death in 1991. It is published at last by University Press of Mississippi.
Identifies the most disasterous and memorable shipwrecks in history, such as the Titanic and Lusitania, and includes information about efforts to learn more about them by unearthing the treasures contained on each ship.
With an acting career spanning thirty years, Johnny Depp has appeared in a diverse range of television and film roles. Depp has won a Golden Globe, fourteen People's Choice Awards, and a Screen Actors Guild Award, among others. This arresting book provides a compelling biography of Johnny Depp. Chapters cover his reluctant embrace of stardom, his search for direction during childhood, his experience being a teen idol, his breaking out into challenging acting roles, and raising a family.
Armed with an eighth-grade education, an inexhaustible imagination, and an innate talent for dancing, Hermes Pan (1909-1990) was a boy from Tennessee who became the most prolific, popular, and memorable choreographer of the glory days of the Hollywood musical. While he may be most well-known for the Fred Astaire-Ginger Rogers musicals which he choreographed at RKO film studios, he also created dances at Twentieth Century-Fox, M-G-M, Paramount, and later for television, winning both the Oscar and the Emmy for best choreography. In Hermes Pan: The Man Who Danced with Fred Astaire, Pan emerges as a man in full, an artist inseparable from his works. He was a choreographer deeply interested in his dancers' personalities, and his dances became his way of embracing and understanding the outside world. Though his time in a Trappist monastery proved to him that he was more suited to choreography than to life as a monk, Pan remained a deeply devout Roman Catholic throughout his creative life, a person firmly convinced of the powers of prayer. While he was rarely to be seen without several beautiful women at his side, it was no secret that Pan was homosexual and even had a life partner. As Pan worked at the nexus of the cinema industry's creative circles during the golden age of the film musical, this book traces not only Pan's personal life but also the history of the Hollywood musical itself. It is a study of Pan, who emerges here as a benevolent perfectionist, and equally of the stars, composers, and directors with whom he worked, from Astaire and Rogers to Betty Grable, Rita Hayworth, Elizabeth Taylor, Sammy Davis Jr., Frank Sinatra, Bob Fosse, George Gershwin, Samuel Goldwyn, and countless other luminaries of American popular entertainment. Author John Franceschina bases his telling of Pan's life on extensive first-hand research into Pan's unpublished correspondence and his own interviews. Pan enjoyed one of the most illustrious careers of any Hollywood dance director, and because his work also spanned across Broadway and television, this book will appeal to readers interested in musical theater history, dance history, and film.
John McCabe's participation in the writing of James Cagney's autobiography, the many years of friendship that followed, and an intense period of interview and discussion in preparation for a musical comedy based on Cagney's life--a show that never saw the light of day--make him Cagney's ideal biographer. And, indeed, he has written a searching chronicle of this major actor's life and career, packed with history and anecdote, and profusely illustrated. Cagney came from a poor Irish-American New York family but once he found his métier as an actor, it was not long before he was recognized as a brilliantly energetic and powerful phenomenon. After the tremendous impact of Public Enemy--in which he notoriously pushed half a grapefruit into Mae Clarke's face--he was typecast as a gangster because of the terrifying violence that seemed to be pent up within him. Years of pitched battle with Warner Brothers finally liberated him from those roles, and he went on to star in such triumphs as the musicals Yankee Doodle Dandy (winning the 1942 Oscar for best actor) and Love Me or Leave Me. Even so, one of his greatest later roles involved a return to crime--as the psychopathic killer in the terrifying White Heat. He retired from films in 1961 after making Billy Wilder's One, Two, Three, only to return twenty years later for Ragtime. But however much Cagney personified violence and explosive energy on the screen, in life he was a quiet, introspective, and deeply private man, a poet, painter, and environmentalist, whose marriage to his early vaudeville partner was famously loyal and happy. His story is one of the few Hollywood biographies that reflect a fulfilled life as well as a spectacular career.
As new technology fuels the rapid growth of research in psychophysiology, it is essential that those new to the field receive a comprehensive introduction. Psychophysiology: Human Behavior and Physiological Response provides students with elementary information regarding the anatomy and physiology of various body systems, recording techniques, integrative reviews of literature, and concepts in the field. Highly accessible, this book fills a gap between edited handbooks that are often difficult for beginners, and journal articles that may also be a challenge to digest. In this new edition, John L. Andreassi incorporates: *a glossary of terms at the end of each chapter to help students learn definitions of novel terms introduced throughout the book; *a new chapter focusing on the proliferation of neuroimaging studies, including positron emission tomography (PET) and functional magnetic resonance imaging (fMRI); and *content changes in all chapters to cover new areas of research, as well as to update findings in traditional topics of interest. Upper level undergraduate and beginning graduate students in psychophysiology, biological psychology, cognitive neuroscience, and physiological psychology will benefit immensely from this important text, just as professionals new to psychophysiology will find this book exceptionally useful in their work.
From New York Times bestselling author John Connolly, a wonderfully strange and brilliant novel about a boy, his dog, and their struggle to escape the wrath of demons. Young Samuel Johnson is in trouble. Not only is his eyesight so poor that he mistakenly asks out a letter box on a date, but an angry demon is seeking revenge for Samuel’s part in foiling the invasion of Earth by the forces of evil. It wants to get its claws on Samuel, and when Samuel and his faithful dachshund, Boswell, are pulled through a portal into the dark realm, the home of the Infernals, it gets its chance. But catching Samuel is not going to be easy, for the Infernals have not reckoned on the bravery and cleverness of a boy and his dog, or the loyalty of Samuel’s friend, the hapless demon Nurd, or the presence of two clueless policemen and the unlucky, if cheerfully optimistic, driver of an ice-cream van. Most of all, no one has planned on the intervention of an unexpected band of little men, for Samuel and Boswell are not the only inhabitants of Earth who have found themselves in the underworld. If you thought demons were frightening, just wait until you meet Mr. Merryweather’s Elves. . . .
Collects Star Wars 3-D #13; Star Wars: Devilworlds #12; Star Wars: Death Masque; Star Wars Weekly #60, #9499, and #104115; Star Wars from Pizzazz #1016; The Rebel Thief, X-Wing Marks the Spot, Imperial Spy, and The Gambler's Quest from Star Wars Kids #115; Star Wars: The Mixed-Up Droid; Star Wars: Shadows of the Empire Galoob minicomic; Star Wars: Shadows of the Empire Ertl minicomic. In this collection are rare stories from UK publications, toy pack-ins, Star Wars Kids magazine, and even issues that were originally published in 3-D! A treasure trove of unexpected gems for the casual Star Wars fan - and a completist's dream - this volume contains work from some of comics' most famous writers and artists, including Alan Moore, Chris Claremont, Archie Goodwin, Walt Simonson, and Alan Davis, plus stories featuring the greatest heroes and villains of Star Wars! Stories you never knew existed - that you can't live without!
A collection of excerpts from the Charlie Parker thrillers, including: Every Dead Thing, Dark Hollow, The Killing Kind, The White Road, The Black Angel, The Unquiet, The Reapers, The Lovers, The Whisperers, The Burning Soul, and The Wrath of Angels. Also includes excerpts from the Samuel Johnson novels The Gates and The Infernals, as well as other works, including Bad Men, Nocturnes, and The Book of Lost Things.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Changing business circumstances have put pressure on film studios and changed the nature of films they produce. This book examines the reaction of the corporations who have found themselves in danger or have perceived new ways of adding to their profitability, influencing the films they produce.
During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.
This is the story of Grand Central Terminal in New York City, a remarkable and beautiful building whose birth, survival, and restoration reflect the critical role architecture plays in the expansion of our cities.
This is Volume I (to 1865) of LIBERTY, EQUALITY, POWER: A HISTORY OF THE AMERICAN PEOPLE, CONCISE EDITION, Third Edition. LIBERTY, EQUALITY, POWER: A HISTORY OF THE AMERICAN PEOPLE, CONCISE EDITION provides students with a clear understanding of how power is gained, lost, and used in both public and private life. The Third Edition of this concise version retains the narrative clarity, unparalleled coverage, and thematic unity of the larger text while fashioning an unmatched integration of social and cultural history into a political story. The concise version's emphasis on clarity and brevity provides a leaner and clearer presentation for introductory American history students. It retains the same strong chronological and thematic framework as the larger text, but offers a more manageable option for instructors concerned about having too much material and too little time. LIBERTY, EQUALITY, POWER: A HISTORY OF THE AMERICAN PEOPLE, CONCISE EDITION is available in the following volume splits: Liberty, Equality, Power: A History of the American People, Concise Edition (Chapters 1-31), ISBN: 053426462X; Liberty, Equality, Power: A History of the American People, Volume 1: To 1877, Concise Edition (Chapters 1-17), ISBN: 0534264638; Liberty, Equality, Power: A History of the American People, Volume II: Since 1863, Concise Edition (Chapters 17-31), ISBN: 0534264646.
This biography provides readers with a look at the life of Oscar-winning actor George Clooney. Chapters include coverage of his childhood, his experiences breaking into acting, and his more recent activities with acting, directing, and producing. Clooney's interest in ending genocide brought the issue to the forefront of news for a long time, using his fame as a platform for civil change.
Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling you to apply these ideas to your own analysis or film-making. --
Offers a perspective on the shifting and sometimes complex relationships that exist within the fascinating area of fashion. This book provides an introduction to the subject by considering a range of social and historical contexts that have served to define and redefine menswear through the ages.
The Laboratory Manual for Strength and Conditioning is a comprehensive text that provides students with meaningful lab experiences in the area of strength and conditioning and applied sport science. While each lab may be conducted in a sophisticated laboratory, there are opportunities to conduct the labs in a gym or field environment without costly equipment. It is a useful resource as students prepare for a career as a strength and conditioning coach, athletic trainer, physical therapist, or personal trainer. The Laboratory Manual for Strength and Conditioning is designed to be a practical guide for training students and professionals in the skills to be applied to strength and conditioning. The labs cover seven major aspects of strength and conditioning including speed, power, flexibility, agility, and fitness. The labs are practical and easy to follow with sample calculations, data tables, and worksheets to complete. Each includes suggested tasks/activities to apply the theory to real-world applications. Students will explore assessments of strength, aerobic capacity, power output, speed, change of direction, and muscular endurance, and gain understanding in the following areas: Definitions of commonly used terms within the area of exploration, as well as commonly misused terms Assessing performance (i.e., power, strength, speed, etc.) Understanding laboratory- and field-based techniques for specific athlete populations Describing optimal methods for testing in all aspects of physical performance Evaluation of test results based upon sport and/or athlete normative data The lab manual is a valuable resource for strength coaches, personal trainers, kinesiology students, and educators at the undergraduate and beginning graduate-level programs and can be used in a graduate strength and conditioning course.
Excellent guides to hundreds of terms used in Greek, Roman, Medieval, and Renaissance architecture, with index to illustrations identifying cathedrals, castles, parish churches. "Relevant and practical." ? Clem Labine's Traditional Building.
Provides a look at the origins of the culture wars of modern America and the political and economic transformation of the U.S. republic This book tells, in clear and lively prose, how Americans struggled with modernity in both its cultural and economic forms between the start of World War I and the end of World War II, focusing on the 1920s through 1930s. This edition includes revisions that expand the scope and features increased coverage of topics that will be of great interest to new readers as well as those familiar with the subject. The Birth of Modern America, 1914-1945, Second Edition begins with a discussion of the promises and perils of the progressive era. The book goes on to look at the Great War and life on the home front and explores many paradoxes that marked the birth of Modern America. Topics covered include: the pervasive racism and nativism during and after WWI; the disillusionment with Woodrow Wilson's rhetorical idealism; the emergence of national media; the Great Depression; FDR and the New Deal; the attack on Pearl Harbor; Hollywood’s part during World War II; the United States' decision to drop "the bomb" on Japan; and more. Makes a strong contribution to understanding American society in the interwar years (1920s and 1930s) Disputes that American entry into WWII brought the New Deal to an end and argues that wartime measures foreshadowed postwar American practice Features more coverage of politics in the 1920s and 1930s Includes an Afterword covering the G.I. bill, postwar prosperity, Americans' move to the suburbs, the challenges to peace in Europe and Asia, and the Cold War The Birth of Modern America, 1914-1945 is an excellent book for undergraduate courses on the 20th Century and advanced placement courses. It will benefit all students and scholars of the Progressive Era, the Depression, 1920s and 1930s America, and America between the Wars.
Chemistry is widely considered to be the central science: it encompasses concepts on which all other branches of science are developed. Yet, for many students entering university, gaining a firm grounding in chemistry is a real challenge. Chemistry3 responds to this challenge, providingstudents with a full understanding of the fundamental principles of chemistry on which to build later studies.Uniquely amongst the introductory chemistry texts currently available, Chemistry3's author team brings together experts in each of organic, inorganic, and physical chemistry with specialists in chemistry education to provide balanced coverage of the fundamentals of chemistry in a way that studentsboth enjoy and understand.The result is a text that builds on what students know already from school and tackles their misunderstandings and misconceptions, thereby providing a seamless transition from school to undergraduate study. Written with unrivalled clarity, students are encouraged to engage with the text andappreciate the central role that chemistry plays in our lives through the unique use of real-world context and photographs.Chemistry3 tackles head-on two issues pervading chemistry education: students' mathematical skills, and their ability to see the subject as a single, unified discipline. Instead of avoiding the maths, Chemistry3 provides structured support, in the form of careful explanations, reminders of keymathematical concepts, step-by-step calculations in worked examples, and a Maths Toolkit, to help students get to grips with the essential mathematical element of chemistry. Frequent cross-references highlight the connections between each strand of chemistry and explain the relationship between thetopics, so students can develop an understanding of the subject as a whole.Digital formats and resourcesChemistry3 is available for students and institutions to purchase in a variety of formats, and is supported by online resources.The e-book offers a mobile experience and convenient access along with functionality tools, navigation features, and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooksThe e-book also features interactive animations of molecular structures, screencasts in which authors talk step-by-step through selected examples and key reaction mechanisms, and self-assessment activities for each chapter. The accompanying online resources will also include, for students:DT Chapter 1 as an open-access PDF;DT Chapter summaries and key equations to download, to support revision;DT Worked solutions to the questions in the book.The following online resources are also provided for lecturers:DT Test bank of ready-made assessments for each chapter with which to test your studentsDT Problem-solving workshop activities for each chapter for you to use in classDT Case-studies showing how instructors are successfully using Chemistry3 in digital learning environments and to support innovative teaching practicesDT Figures and tables from the book
Describes the different ways con artists use fraud to get money, including stealing identities, copying paintings, and counterfeiting money, and how they are caught.
I rejoice', said Doctor Johnson, 'to concur with the Common Reader.' For the last century, the tastes and preferences of the common reader have been reflected in the American and British bestseller lists, and this Very Short Introduction takes an engaging look through the lists to reveal what we have been reading - and why. John Sutherland shows that bestseller lists monitor one of the strongest pulses in modern literature and are therefore worthy of serious study. Along the way, he lifts the lid on the bestseller industry, examines what makes a book into a bestseller, and asks what separates bestsellers from canonical fiction. Exploring the relationship between bestsellers and the fashions, ideologies, and cultural concerns of the day, the book includes short case-studies and lively summaries of bestsellers through the years: from In His Steps - now almost totally forgotten, but the biggest all-time bestseller between 1895 and 1945, to Gone with the Wind and The Andromeda Strain, and The Da Vinci Code. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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