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Corporate responsibility can be judged by examining in detail how actual companies in pursuing the profit motive confer broad and measurable benefits to society. This is a reprint.
Following the 9/11 attacks, Secretary of Defense Donald Rumsfeld directed the Marine Corps to establish a unit that would answer to US Special Operations Command (USSOCOM). The eighty-six-man “Detachment One” was formed with a two-year charter to train and deploy as a “proof-of-concept” to assess the viability of a larger Marine Special Operations contribution in support of the Global War on Terror. For such a departure from the norm, a special leader was needed. The Commanding Officer—Colonel Robert J. Coates, a Marine Force Recon legend—was given his pick of personnel. One of the four team leaders he selected was Gunnery Sergeant John A. Dailey. Coates gave Dailey and the others free rein to select their men from a crew of proven Force Recon Marines with the sole stipulation that they be: “Tough, rugged bastards with strong backs and hard feet.” These men built a unit from nothing, trained for unknown missions in an unknown location, and deployed amid controversy and skepticism. Once in Iraq, they were dubbed “Task Unit Raider” and quickly won over the naysayers who doubted the Marine’s ability to operate successfully in the fluid and unconventional special operations environment. This book tells Dailey’s story of the creation, training, and volatile 2004 Iraq deployment of Task Unit Raider that led to the creation of the Marine Forces Special Operations Command (MARSOC). Det-1 served as the bridge between the Raiders of WWII and the Marine Raiders of today
Glamour subverts convention. Models, images, and even landscapes can skew ordinary ways of seeing when viewed through the lens of photography, suggesting new worlds imbued with fantasy, mystery, sexuality, and tension. In Old Fields, John Stilgoe—one of the most original observers of his time—offers a poetic and controversial exploration of the generations-long effort to portray glamour. Fusing three forces in contemporary American culture—amateur photography after 1880; the rise of glamour and fantasy; and the often-mysterious quality of landscape photographs—Stilgoe provides a wide-ranging yet concentrated take on the cultural legacy of our photographic history. Through the medium of "shop theory"—the techniques, tools, and purpose-made equipment a maker uses to realize intent—Stilgoe looks at the role of Eastman Kodak in shaping the ways photographers purchased cameras and films, while also mapping the divisions that were created by European-made cameras. He then goes on to argue that with the proliferation of digital cameras, smart phones, and Instagram, young people’s lack of knowledge about photographic technique is in direct correlation to their lack of knowledge of the history of glamour photography. In his exploration of the rise of glamour and fantasy in contemporary American culture, Stilgoe offers a provocative and very personal look into his enduring fascination with, and the possibilities inherent in, creating one’s own images.
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