During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
John Murphy’s Evatt: A life is a biography of Australian parliamentarian and jurist HV Evatt. Remembered as the first foreign minister to argue for an independent Australian policy in the 1940s and for his central role in the formation of the UN, Evatt went on to be the leader of the Labor party in the 1950s, the time of the split that resulted in the party being out of power for a generation. Evatt traces the course of Evatt’s life and places him in the context of a long period of conservatism in Australia. It treats Evatt’s inner, personal life as being just as important as his spectacular, controversial and eventual tragic public career. Murphy looks closely at Evatt’s previously unexamined private life and unravels some of the puzzles that have lead Evatt to be considered erratic, even mad. ‘Bert’ Evatt remains a polarising figure – still considered by many in Labor as the man who ‘split the party’ and by many conservatives as unreliable and dangerous.
A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.
This is the first comprehensive overview of the development of the field of Organizational Behavior. It belongs on the shelf of every scholar and student in the discipline. Part I covers the foundations of the scientific method, theory development, and the accrual of scientific knowledge in the field. Part II introduces the ideas of pioneers whose work pre-dates the emergence of Organizational Behavior. Part III considers the actual emergence of OB as we know it today, with an analysis of the environmental forces that impinged upon it (such as the recruiting of social scientists into business schools). Part IV presents an assessment of the current state of the art in OB research, with an original assessment of the importance, validity, and practical usefulness of 73 core theories in OB. Finally, Part V sets forth a vision for the future identity and growth of Organizational Behavior research, theory, and practice.
This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.
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