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During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
John Murphy’s Evatt: A life is a biography of Australian parliamentarian and jurist HV Evatt. Remembered as the first foreign minister to argue for an independent Australian policy in the 1940s and for his central role in the formation of the UN, Evatt went on to be the leader of the Labor party in the 1950s, the time of the split that resulted in the party being out of power for a generation. Evatt traces the course of Evatt’s life and places him in the context of a long period of conservatism in Australia. It treats Evatt’s inner, personal life as being just as important as his spectacular, controversial and eventual tragic public career. Murphy looks closely at Evatt’s previously unexamined private life and unravels some of the puzzles that have lead Evatt to be considered erratic, even mad. ‘Bert’ Evatt remains a polarising figure – still considered by many in Labor as the man who ‘split the party’ and by many conservatives as unreliable and dangerous.
A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.
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