With importance for geopolitical cultural economy, anthropology, and media studies, John Hutnyk brings South Asian circuits of scholarship to attention where, alongside critical Marxist and poststructuralist authors, a new take on film and television is on offer. The book presents Raj-era costume dramas as a commentary on contemporary anti-Muslim racism, a new political compact in film and television studies, and the President watching a snuff film from Pakistan. Hanif Kureishi's postcolonial 'fuck Sandwich' sits alongside Salman Rushdie's Satanic Verses, updated for the war on terror with low-brow, high-brow versions of Asia that carry us up the Himalayas with magic carpet TV nostalgia. Maoists rage below and books go up in flames while News network phone-ins end with executions on the Hanging Channel and arms trade and immigration paranoia thrives. Multiplying filmi versions of Mela are measured against a transnational realignment towards Global South Asia in a contested and testing political future. Each chapter offers a slice of historical study and assessment of media theory appropriate for viewers of Global South Asia seeking to understand why lurid exoticism and paralysing terror go hand-in-hand. The answers are in the images always open to interpretation, but Global South Asia on Screen examines the ways film and TV trade on stereotype and fear, nationalism and desire, politics and context, and with this the book calls for wider reading than media theory has hitherto entertained.
Pantomime is a theatrical form that has come to rule our everyday lives as terror. In the early years of the 21st century, a dissembling political demonology has sometimes placed otherwise merely lyrical musicians in a volatile predicament. The discussion here is of Fun-da-Mental's Aki Nawaz portrayed as a 'suicide rapper', Asian Dub Foundation striking poses from the street in support of youth in Paris and Algiers, and M.I.A., born free fighting immigration crackdown with atrocity video. Along the way, bus bombs, comedy circuits, critical theory, Arabian Nights, Bradley Wiggins, Dinarzade, Karl Marx, Paris boulevards, Molotov, Mao, the Eiffel Tower, reserve armies, lists, Richard Wagner, Samina Malik, Slavoj Žižek, Freudian slips, red-heads, Guantanamo. The book offers some sharp critiques of our contemporary complacency, and the failures of theory as more than ten years of war on terror turns anxiety at home and drone-strike assassinations abroad into a normal everyday. This pantomime is a terror story told over and over to distract from the workings of a despotic power. The need for an adequate (winning) counter-narrative was never more clear. ,
′Diaspora & Hybridity deals with those theoretical issues which concern social theory and social change in the new millennium. The volume provides a refreshing, critical and illuminating analysis of concepts of diaspora and hybridity and their impact on multi-ethnic and multi-cultural societies′ - Dr Rohit Barot, Department of Archaeology and Anthropology, University of Bristol What do we mean by ′diaspora′ and ′hybridity′? Why are they pivotal concepts in contemporary debates on race, culture and society? This book is an exhaustive, politically inflected, assessment of the key debates on diaspora and hybridity. It relates the topics to contemporary social struggles and cultural contexts, providing the reader with a framework to evaluate and displace the key ideological arguments, theories and narratives deployed in culturalist academic circles today. The authors demonstrate how diaspora and hybridity serve as problematic tools, cutting across traditional boundaries of nations and groups, where trans-national spaces for a range of contested cultural, political and economic outcomes might arise. Wide ranging, richly illustrated and challenging, it will be of interest to students of cultural studies, sociology, ethnicity and nationalism.
This collection of essays interrogates literary and cultural narratives in the contexts of the incidents following 9/11. The collected essays underscore the new and (re)emerging racial, political, and socio-cultural discourse on identity related to terrorism and identity politics. Specifically, the collection examines South Asian American identities to understand culture, policy making, and the implicit gendered racialization, sexualization, and socio-economic classification of minority identities within the discourse of globalization. The essays included here relocate the discourse of race and cultural studies to an examination of transnational labor diasporas, reopen debate on critical constructions of U.S. racial and cultural formations, and question the reconfiguration of gendered and sexualized discourses of the South Asian diaspora within the context of national security and terrorism. This book provides a multifaceted account of South Asian racialization and belonging by drawing from disciplines across the humanities and the social sciences. The scholars included here employ methods of ethnographic studies as well as literary, culture, film, and feminist analysis to examine a wide range of South Asian cultural sites: novels, short stories, cultural texts, documentaries, and sports. The rich intellectual, theoretical, methodological, and narrative tapestry of South Asians that emerges from this inquiry enables us to trace new patterns of South Asian cultural consumption post-9/11 as well as expand notions and histories of “terror.” This volume makes an important contribution to renewing scholarship in the key areas of representations of race, labor, diaspora, class, and culture while implicating that there needs to be a simultaneous and critical dialogue on the scope and reconnections within postcolonial studies.
A collection of papers prompted by the 'Marx and Philosophy' event held at Goldsmiths, University of London, in June 2008: 'When Is It Safe to Go on Reading Capital?' by Nicole Pepperell; 'Marx's Capital, The Importance of the Preface to the First Edition''by Andrew Christodoulou; 'Capital, Subsumption and the History of the Class Relation''by Rob Lucas and Nick Gray; 'Antonio Negri's Social Ontology of Real Subsumption''by Ben Polhill; 'Translating Appearance' by John Hutnyk; 'A Critique of the Critique of Religion''by Alberto Toscano; 'Cognition, Mediation and Transformation' by'Lee Wan-Gi; 'Marx Mathematically' by'Nick Salazar; 'Who Are These Lunatics?'An Overview of Reclaim The Streets''by Sam Meaden; and 'Radical Philosophy?' by'Tom Bunyard.
The authors offer a critical assessment of the key literature on diaspora & hybridity, & how these concepts relate to the issues of social change & the pursuit of equality.
′Diaspora & Hybridity deals with those theoretical issues which concern social theory and social change in the new millennium. The volume provides a refreshing, critical and illuminating analysis of concepts of diaspora and hybridity and their impact on multi-ethnic and multi-cultural societies′ - Dr Rohit Barot, Department of Archaeology and Anthropology, University of Bristol What do we mean by ′diaspora′ and ′hybridity′? Why are they pivotal concepts in contemporary debates on race, culture and society? This book is an exhaustive, politically inflected, assessment of the key debates on diaspora and hybridity. It relates the topics to contemporary social struggles and cultural contexts, providing the reader with a framework to evaluate and displace the key ideological arguments, theories and narratives deployed in culturalist academic circles today. The authors demonstrate how diaspora and hybridity serve as problematic tools, cutting across traditional boundaries of nations and groups, where trans-national spaces for a range of contested cultural, political and economic outcomes might arise. Wide ranging, richly illustrated and challenging, it will be of interest to students of cultural studies, sociology, ethnicity and nationalism.
Issues of movement – of people, things, information and ideas – are central to people's lives and to most organisations. From oil wars to SMS texting, from airport expansion controversies to the decline of walking, from slave-trading to global terrorism, from global warming to teleworking, issues of ‘mobility’ are centre-stage upon many academic and policy agendas. These topics and issues are increasingly analysed as part of a concern with ‘mobility’ which this wide-ranging book both describes and seeks to develop. John Urry has been at the centre of these debates and he draws upon an extensive array of new research and material to develop what he calls the ‘new mobilities paradigm’ for the social sciences. He shows how this paradigm makes comprehensible social phenomena which were previously opaque. He examines how ‘mobilities’ each presuppose a ‘system’ that permits predictable and relatively risk-free repetition. The book outlines various such systems and then analyses their intersecting implications for social inequality, for social networks and meetings, for the nature of places and for alternative mobility futures. Mobilities is thus both an analysis of different mobilities historically and in the present and an argument that the social world will be analysed quite differently once peoples’ lives, organisations, states and global institutions are seen to be dealing with extensive and hugely contested mobility processes. This book rewrites social science through a mobilities paradigm.
This book offers a fresh approach to the study of religion in modern South Asia. It uses a series of case studies to explore the development of religious ideas and practices, giving students an understanding of the social, political and historical context.
Using a rich array of ethnographic and archival data closely considering the Irish and the manner in which ’Irishness’ was rendered inclusive, Multiculturalism's Double Bind demonstrates that multiculturalism can encourage cross-community political engagement in the global city. This book challenges the perceived wisdom that multiculturalism counteracts the opportunity for groups to move beyond their particularized constituency to build links and networks with other 'minority' groups. Theoretically informed and empirically grounded this volume will appeal to scholars across a range of disciplines, including migration and ethnicity, social and cultural anthropology, Irish studies and sociology.
This book provides you with the most comprehensive and authoritative overview of youth crime and youth justice available. Keeping you abreast of contemporary debates, this fourth edition of Youth and Crime : Includes updated chapters on youth crime discourse and data, youth victimology, youth and social policy, youth justice strategies and comparative and international youth justice, providing a critical analysis of issues such as institutional abuse, child poverty, cyberbullying, child trafficking, international children′s rights and transnational policy transfer. Covers numerous issues raised by the UK coalition government’s law and order and austerity policies including ages of criminal responsibility, the ‘rehabilitation revolution’, ‘troubled families’, abolition of antisocial behaviour orders (ASBOs), initiatives in gangs, gun and knife crime, responses to the August 2011 riots, prospects for restorative justice and reductions in child imprisonment. Keeps you up to date with contemporary research into explanations of youth crime, youth and media, youth cultures, youth unemployment and training programmes, and youth justice policies and takes into account recent legislative reform. Features a new companion website, featuring links to journal articles, relevant websites, blogs and government reports. Complete with chapter outlines, summary boxes, key terms, study questions, further reading lists, web-based resources and a glossary, this is the textbook to take you through your studies in youth and crime.
Interest in travel writing has grown rapidly within the disciplines of postcolonial and cultural studies; however, recent scholarship has failed to place travel writing within the larger literary tradition. Writing Travel assembles a superb collection of essays that demonstrate how travel attempts to reconfigure the world and, in so doing, to become a metaphor for imagination, subjectivity, and representation itself. Examining a broad range of texts and travellers from across the world, the contributors discuss canonical authors such as Homer, Goethe, and Baudelaire, alongside lesser known writers such as Theodor Herzl, Hans Erich Nossack, and William Gibson. This theoretically rich volume draws connections between travel and narrative, and provides powerful insights into the relationship between travel and the spoken act of storytelling, as well as the more ambivalent act of story writing. An engaging collection of essays by first-rate scholars, Writing Travel is an illuminating exploration of the history of travel writing, its influence on other literary genres, and the origins of narrative.
This lively textual symposium offers a collection of formative research on the culture of global psytrance (psychedelic trance). As the first book to address the diverse transnationalism of this contemporary electronic dance music phenomenon, the collection hosts interdisciplinary research addressing psytrance as a product of intersecting local and global trajectories. Contributing to theories of globalization, postmodernism, counterculture, youth subcultures, neotribes, the carnivalesque, music scenes and technologies, dance ritual and spirituality, chapters introduce psytrance in Goa, the UK, Israel, Japan, the US, Italy, Czech Republic, Portugal and Australia. As a global occurrence indebted to 1960s psychedelia, sharing music production technologies and DJ techniques with electronic dance music scenes, and harnessing the communication capabilities of the Internet, psytrance and its cultural implications are thoroughly discussed in this first scholarly volume of its kind.
This book explores neoliberalism – a view of the world that puts the market at its centre- from the perspective of applied linguistics. Neoliberalism and Applied Linguistics argues that while applied linguistics has become more interdisciplinary in orientation, it has ignored or downplayed the role of political economy, namely the way in which social, political and economic factors relate to one another within the context of a capitalist economy. The authors take the view that engagement with political economy is central to any fully rounded analysis of language and language-related issues in the world today and their collaboration in this volume represents an initial attempt to redress what they perceive to be an imbalance in the field. The book begins with a discussion of neoliberalism and an analysis of the ways in which neoliberal ideology impacts on language. This is followed by a discussion of how globalization and identity have been conceptualised in applied linguistics in ways which have ignored the political centrality of class – a concept which the authors see as integral to their perspective. The book concludes with an analysis of the ways in which neoliberal ideology plays out in two key areas of applied linguistics - language teaching and language teacher education. Neoliberalism and Applied Linguistics is essential reading for advanced undergraduates, postgraduates and researchers in applied linguistics.
The original Tourist Gaze was a classic, marking out a new land to study and appreciate. This new edition extends into fresh areas with the same passion and insight of the object. Even more essential reading!" - Nigel Thrift, Vice-Chancellor, Warwick University This new edition of a seminal text restructures, reworks and remakes the groundbreaking previous versions making this book even more relevant for tourism students, researchers and designers. ′The tourist gaze′ remains an agenda setting theory. Packed full of fascinating insights this major new edition intelligently broadens its theoretical and geographical scope to provide an account which responds to various critiques. All chapters have been significantly revised to include up-to-date empirical data, many new case studies and fresh concepts. Three new chapters have been added which explore: photography and digitization embodied performances risks and alternative futures This book is essential reading for all involved in contemporary tourism, leisure, cultural policy, design, economic regeneration, heritage and the arts.
Many places around the world are being produced, converted, interpreted and made fit for tourist consumption. This fascinating book analyzes tourist performances such as walking, shopping, sunbathing, photographing, eating and clubbing, and studies why, and indeed how, some places become global centres whilst others don’t. Arranged in four distinct parts, Sheller and Urry consider: Performing Paradise Performances of Global Heritage Remaking Playful Places New Playful Places. Incorporating a wide array of empirical research and innovative international case studies, this fascinating book illuminates the tourist performance phenomenon: from Eco-tourism on the beach to shopping in Hong Kong, from the making of 'Cool Reykjavik' to tourism in high-rise suburbs in Paris, and from Inca heritage to medical tourism. Edited by two world authorities in tourism studies, this revealing book deploys a range of theories related to the 'mobility turn' in the social sciences in order to analyze the contingent and networked nature of how places are stabilized as fit for playful performances. Well-written and researched, with coherent analysis and presentation, this book will appeal to academics, students and those interested in the complex character of global change.
This book is an interdisciplinary collaboration between a literary critic and cultural historian, which examines and recovers a radical and still urgent challenge to the industrialisation of cultural tourism from the work of John Ruskin. Ruskin exerted a formative influence on the definition and development of cultural tourism which was probably as significant as that, for example, of his contemporary Thomas Cook. The book assesses Ruskin’s overall influence on the development of national and international tourism in the context of pre-existing expectations about tourism flows and cultural capital and alongside parallel and intersecting trends of the time; examines Ruskin’s contribution to the tourist agenda at all social levels; and discusses Ruskin’s significance for current debates in tourism studies, especially questions of the place of the ‘canon’ of traditional European cultural tourism in a post-modern tourist setting, and the various incarnations of ‘heritage tourism’.
Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.
Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity. Music tourism evokes nostalgia and meaning, and celebrates both heritage and hedonism. It is a product of commercialisation that can create community, but that also often demands artistic compromise. Diverse case studies, from the USA and UK to Australia, Jamaica and Vanuatu, illustrate the global extent of music tourism, its contradictions and pleasures.
This collection explores the strengths and weaknesses of postmodern social theory in the struggle against racism. Recognizing diversity as a conduit for resilience, endurance, and strength, the editors have tried to encourage coalition building by bringing together historians, sociologists, cultural theorists, and literary scholars in dialogue with artists and activists. Topics considered include nation formation, racialized states, cultural racism, multiculturalism, hyphenated and mixed-race identities, media and representation, and shifting identities.
What is the state of Race and Ethnic Studies today? How has the field emerged? What are the core concepts, debates and issues? The SAGE Handbook of Race and Ethnic Studies is a vital resource for researchers and students with a panoramic, critical survey of the field. A rigorous, focused examination of the central questions in the field today, the text examines: The roots of the field of race and ethnic studiesThe distinction between race and ethnicity Methodological issues facing researchersThe relationship between the field and more established disciplinesIntersections between race and ethnicity and questions sexuality, gender, nation and social transformationThe challenge of multiculturalismRace, ethnicity and globalizationRace and the familyRace and educationRace and religionIssues for the 21st Century
The New Yearbook for Phenomenology and Phenomenological Philosophy' provides an annual international forum for phenomenological research in the spirit of Husserl's groundbreaking work and the extension of this work by such figures as Scheler, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer.
This is a fully revised edition of the groundbreaking study on tourism, which was originally published in 1990. The original chapters have been empirically updated and many new research findings incorporated and evaluated. This Second Edition deepens our understanding of how the tourist gaze orders and regulates the relationship with the tourist environment, demarcating the `other′ and identifying the `out-of-the-ordinary′. It elucidates the relationship between tourism and embodiment and elaborates on the connections between mobility as a mark of modern and postmodern experience and the attraction of tourism as a lifestyle choice. The result is a book that builds on the proven strengths of the first edition and revitalizes the argument to address the needs of researchers and students in the new century. Praise for the First Edition: `There is much to be applauded here...this is an engaging and thought provoking book which should be read by those interested in advertising and the changing nature of contemporary culture′ - Contemporary Sociology `The book is written in a very accessible style that would serve as a good point of entry for anyone interested in leisure, tourism, and cultural change in contemporary societies. The scope of Urry′s book is breathtaking, one is left with a feeling of coming to terms with the complex set of social relations that are tourism, both in their production and consumption′ - Planning Practice and Research
With importance for geopolitical cultural economy, anthropology, and media studies, John Hutnyk brings South Asian circuits of scholarship to attention where, alongside critical Marxist and poststructuralist authors, a new take on film and television is on offer. The book presents Raj-era costume dramas as a commentary on contemporary anti-Muslim racism, a new political compact in film and television studies, and the President watching a snuff film from Pakistan. Hanif Kureishi's postcolonial 'fuck Sandwich' sits alongside Salman Rushdie's Satanic Verses, updated for the war on terror with low-brow, high-brow versions of Asia that carry us up the Himalayas with magic carpet TV nostalgia. Maoists rage below and books go up in flames while News network phone-ins end with executions on the Hanging Channel and arms trade and immigration paranoia thrives. Multiplying filmi versions of Mela are measured against a transnational realignment towards Global South Asia in a contested and testing political future. Each chapter offers a slice of historical study and assessment of media theory appropriate for viewers of Global South Asia seeking to understand why lurid exoticism and paralysing terror go hand-in-hand. The answers are in the images always open to interpretation, but Global South Asia on Screen examines the ways film and TV trade on stereotype and fear, nationalism and desire, politics and context, and with this the book calls for wider reading than media theory has hitherto entertained.
Pantomime is a theatrical form that has come to rule our everyday lives as terror. In the early years of the 21st century, a dissembling political demonology has sometimes placed otherwise merely lyrical musicians in a volatile predicament. The discussion here is of Fun-da-Mental's Aki Nawaz portrayed as a 'suicide rapper', Asian Dub Foundation striking poses from the street in support of youth in Paris and Algiers, and M.I.A., born free fighting immigration crackdown with atrocity video. Along the way, bus bombs, comedy circuits, critical theory, Arabian Nights, Bradley Wiggins, Dinarzade, Karl Marx, Paris boulevards, Molotov, Mao, the Eiffel Tower, reserve armies, lists, Richard Wagner, Samina Malik, Slavoj Žižek, Freudian slips, red-heads, Guantanamo. The book offers some sharp critiques of our contemporary complacency, and the failures of theory as more than ten years of war on terror turns anxiety at home and drone-strike assassinations abroad into a normal everyday. This pantomime is a terror story told over and over to distract from the workings of a despotic power. The need for an adequate (winning) counter-narrative was never more clear. ,
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.