We Are the Crisis of Capital collects articles and excerpts written by radical academic, theorist, and activist John Holloway over a period of forty years. This collection asks, “Is there a way out?” How do we break capital, a form of social organisation that dehumanises us and threatens to annihilate us completely? How do we create a world based on the mutual recognition of human dignity? Holloway’s work answers loudly, “By screaming NO!” By thinking from our own anger and creativity. By trying to recover the “we” buried under the categories of capitalist thought. By opening those categories and discovering the antagonism they conceal and by discovering that behind the concepts of money, state, capital, crisis, and so on, there moves our resistance-and-rebellion. An approach sometimes referred to as Open Marxism, it is an attempt to rethink Marxism as daily struggle. The articles move forward, influenced by the German state derivation debates of the 1970s, by the CSE debates in Britain, and the group around the Edinburgh journal Common Sense, and then moving on to Mexico and the wonderful stimulus of the Zapatista uprising, and now the continuing whirl of discussion with colleagues and students in the Posgrado de Sociología of the Benemérita Universidad Autónoma de Puebla.
In, Against, and Beyond Capitalism is based on three recent lectures delivered by John Holloway at the California Institute of Integral Studies in San Francisco. The lectures focus on what anticapitalist revolution can mean today—after the historic failure of the idea that the conquest of state power was the key to radical change—and offer a brilliant and engaging introduction to the central themes of Holloway’s work. The lectures take as their central challenge the idea that “We Are the Crisis of Capital and Proud of It.” This runs counter to many leftist assumptions that the capitalists are to blame for the crisis, or that crisis is simply the expression of the bankruptcy of the system. The only way to see crisis as the possible threshold to a better world is to understand the failure of capitalism as the face of the push of our creative force. This poses a theoretical challenge. The first lecture focuses on the meaning of “We,” the second on the understanding of capital as a system of social cohesion that systematically frustrates our creative force, and the third on the proposal that we are the crisis of this system of cohesion. “His Marxism is premised on another form of logic, one that affirms movement, instability, and struggle. This is a movement of thought that affirms the richness of life, particularity (non-identity) and ‘walking in the opposite direction’; walking, that is, away from exploitation, domination, and classification. Without contradictory thinking in, against, and beyond the capitalist society, capital once again becomes a reified object, a thing, and not a social relation that signifies transformation of a useful and creative activity (doing) into (abstract) labor. Only open dialectics, a right kind of thinking for the wrong kind of world, non-unitary thinking without guarantees, is able to assist us in our contradictory struggle for a world free of contradiction.”—Andrej Grubačić, from his Preface
This invaluable guide takes a step-by-step approach to many common theater production practices and covers important issues related to the construction of wooden, fabric, plastic, and metal scenery used in stage plays. Illustrated Theatre Production Guide contains a brief history of physical theatres and the development of various forms such as thrust, proscenium, and black box venues. Operation of theatre equipment is covered in detail in the chapters on rigging and curtains. Instructions for operating a fly system and basic stagehand skills such as knot tying and drapery folding, are clearly outlined. The use of metal tubing as a structural element is explored as an alternative to wooden scenery. The chapter on lighting discusses electrical theory as well as the practical aspects of hanging and focusing lights. The final chapter in Illustrated Theatre Production Guide is a compilation of many different projects that are easy to approach and to complete, and have practical value for a theatre group.
Illustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatreproduction practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, it covers the necessities in great detail, without bogging you down. Offering techniques and best-practice methods from an experienced industry expert, it will allow you to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. This third edition has been completely restructured to more effectively lead you through the basics of stagecraft. Through detailed lessons and hundreds of drawings, author John Holloway offers you solutions to the problems that you’ll face every day in a production, from rigging to knot tying. New to this edition are guides to jobs in theatre, construction documentation, and video projection methods, with expanded information on Thrust Theatres, lighting, audio and video practices. This book is suitable for Stagecraft courses in university Theatre programs, as well as for professional theatre technicians.
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