Over thirty years of interviews with the American director of such classic films as The Maltese Falcon, Key Largo, The African Queen, and The Night of the Iguana
Over thirty years of interviews with the American director of such classic films as The Maltese Falcon, Key Largo, The African Queen, and The Night of the Iguana
The lovers were already legends by the 1930 collaboration between a future director and a fashionable illustrator. Distinctive images enhance the play's script, plus 20 variations on the story and song.
Now a two-time Academy Award winner for best director, twice winner of the Directors Guild of America Award for best director, and recipient of countless other critics prizes and nominations in multiple capacities, Clint Eastwood stands alongside Martin Scorsese and Steven Spielberg as one of the finest directors working in modern cinema. Here, John Foote examines the long, impressive, and unlikely film career of a man who fought against expectations to forge his own way and become one of this generation's finest filmmakers. Each chapter examines a different film, beginning with Play Misty for Me (1971) and High Plains Drifter (1973) and extending to his 21st-century films Space Cowboys (2000), Blood Work (2002), Mystic River (2003), Million Dollar Baby (2004), Flags of Our Fathers (2006), Letters from Iwo Jima (2006), and Changeling (2008). This book is, in the author's own words, a study of how Eastwood managed to quietly get to this level—and a celebration of his gifts as an artist. Eastwood has evolved not only as a director, but also as an actor, a screenwriter, a producer, and a score composer, to become one of the most revered figures in Hollywood. Perhaps it is because he started out in Hollywood with such little influence on the final product that he now demonstrates such a strong desire to collaborate with others and provide help wherever he can. In addition to casting off his reputation as a hack and accumulating two Oscar nominations for Best Actor over the past 15 years, he has guided other actors to no less than three Academy Award wins. The executives love him because he has made them money over the years—occasionally even making one for them in exchange for financial backing on other projects. Critics love him because of the care he takes in creating his films. Audiences love him because he has never lost his sense of entertainment, even as his artistry has matured.
If I had to go back in Hollywood history and name two people who were most desperately and passionately in love with each other, I would say Frank Sinatra and Ava Gardner were It" —Liz Smith It began in Hollywood's golden age when Ava was emerging as a movie star. But she fell in (and out of) love too easily. Mickey Rooney married her because he wanted another conquest. Artie Shaw treated her like a dumb brunette, giving her a reading list on their honeymoon. Neither marriage lasted a year. Then, after being courted by Howard Hughes and numerous others, along came Frank Sinatra. His passion for Ava destroyed his marriage and brought him close to ruin. Their wild affair broke all the rules of the prudish era as Frank left his wife and children and pursued Ava on an international stage. They became romantic renegades, with the press following them from location to location. "Oh, God, Frank Sinatra could be the sweetest, most charming man in the world when he was in the mood," said Ava. They married, but then came the quarrels, separations, infidelities, and reconciliations. Eventually, there was a divorce, and they thought it was over. It wasn't. Through all of the tortured years of separation and splintered affairs with others, they maintained a secretive relationship known only to those who recognized that this was the love of a lifetime. Over the years they attempted to reconcile, romanced and nurtured each other, right to the end. The love story of Frank and Ava has never been fully explored or explained - until now. John Brady's Frank & Ava delves deeply into the lives of these two iconic stars and their turbulent lifelong relationship. More than anything else, this is the story of a romance lived out under battlefield conditions.
This volume addresses the content of television -- both programs and advertisements -- and the psychological effects of the content on the audience. The author not only reports new research, but explains its practical applications without jargon. Issues are discussed and described in terms of psychological mechanisms and causal routes of influence. While primarily referring to the American television industry and American governmental regulations, the psychological principles discussed are applicable to television viewers world wide.
From a prize-winning biographer comes the defining portrait of a man who led America in a time of turmoil and left us a darker age. We live today, John A. Farrell shows, in a world Richard Nixon made. At the end of WWII, navy lieutenant “Nick” Nixon returned from the Pacific and set his cap at Congress, an idealistic dreamer seeking to build a better world. Yet amid the turns of that now-legendary 1946 campaign, Nixon’s finer attributes gave way to unapologetic ruthlessness. The story of that transformation is the stunning overture to John A. Farrell’s magisterial biography of the president who came to embody postwar American resentment and division. Within four years of his first victory, Nixon was a U.S. senator; in six, the vice president of the United States of America. “Few came so far, so fast, and so alone,” Farrell writes. Nixon’s sins as a candidate were legion; and in one unlawful secret plot, as Farrell reveals here, Nixon acted to prolong the Vietnam War for his own political purposes. Finally elected president in 1969, Nixon packed his staff with bright young men who devised forward-thinking reforms addressing health care, welfare, civil rights, and protection of the environment. It was a fine legacy, but Nixon cared little for it. He aspired to make his mark on the world stage instead, and his 1972 opening to China was the first great crack in the Cold War. Nixon had another legacy, too: an America divided and polarized. He was elected to end the war in Vietnam, but his bombing of Cambodia and Laos enraged the antiwar movement. It was Nixon who launched the McCarthy era, who played white against black with a “southern strategy,” and spurred the Silent Majority to despise and distrust the country’s elites. Ever insecure and increasingly paranoid, he persuaded Americans to gnaw, as he did, on grievances—and to look at one another as enemies. Finally, in August 1974, after two years of the mesmerizing intrigue and scandal of Watergate, Nixon became the only president to resign in disgrace. Richard Nixon is a gripping and unsparing portrayal of our darkest president. Meticulously researched, brilliantly crafted, and offering fresh revelations, it will be hailed as a master work.
But because the majority of marriages in this country consist of unions in which wives are more heavily invested in marital success than are their husbands, much of this sensible effort by reasonable people needs to be consistently initiated and maintained by men. In fact, men often hold the keys to bringing about the type of loving marriage they had hoped for when they first said 'I do.' In How To Love Your Wife, Dr. Buri makes these keys clear, understandable, and accessible.
Stories of the American West by the #1 New York Times–bestselling author of North and South, “the best historical novelist of our time” (Patricia Cornwell). In these timeless stories of the untamed American West, John Jakes thrillingly portrays the harsh realities of life on the frontier with tales of lawmen in the Sierra Nevada, railroad workers in Kansas, and gamblers on the steamboat River Queen. From a saloon showdown unlike any other and outlaws double-crossing each other to a fur trapper hell-bent on vengeance and a power struggle between medicine men, Jakes’s frontier stories capture the same sweeping historical drama and unforgettable characterizations as his epic novels in the Crown Family Saga, the Kent Family Chronicles, and the North and South Trilogy. “At the very heart of every Jakes saga is a story that throbs to the beat of history.” —The Cleveland Plain Dealer This ebook features an illustrated biography of John Jakes including rare images from the author’s personal collection.
April 2014 marks the 75th anniversary of the first Viking hardcover publication of Steinbeck’s crowning literary achievement First published in 1939, Steinbeck’s Pulitzer Prize–winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into haves and have-nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes the very nature of equality and justice in America. As Don DeLillo has claimed, Steinbeck “shaped a geography of conscience” with this novel where “there is something at stake in every sentence.” Beyond that—for emotional urgency, evocative power, sustained impact, prophetic reach, and continued controversy—The Grapes of Wrath is perhaps the most American of American classics. To commemorate the book's 75th anniversary, this volume is modeled on the first edition, featuring the original cover illustration by Elmer Hader and specially designed endpapers by Michael Schwab.
“A line-drive hit of a book” about the Iron Horse and the Iron Man—two legends from two eras of baseball—and the nature of human endurance (The Wall Street Journal). When Cal Ripken Jr. began his career with the Baltimore Orioles at age twenty-one, he had no idea he would someday beat the historic record of playing 2,130 games in a row, a record set forty-two years before by the fabled “Iron Horse” of the New York Yankees, Lou Gehrig. Ripken went on to surpass that record by 502 games, and the baseball world was floored. Few feats in sports history have generated more acclaim. But the record spawns an array of questions. When did someone first think it was a good idea to play in so many games without taking a day off? Who owned the record before Gehrig? Whose streak—Gehrig’s or Ripken’s—was the more difficult achievement? Through probing research, meticulous analysis, and colorful parallel storytelling, The Streak delves into this impressive but controversial milestone, unraveling Gehrig’s at-times unwitting pursuit of that goal (Babe Ruth used to think Gehrig crazy for wanting to play every game), and Ripken’s fierce determination to stay in the lineup and continue to contribute whatever he could even as his skills diminished with age. So many factors contribute to the comparisons between the two men: the length of seasons, the number of teams in the major leagues, the inclusion of nonwhite players, travel, technology, medical advances, and even media are all part of the equation. This is a book that captures the deeply American appreciation—as seen in the sport itself—for a workaday mentality and that desire to be there for the game every time it called. “It tackles the allure of human endurance and the pitfalls of fame, but it is mostly a baseball book for baseball fans. It succeeds as both a thorough accounting and a love note to the game.”—The Washington Post
At a time of life when most people think of retiring, Jack Nicholson remains as energetic and charismatic as ever. Known for his trademark shark's grin and sunglasses, Nicholson has been acting for the past 37 years, and has just celebrated 25 years since the classicThe Shiningwas released. This book shares the truth about this avid LA Lakers fan, partying legend, and charismatic performer, revealed with the help and cooperation of many of Nicholson's Hollywood associates. John Parker traces the astonishing rise to stardom of a boy who was brought up to believe his grandmother was his mother and his mother his sister. This unorthodox childhood was the start of an incredible journey that included Oscar success, a string of high-profile lovers, and a long-term relationship with Anjelica Huston. This comprehensive biography goes behind the wolfish grin to discover that there is much more to Nicholson than the good-time partying figure found regularly in gossip columns; he does remain, after all these years, untamed and wild.
Nursing Leadership covers contemporary concepts in leadership and management and their application to nursing practice. In addition to covering the fundamentals, a wide range of current topics are addressed including: change management, contemporary approaches to nursing care delivery & health outcomes evaluation; developing & enhancing quality in nursing practice; research based practice; cultural change processes; shared governance; development & leadership of staff; quality of work life issues; quality work environments; and industrial relations. Nursing Leadership provides a fresh innovative approach to the topic and is designed to stimulate interest in theory and concepts as well as providing the reader with strategies that can be readily tested and applied in practice.
Award-winning movie critic, John Howard Reid, provides full details and expert reviews for over 80 classic films which he feels would qualify as some of the best that Hollywood and other national studios have produced to date. Among these treasures are such movies as Beau Geste, Blues in the Night, Camille, Duck Soup, Fedora, The Great Gatsby, King Kong, The Shepherd of the Hills, Tales of Manhattan, Tom Jones, Trade Winds, Ace in the Hole/The Big Carnival, Bicycle Thieves, Trio, Crossfire, The Citadel, French Connection, Folly To Be Wise, Foreign Correspondent, Inherit the Wind, The Hound of the Baskervilles. (And the good news is that nearly all of the 80 are now available on DVD).
A contribution to old Augusta County and Rockingham County and their descendants of the family of Harrison and allied lines. Rev. Thomas Harrison (1619-1682), an intimate of the Cromwell family, served as chaplain of the Virginia colony during Gov. Berkeley's first term. He immigrated to Jamestown, Virginia from England in 1640 and, changing from anti-Puritan to Puritan, moved to Massachusetts and marrying Dorothy Symonds about 1648/1649. He then returned to England. Benjamin Harrison, his brother, then immigrated to become the founder of the Harrison family of the James River in Virginia. Other colonial Harrisons who immigrated are detailed, along with many of their descendants and relatives, particularly those who settled in Massachusetts, Connecticut, Long Island of New York, New Jersey, Pennsylvania, Maryland and Virginia. Descendants and relatives also lived in West Virginia, Ohio, Illinois, Missouri, Tennessee, Texas, Florida, Kentucky, California and elsewhere. Includes many ancestors and genealogical data in England, Ireland and elsewhere.
In the first book of its kind in the English language historian Dr. John Dunbar provides an overview of attempts throughout film history to put historical topics on screen in the United States and Great Britain. The earliest attempts were biographic films about famous people and some great epic films such as Gone With the Wind that were not claimed to be accurate histories of a period. World War Two paved the way for post war developments through the evolution of the documentary film that were often accurate portrayals of events in the war. After WW 2 a number of social, political, technical and economic developments opened the way for the making of historically accurate films. The dissolution of the Studio System in Hollywood, the disappearance of film censor boards, the arrival of television and later the internet, the appearance of greater market segments than those traditionally served by motion picture all opened up market opportunities for films of greater historical accuracy than had traditionally been available. The emergence of film makers and production companies dedicated to the accurate telling of history now engages the resources of professional historians in the making of films of unequalled accuracy. As items in the modern world of media literacy and political discourse, these films play an important role in the sustenance of the open society in which the ideals of the European Enlightenment can be continually realized.
Who Killed Bummy Davis? By: John L. Barbella The story of the Legendary American boxer, Al “Bummy” Davis, was cut short all too soon on the night of November 21, 1945. While drinking in a bar, a group of men entered the establishment with something more than booze on their minds. The group had already robbed other establishments that night, but this would be their last stop. In the end, Bummy Davis would be lying outside, dead. But who killed him? Who Killed Bummy Davis? is a history and an account of the life, career, and tragic death of a talented boxer whose career and life ended suddenly, leaving many unanswered questions. Learn about the history of boxing, gangs, and turf wars during this tumultuous time in New York City, and maybe an answer to who killed Al "Bummy" Davis.
A six-month New York Times bestseller: “Not only the best Watergate book, but a very good book indeed” (The Sunday Times). As White House counsel to Richard Nixon, a young John W. Dean was one of the primary players in the Watergate scandal—and ultimately became the government’s key witness in the investigations that ended the Nixon presidency. After the scandal subsided, Dean rebuilt his career, first in business and then as a bestselling author and lecturer. But while the events were still fresh in his mind, he wrote this remarkable memoir about the operations of the Nixon White House and the crisis that led to the president’s resignation. Called “fascinating” by Commentary, which noted that “there can be little doubt of [Dean's] memory or his candor,” Blind Ambition offers an insider’s view of the deceptions and machinations that brought down an administration and changed the American people’s view of politics and power. It also contains Dean’s own unsparing reflections on the personal demons that drove him to participate in the sordid affair. Upon its original publication, Kirkus Reviews hailed it “the flip side of All the President’s Men—a document, a minefield, and prime entertainment.” Today, Dean is a respected and outspoken advocate for transparency and ethics in government, and the bestselling author of such books as The Nixon Defense, Worse Than Watergate, and Conservatives Without Conscience. Here, in Blind Ambition, he “paints a candid picture of the sickening moral bankruptcy which permeated the White House and to which he contributed. His memory of who said what and to whom is astounding” (Foreign Affairs).
Providing an overview of the entire thriller genre, this book examines over 160 movies from classic Hollywood and British studios, including such essential film noir entries as "Murder, My Sweet," "The Dark Corner," "The Maltese Falcon" and "Afraid To Talk." Great cinema detectives are represented by William Powell (all six of his Thin Man pictures are detailed and discussed), Basil Rathbone (Sherlock Holmes), Warner Oland (Charlie Chan), Sidney Toler (Charlie Chan), Peter Ustinov (Hercule Poirot), Margaret Rutherford (all four of her Miss Marple films are covered), and others including the Saint, the Falcon, Bulldog Drummond and Philo Vance. From director Alfred Hitchock comes "Notorious," "Saboteur," "Number 17" and "Rich and Strange." A few comedies and spoofs, such as "Satan Met a Lady" (an amazing re-make of the original "Maltese Falcon" with Bette Davis and Warren William) and "Who Done It?" (with Abbott and Costello) round out the survey.
What was it like to work behind the scenes, away from the spotlight's glare, in Hollywood's so-called Golden Age? The interviews in this book provide eye-witness accounts from the likes of Steven Spielberg and Terry Gilliam, to explore the creative decisions that have shaped some of Classical Hollywood's most-loved films.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Hollywood has had an off and on romance with the Bible -- thanks largely to Cecil B. DeMille whose ground-breaking silent picture "The King of Kings" has rarely been equalled for its faithfulness and fidelity, and certainly not in its dreadful re-make by producer Sam Bronston and director Nicholas Ray. This book examines both the hits and misses in the Bible stakes, as well as many other movies in which religion plays a major role, such as "The Garden of Allah", "Samson and Delilah", "The Silence of Dean Maitland", "Stars in My Crown", "Mary of Scotland" and "The Ten Commandments".
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