John Bray's fifth collection includes recent poems, European translations and adaptations from the Greek. His themes range from human sacrifice to visitations of ants.
In this book, John Nelson reconstructs everyday Anglican religious practice and experience in Virginia from the end of the seventeenth century to the start of the American Revolution. Challenging previous characterizations of the colonial Anglican establishment as weak, he reveals the fundamental role the church played in the political, social, and economic as well as the spiritual lives of its parishioners. Drawing on extensive research in parish and county records and other primary sources, Nelson describes Anglican Virginia's parish system, its parsons, its rituals of worship and rites of passage, and its parishioners' varied relationships to the church. All colonial Virginians--men and women, rich and poor, young and old, planters and merchants, servants and slaves, dissenters and freethinkers--belonged to a parish. As such, they were subject to its levies, its authority over marriage, and other social and economic dictates. In addition to its religious functions, the parish provided essential care for the poor, collaborated with the courts to handle civil disputes, and exerted its influence over many other aspects of community life. A Blessed Company demonstrates that, by creatively adapting Anglican parish organization and the language, forms, and modes of Anglican spirituality to the Chesapeake's distinctive environmental and human conditions, colonial Virginians sustained a remarkably effective and faithful Anglican church in the Old Dominion.
This volume brings together the seminal essays of John M. Murrin on the American Revolution, the United States Constitution, and the early American Republic. 'Rethinking America' explains why a constitutional argument within the British Empire escalated to produce a revolutionary republic.
From the knowledgeable perspective of 25 years as a criminal lawyer (mostly appeals like murder, rape, robbery, etc.), a former co-editor of Gilbert's Criminal Law & Procedure, and a free lance writer for over a decade, the author writes incisively about the remorseless cop killer described by America's newspaper of record as: "Perhaps the best known Death-Row prisoner in the world." (Page 1, New York Times, Dec. 19, 2001, the day after a federal court nullified a racially mixed jury's July 3, 1982 unanimous sentence of death.) Mumia Abu Jamal - The Patron Saint of American Cop Killers exposes the Hollywood backed "Free Mumia! Free All Political Prisoners!" movement's claims of "racism" in jury selection, "police frame-up," and "police intimidation of defense witnesses" as a transparent fraud. With the same precision and insight he devoted to a three part article in the East Hampton Independent (and the Southampton Independent) on the tragic carbon monoxide death of his friend, tennis star, and CBS TV commentator, Vitas Gerulaitis, Hayden takes the reader through the pre-trial, trial, and absurdly lengthy post conviction proceedings. Now that the chances of the cop hating ex Black Panther ever being executed for killing a 25 year old cop are about the same as his chances of ever being found "innocent," Hayden predicts that the middle aged Death-Row prisoner will, like Dr. Martin Luther King's cowardly assassin, racist James Earl Ray, die of old age in a 6 X 9 steel cage in a super max prison somewhere in rural America.
With a full-color gallery of artist John Dowie's works, this exciting new book celebrates eight decades of artistic achievement by a great Australian sculptor, painter, and writer. Editor Tracey Lock-Weir charts Dowie's progress over the years and her informative essay is illuminated by John Dowie's own humorous writings.
Unto a Good Land offers a distinctive narrative history of the American people, from the first contacts between Europeans and North America's native inhabitants, through the creation of a modern nation, to the standing of the United States as a world power. Written by a team of distinguished historians led by David Edwin Harrell, Jr. and Edwin S. Gaustad, this textbook shows how grasping the uniqueness of the "American experiment" depends on understanding the role of religion as well as social, cultural, political, and economic factors in shaping U.S. history. A common shortcoming of most United States history textbooks is that while, in recent decades, they have expanded their coverage of social and cultural history, they still tend to shortchange the role of religious ideas, practices, and movements in the American past. Unto a Good Land addresses this shortcoming in a balanced way. The authors recognize that religion is only one of many factors that have influenced our past, one, however, that has often been neglected in textbook accounts. This volume gives religion its appropriate place in the story. - Publisher.
This collection celebrates the pleasures and preoccupations of a poet whose imagination was sparked by languages old and new. Here are classical rhymes, dexterous adaptations of ancient Greek epigrams as well as translations of French and German poems. Inventive and playful, ironic and humane, Bray's own work is 'a poetry of our time', covering more than thirty years of writing.
The best of contemporary New Orleans architecture. From commercial buildings to residential dwellings, this pictorial guide compiles descriptions of more than eighty architecture projects from the last fifteen years. Establishments include Octavia Books, the Ogden Museum of Art, and the Cotton Mill.
South Australia's bar developed like no other bar in Australia, better termed "independent" than "separate", its independent spirit showing in the distinctive preference for small sets of chambers"--P. [4] of cover.
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 54 provides an illustrated listing of every American and foreign film released in the United States in 2002, all documented with more than 1000 photographs. The 2003 edition of Screen World features such notable films as Chicago , the Academy Award winner for Best Picture; Martin Scorsese's Academy Award-nominated Gangs of New York ; The Pianist , featuring the surprise Academy Award winners Adrien Brody for Best Actor and Roman Polanski for Best Director; Spider-Man , the highest grossing film of 2002; The Hours with Academy Award winner for Best Actress Nicole Kidman; and About Schmidt starring Academy Award nominees Jack Nicholson and Kathy Bates. As always, Screen World's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Includes over 1,000 photos! "The enduring film classic." Variety
The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, reformers Laura Clay and Mary Breckinridge, and civil rights leaders Whitney Young, Jr., and Georgia Powers, to sports figures Muhammad Ali and Adolph Rupp and entertainers Loretta Lynn, Merle Travis, and the Everly Brothers. Entries describe each county and county seat and each community with a population above 2,500. Broad overview articles examine such topics as agriculture, segregation, transportation, literature, and folklife. Frequently misunderstood aspects of Kentucky's history and culture are clarified and popular misconceptions corrected. The facts on such subjects as mint juleps, Fort Knox, Boone's coonskin cap, the Kentucky hot brown, and Morgan's Raiders will settle many an argument. For both the researcher and the more casual reader, this collection of facts and fancies about Kentucky and Kentuckians will be an invaluable resource.
The Prehistory of Missouri is a fascinating examination of the objects that were made, used, and discarded or lost by Missouri's prehistoric inhabitants over a period of more than eleven thousand years. Missouri's numerous vegetation zones and its diverse topography encompassed extreme variations, forcing prehistoric populations to seek a wide range of adaptations to the natural environment. As a result, Missouri's archaeological record is highly complex, and it has not been fully understood despite the vast amount of fieldwork that has been conducted within the state's borders. In this groundbreaking account, Michael J. O'Brien and W. Raymond Wood explore the array of artifacts that have been found in Missouri, pinpointing minute variations in form. They have documented the ranges in age and distribution of the individual forms, explaining why certain forms persisted while others quickly disappeared. Organized by chronological periods such as Archaic, Woodland, and Mississippian, the book provides a comprehensive survey of what is currently known about Missouri's prehistoric peoples, often revealing how they made their living in an ever-changing world. The authors have applied rigorous standards of archaeological inquiry. Their main objective--demonstrating that the archaeological record of Missouri can be explained in scientific terms--is accomplished. With more than 235 line drawings and photographs, including 23 color photos, The Prehistory of Missouri will appeal to anyone interested in archaeology, particularly in the artifacts and the dates of their manufacture, as well as those interested in the dichotomy between interpretation and explanation. Intended for the amateur as well as the professional archaeologist, this book is sure to be the new standard reference on Missouri's prehistory, fulfilling current needs that extend beyond those met by Carl Chapman's earlier classic, The Archaeology of Missouri.
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