THE HISTORY-MAKING CLASSIC ABOUT CROSSING THE COLOR LINE IN AMERICA'S SEGREGATED SOUTH “One of the deepest, most penetrating documents yet set down on the racial question.”—Atlanta Journal & Constitution In the Deep South of the 1950’s, a color line was etched in blood across Louisiana, Mississippi, Alabama, and Georgia. Journalist John Howard Griffin decided to cross that line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. What happened to John Howard Griffin—from the outside and within himself—as he made his way through the segregated Deep South is recorded in this searing work of nonfiction. His audacious, still chillingly relevant eyewitness history is a work about race and humanity every American must read. With an Epilogue by the author and an Afterword by Robert Bonazzi
The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.
First published in 2002. This work examines eight Virginia novels against the background of the political and social concerns of the Jacksonian years in which they were written, arguing that the authors used familial processes as a metaphor to discuss issues that they regarded as critical. Each chapter focuses on a single novel - Swallow Barn, Kentuckian in New York, Cavaliers of Virginia, Horse-Shoe Robinson, George Balcombe, The Partisan Leader, and Knights of the Horseshoe - and examines its connections to the social and political tensions of the time of its publication - generational progress, sectional unity, executive authority, class relations, the nature of the ideal leader, relations among sections and states, socialist and perfectionist communities, and westward expansion.
(Screen World). John Willis' Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. You'll also find biographical entries a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own.
The Blackfeet were the strongest military power on the northwestern plains in the historic buffalo days. For half a century up to 1805, they were almost constantly at war with the Shoshonis and came very close to exterminating that tribe. They aggressively asserted themselves against the Flatheads and the Kutenais, shoving them westward across the Rockies. They got on fairly well with English and Canadian traders during the heyday of the fur trade on the Saskatchewan River, but on the upper Missouri they took an early dislike to Americans, whom they called "Big Knives." American fur traders, such as Manuel Lisa, Pierre Menard, and Andrew Henry, were literally chased out of Montana by the Blackfeet.
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