Born in the shadow of Windsor Castle in Great Britain, the author left England for the Mediterranean in search of the sun. Adventures in several capitals allowed him to meet other expatriates who crossed deserts and mountains to observe conflicts, culture and decolonisation. His artwork, photography and theatrical presence left their mark in several cities, ending up as a radio-television journalist and presenter for French State media. As an English expatriate, Paris Made Me offers an objective view of European evolution as seen from France, souvenirs of helping Lawrence Durrell on Cyprus when the island was becoming a Republic, performing in a Roman temple in Lebanon and meeting Rudolf Nureyev and Margot Fonteyn, capturing the city of Beirut in photographs and filming in Copenhagen, before Paris beckoned him to become a journalist for Paris Radio France Internationale and Radio Australia, meeting such celebrities such as Orson Wells, Audrey Hepburn, Maurice Chevalier, Peter Ustinov and Jacques Brel.
Designing artificial systems with catalytic efficiencies to rival those of natural enzymes is one of the great challenges facing science today. This introduction to the exciting area of artificial enzymes is suitable for both students and more senior researchers.
Precious repositories of ancient wisdom? Musty relics of outmoded culture? Timeless paragons of artistic achievement? Hegemonic tools of intellectual repression? Just what are the classics, anyway, and why do (or should) we still pay so much attention to them? What is the literary canon? What is myth, and how do we use it? These are some of the questions that gave rise to John Kirby's Secret of the Muses Retold. This new study of works by five twentieth-century Italian writers investigates the abiding influence of the Greek and Roman classics, and their rich legacy in our own day. The result is not only a splendid introduction to contemporary Italian literature, but also a lucid and stimulating meditation on the insights that writers such as Umberto Eco and Italo Calvino have tapped from the wellspring of ancient tradition. Kirby's book offers an impassioned plea for the recuperation of the humanities in general, and of classical studies in particular. No expertise in Greek, Latin, Italian, or literary theory is presumed, and both traditional and postmodern perspectives are accommodated.
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