This novel is by the author of the celebrated My Life in Crime and is his first. The life of the 'Son of Fate' is a grim struggle for survival, after his release from prison. He tries his luck at farming, and odd jobs in the city, but everything fails, and he finds himself on the wrong side of the law again. But a glimmer of hope comes when he rescues a tycoon.
John Kiriamiti's best-selling novel My Life in Crime has become a classic. When, as an innocent teenage girl, Miriam met John Kiriamiti, alias Jack Zollo, she found him gentle, kind and considerate. She fell into a passionate, romantic love with this man who claimed to be a car salesman, and who continued to present the image of the perfect gentleman -- for months, running into years, never abusing her trust and for this long period continuing to respect her virtue and her virginity. But finally, with a clean conscience and with the blessing of her own mother, she moved in with this man she loved. And that is when she began to notice that her lover led a double life. It started with the realisation that this man never had an office ... he operated from a noisy bar ... Then there were the little, heavy, sharp-pointed, dull-golden objects hidden in a chalkbox ... and, one day when she came home early from the office, the stumbling on five men in her sitting room conspiratorially sharing out bank notes. Her discovery of her man's double life did not constrain her to run away from him, for her love was the love of a lifetime. But her life and love started to exact a heavy price: she constantly walked the tightrope of stress as she sat out nights waiting for a man who at such moments was involved in gun fights and car chases with the police. Could she ever hope of settling down with this man, of consummating the love that had consumed her being? Milly was Jack Zollo's (alias John Kiriamiti) girlfriend and her story is told from the criminal's point of view in an earlier book, My Life in Crime. This is now Milly's poignant story about her life with the bank robber.
The late 1690 and early 70s may be remembered as the years of the great bank and other armed robberies in Kenya. This is the true story of one of the participants in some of those robberies, John Kiriamiti. In raw and candid language, Kiriamiti tells the story of how he dropped out of secondary school when he was only fifteen years old, and for a time became a novice pickpocket, before graduating into crimes like car-breaking and ultimately into violent robbery. This spell-binding story takes the reader into the underworld of crime, and it depicts graphically the criminals struggle for survival against the forces of law. John Kiriamiti was imprisoned on 6 January 1971, after being convicted on a charge of committing robbery at Naivasha on 4 November 1970. Kiriamiti left Naivasha Maximum Security Prison in August 1984, just five months after the publication of this novel and those following which were a sensation with Kenyan youth in the late 1980s and '90s.
Written by the author of the popular Son of Fate, this follow-up story tells of Adams Wamathina, better known as Son of Fate, who is searching for a trophy which other parties will stop at nothing to get. The action takes place in Nairobi and Tanzania and Son of Fate finds himself involved with car chases and murder as he becomes embroiled in the chase.
This novel is by the author of the celebrated My Life in Crime and is his first. The life of the 'Son of Fate' is a grim struggle for survival, after his release from prison. He tries his luck at farming, and odd jobs in the city, but everything fails, and he finds himself on the wrong side of the law again. But a glimmer of hope comes when he rescues a tycoon.
Written by the author of the popular Son of Fate, this follow-up story tells of Adams Wamathina, better known as Son of Fate, who is searching for a trophy which other parties will stop at nothing to get. The action takes place in Nairobi and Tanzania and Son of Fate finds himself involved with car chases and murder as he becomes embroiled in the chase.
The late 1690 and early 70s may be remembered as the years of the great bank and other armed robberies in Kenya. This is the true story of one of the participants in some of those robberies, John Kiriamiti. In raw and candid language, Kiriamiti tells the story of how he dropped out of secondary school when he was only fifteen years old, and for a time became a novice pickpocket, before graduating into crimes like car-breaking and ultimately into violent robbery. This spell-binding story takes the reader into the underworld of crime, and it depicts graphically the criminals struggle for survival against the forces of law. John Kiriamiti was imprisoned on 6 January 1971, after being convicted on a charge of committing robbery at Naivasha on 4 November 1970. Kiriamiti left Naivasha Maximum Security Prison in August 1984, just five months after the publication of this novel and those following which were a sensation with Kenyan youth in the late 1980s and '90s.
John Kiriamiti's best-selling novel My Life in Crime has become a classic. When, as an innocent teenage girl, Miriam met John Kiriamiti, alias Jack Zollo, she found him gentle, kind and considerate. She fell into a passionate, romantic love with this man who claimed to be a car salesman, and who continued to present the image of the perfect gentleman -- for months, running into years, never abusing her trust and for this long period continuing to respect her virtue and her virginity. But finally, with a clean conscience and with the blessing of her own mother, she moved in with this man she loved. And that is when she began to notice that her lover led a double life. It started with the realisation that this man never had an office ... he operated from a noisy bar ... Then there were the little, heavy, sharp-pointed, dull-golden objects hidden in a chalkbox ... and, one day when she came home early from the office, the stumbling on five men in her sitting room conspiratorially sharing out bank notes. Her discovery of her man's double life did not constrain her to run away from him, for her love was the love of a lifetime. But her life and love started to exact a heavy price: she constantly walked the tightrope of stress as she sat out nights waiting for a man who at such moments was involved in gun fights and car chases with the police. Could she ever hope of settling down with this man, of consummating the love that had consumed her being? Milly was Jack Zollo's (alias John Kiriamiti) girlfriend and her story is told from the criminal's point of view in an earlier book, My Life in Crime. This is now Milly's poignant story about her life with the bank robber.
Kurtz's analysis the development of the Kenyan novel in English emphasizes the historical contingencies affecting the production of literature in Kenya, and how succeeding generations have drawn from and expanded the thematic repertoire established by the 'first generation' of works in the 1960s.He explores the relationship between the novel and the city, and how obsessions and fears about the urbanization have been expressed and represented through different generations of Kenyan writers. Kurtz has also put together the first annotated bibliography of all the anglophone Kenyan novels that have appeared since Ngugi wa Thiong'o wrote Weep Not, Child.Ngugi's Weep Not, Child made an immediate impact on its publication in 1964. Since then hundreds of novels by Kenyans have been published. This is a comprehensive introduction to the postcolonial novel in English. Three broad areas are identified: -- the first generation of the sixties -- the 'golden age' of the seventies -- and the years after Kenyatta in the 80s and 90sA unifying feature is an uneasy but marked emphasis on the city-particularly Nairobi. The city is used by novelists as both the site and the symbol for a range of obsessions and fears about postcolonial society. There is particular emphasis on the changing ways in which the city has been portrayed since Ngugi's first novel, the relation of popular literature to the city, the portrayal of women in the city and the special status of Meja Mwangi's urban novels.
This is the first published account of the role played by ideas of honour in African history from the fourteenth century to the present day. It argues that appreciation of these ideas is essential to an understanding of past and present African behaviour. Before European conquest, many African men cultivated heroic honour, others admired the civic virtues of the patriarchal householder, and women honoured one another for industry, endurance, and devotion to their families. These values both conflicted and blended with Islamic and Christian teachings. Colonial conquest fragmented heroic cultures, but inherited ideas of honour found new expression in regimental loyalty, respectability, professionalism, working-class masculinity, the changing gender relationships of the colonial order, and the nationalist movements which overthrew that order. Today, the same inherited notions obstruct democracy, inspire resistance to tyranny, and motivate the defence of dignity in the face of AIDS.
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