The archives of the American School excavations in the Athenian Agora contain a remarkable series of watercolors and drawings - well over 400 - by Piet de Jong, one of the best-known, most distinctive, and influential archaeological illustrators of the 20th century. They show landscapes, people, and, above all, objects recovered during many seasons of fieldwork at one of the longest continuously running archaeological projects in Greece.The aim of this volume is to bring these illustrations out of the storage drawers and to assemble in color a representative sample of some of the finest of Piet de Jong's contributions. Along the way, this book tells the story of the Agora excavations and assesses their contribution to scholarship. It includes essays by 16 scholars currently working at the Agora, and surveys the entire span of the material they are studying - from Neolithic poetry to the Late Byzantine and post-Byzantine frescoes from the Church of Ayios Spyridon.
This volume, the first of two dealing with the Early Iron Age deposits from the Athenian Agora, publishes the tombs from the end of the Bronze Age through the transition from the Middle Geometric to Late Geometric period. An introduction deals with the layout of the four cemeteries of the period, the topographical ramifications, periodization, and a synthesis of Athens in the Early Iron Age. Individual chapters offer a complete catalogue of the tombs and their contents, a full analysis of the burial customs and funerary rites, and analyses of the pottery and other small finds. Maria A. Liston presents the human skeletal material, Deborah Ruscillo presents the faunal remains, and Sara Strack contributes to the pottery typology and catalogue. In an appendix, Eirini Dimitriadou provides an overview of the locations of burial activity in the wider city.
This volume presents selected material associated with potters' workshops and pottery production from some 14 Early Iron Age contexts northwest of the Athenian Acropolis that range in date from the Protogeometric through Archaic periods. Located in the area that was to become the Agora of Classical Athens, these deposits establish that the place was used for industrial activity until it was formally transformed into the civic and commercial center of the city in the early 5th century B.C. The Early Iron Age potters' debris published in this volume sheds light on many aspects of pottery production, in prehistory as well as in the Classical and later periods. The material includes test-pieces, wasters and other production discards. There is also a reassessment of the evidence associated with the kiln underlying the later Tholos.
This volume, the first of two dealing with the Early Iron Age deposits from the Athenian Agora, publishes the tombs from the end of the Bronze Age through the transition from the Middle Geometric to Late Geometric period. An introduction deals with the layout of the four cemeteries of the period, the topographical ramifications, periodization, and a synthesis of Athens in the Early Iron Age. Individual chapters offer a complete catalogue of the tombs and their contents, a full analysis of the burial customs and funerary rites, and analyses of the pottery and other small finds. Maria A. Liston presents the human skeletal material, Deborah Ruscillo presents the faunal remains, and Sara Strack contributes to the pottery typology and catalogue. In an appendix, Eirini Dimitriadou provides an overview of the locations of burial activity in the wider city.
The archives of the American School excavations in the Athenian Agora contain a remarkable series of watercolors and drawings - well over 400 - by Piet de Jong, one of the best-known, most distinctive, and influential archaeological illustrators of the 20th century. They show landscapes, people, and, above all, objects recovered during many seasons of fieldwork at one of the longest continuously running archaeological projects in Greece.The aim of this volume is to bring these illustrations out of the storage drawers and to assemble in color a representative sample of some of the finest of Piet de Jong's contributions. Along the way, this book tells the story of the Agora excavations and assesses their contribution to scholarship. It includes essays by 16 scholars currently working at the Agora, and surveys the entire span of the material they are studying - from Neolithic poetry to the Late Byzantine and post-Byzantine frescoes from the Church of Ayios Spyridon.
The burial tumulus of Lofkend lies in one of the richest archaeological areas of Albania (ancient "Illyria"), home to a number of burial tumuli spanning the Bronze and Iron Ages of later prehistory. Some were robbed long ago, others were reused for modern burials; few were excavated under scientific conditions. Modern understanding of the pre- and protohistory of Illyria has largely been shaped by the contents of such burial mounds. What inspired the systematic exploration of Lofkend by UCLA was more than the promise of an unplundered necropolis; it was also a chance to revisit the significance of this tumulus and its fellows for the emergence of urbanism and complexity in ancient Illyria. In addition to artifacts, the recovery of surviving plant remains, bones, and other organic material contribute insights into the environmental and ecological history of the region.
This volume presents selected material associated with potters' workshops and pottery production from some 14 Early Iron Age contexts northwest of the Athenian Acropolis that range in date from the Protogeometric through Archaic periods. Located in the area that was to become the Agora of Classical Athens, these deposits establish that the place was used for industrial activity until it was formally transformed into the civic and commercial center of the city in the early 5th century B.C. The Early Iron Age potters' debris published in this volume sheds light on many aspects of pottery production, in prehistory as well as in the Classical and later periods. The material includes test-pieces, wasters and other production discards. There is also a reassessment of the evidence associated with the kiln underlying the later Tholos.
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