In his famous book A Night to Remember, Walter Lord described the sinking of the Titanic as "the last night of a small town." Now, a hundred years after her sinking, historian John Welshman reconstructs the fascinating individual experiences of twelve of the inhabitants of this tragically short-lived floating village. In Titanic, Welshman offers a minute-by-minute account of the doomed liner's last hours, based on a representative cross-section of those who sailed in her: men and women, old and young, passengers and crew, wealthy and poor. He introduces the reader to a fascinating cast of twelve eye-witnesses, including Arthur H. Rostron, Captain of the Carpathia, the first ship to reach the scene; Charles Lightoller, the Titanic's Second Officer; Archibald Gracie, a wealthy American cotton plantation owner; Elin Hakkarainen, a young migrant from Finland, travelling Third Class; and Edith Brown, a teenager from South Africa. The book also documents the experiences of an Assistant Wireless Operator, a Stewardess, an amateur military historian, a governess, a teacher, and a domestic servant. The survivor accounts allow Welshman to construct a graphic and compelling picture of events on a day-to-day and hour-by-hour basis, providing vivid glimpses of the tragedy as seen from their respective vantage points. In addition, Welshman tells the story of where these twelve people were from and what happened to those who survived in the years afterwards. Finally, the author, a respected social historian, offers many insights into nineteenth-century social class, migration, work, and the broader history of Northern Ireland. Drawing on published autobiographical accounts, diaries, private papers, archival materials, and a wide array of other sources, Titanic: The Last Night of a Small Town offers a unique account of one of the most memorable disasters in modern history.
LUCKY CHARMS is a play for students in Years 6, 7 or 8 (Level 3). It is designed for a normal-sized English class and for students with varying interests in acting. Since there are 43 speaking roles and as many as ten dancers, students who enjoy acting can perform in several scenes and play to their heart's content, whereas students who aren't particularly keen on acting only have one role to master in one single scene. Every scene deals with good or bad luck and sometimes specifically with lucky charms. And with the help of the two hosts, the professor and MC Tony, the audience is given the chance to contemplate the concept of luck. The play consists of dialogues between the two hosts and scenes with as many as eight to 13 performers. The themes are partly geared to the thoughts and dreams of students today - winning or discovering a lot of money, having the best cell phone, feeling that something good is going to happen or fearing that misfortune is on its way - and the scenes offer young actresses and actors the opportunity to experience a wide range of characters while performing. The plots are not always believable, but they are understandable, the language is idiomatic and easily accessible for English learners. LUCKY CHARMS works well when performed for smaller audiences: parents and other classes. But it can also be highly entertaining for a large audience. Performing time: about one hour. Of course, it is also possible to select individual scenes and perform them as simple skits outside the context of LUCKY CHARMS. In that case it is still recommendable to create a suitable setting for presenting the skits to an audience. The true joy of performing a foreign-language play is to feel it click, to realize that the people watching the performance don't only get the picture, they are also delighted to see a story come to life when presented in English by non-native performers. By purchasing the play, you automatically obtain the stage rights.
This work takes the reader from the city's first professional theatrical presentation in 1820, through the heyday of vaudeville, to the grand reopening of the newly renovated Allen Theatre in 1999 and the return of touring Broadway shows to Cleveland. In 1820 Cleveland was able to draw a visit from a troupe of professional actors. With no theater in which to perform, the troupe made do with Mowrey's Tavern on Public Square, where a standing-room-only audience saw The Purse; or the Benevolent Tar. It was five years before another professional company would visit. As the city grew, theater blossomed and vaudeville flourished. In the early 1920s, five magnificent theaters opened at Playhouse Square - the State and the Palace, for mixed programs of vaudeville and movies; the Hanna Theater and Ohio, for legitimate Broadway-style theater, and the Allen, for movies. Cleveland was also in the vanguard of the little theater movement with the establishment of the Cleveland Play House and the interracial Karamu Theatre. After a period of decline in the 1960s and 1970s, live theater was reborn in Playhouse Square, which is now the second-largest performing arts complex in the country, and a
Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form. This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and band leaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.
In Hannah & Hanna having escaped from Kosovo, Hanna, 16 meets Hannah, 16, from Margate. An unlikely friendship develops when they find that music is a common bond between them despite their different cultures and circumstances. Virgins explores issues of sexuality for young people: How do you explore your sexuality when you are still living at home with your parents? How do your parents sustain their love life with you in the house? And why do we find it so difficult to talk about? Risk asks how young people can discover their limits, how can they find out who they are? It asks why young people are drawn to danger; why they risk their freedom, their bodies, their minds and their futures, through dangerous activities and crime. Club Asylum is a devised dance theatre piece about teenage asylum seekers in Glasgow based on research with both young asylum seekers and residents. A thrilling fusion of dance, theatre and music.
“Riveting…an electrifying true crime story of the Mafia-smitten eighties and nineties. Suspenseful and multifaceted, The Gotti Wars can’t be missed.” —Esquire, The Best Nonfiction Books of the Year A “meticulous chronicle of good triumphing over evil” (The Washington Post) from the determined young prosecutor who, in two of America’s most celebrated trials, managed to convict famed mob boss John Gotti—and ultimately took down the Mafia altogether. John Gotti was without a doubt the flashiest and most feared Mafioso in American history. He became the boss of the Gambino Crime Family in spectacular fashion—with the brazen and very public murder of Paul Castellano in front of Sparks Steakhouse in midtown Manhattan in 1985. Not one to stay below law enforcement’s radar, Gotti instead became the first celebrity crime boss. His penchant for eye-catching apparel earned him the nickname “The Dapper Don;” his ability to beat criminal charges led to another: “The Teflon Don.” This is the captivating story of Gotti’s meteoric rise to power and his equally dramatic downfall. Every step of the way, Gotti’s legal adversary—John Gleeson, an Assistant US Attorney in Brooklyn—was watching. When Gotti finally faced two federal racketeering prosecutions, Gleeson prosecuted both. As the junior lawyer in the first case—a bitter seven-month battle that ended in Gotti’s acquittal—Gleeson found himself in Gotti’s crosshairs, falsely accused of serious crimes by a defense witness Gotti intimidated into committing perjury. Five years later, Gleeson was in charge of the second racketeering investigation and trial. Armed with the FBI’s secret recordings of Gotti’s conversations with his underboss and consigliere in the apartment above Gotti’s Little Italy hangout, Gleeson indicted all three. He “flipped” underboss Sammy the Bull Gravano, killer of nineteen men, who became history’s highest-ranking mob turncoat—resulting in Gotti’s murder conviction. Gleeson ended not just Gotti’s reign, but eventually that of the entire mob. A spellbinding, page-turning courtroom drama, The Gotti Wars “tells us in electrifying detail how the good guys finally won, how justice triumphed over evil, and how Gleeson himself was transformed by his long war” (Nelson DeMille).
Journalist and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in this century and its most controversial politician. He might have become president in the 1960s had not the military taken over. In the second and final volume, Dulles explores the political and private life of Lacerda from 1960, when he became governor of Brazil's Guanabara state, until his death in 1977. Dulles focuses particularly on the years 1960 to 1968, in which Lacerda played a central role in some of the most drastic political changes that Brazil has experienced in this century.
A portrait of Lincoln's private secretary and the Secretary of State under Presidents William McKinley and Theodore Roosevelt traces his constant presence at Lincoln's side and his role in major historical events for more than half a century.
What is the mission of American public education? As a nation, are we still committed to educating students to be both workers and citizens, as we have long proclaimed, or have we lost sight of the second goal of encouraging students to be contributing members of a democratic society? In this enlightening book, John Puckett and Michael Johanek describe one of America's most notable experiments in "community education." In the process, they offer a richly contextualized history of twentieth-century efforts to educate students as community-minded citizens. Although student test scores now serve to measure schools' achievements, the authors argue compellingly that the democratic goals of citizen-centered community schools can be reconciled with the academic performance demands of contemporary school reform movements. Using the twenty-year history of community-centered schooling at Benjamin Franklin High School in East Harlem as a case study-and reminding us of the pioneering vision of its founder, Leonard Covello-they suggest new approaches for educating today's students to be better "public citizens.
Now in his nineties and still writing as beautifully and dangerously and originally as ever, John Sanford is an American literary treasure - simply one of our most talented authors. A keen and incisive observation on the perilous and hilarious, absurd and appalling, Intruders in Paradise takes on the influential personalities that history has strewn across the Americas over the centuries and gives them their unfettered due. From Francisco Pizarro's chaplain, Valverde, to J. Edgar Hoover in a fetching frock; from the poignant voice of someone drowned on the Lusitania to the creative musings of Andy Warhol - Sanford burrows, as no other writer has, into the very souls of these quintessential characters and with his words engages them, powering them to vigorous and palpable life.
Weaver's narrative explores these tangled lives against the background of "the color line," which W. E. B. Du Bois defined in 1903 as "the problem of the twentieth century.
Register of the Certificates Issued by John Pierce, Esquire, Paymaster General and Commissioner of Army Accounts for the United States, to Officers and Soldiers of the Continental Army Under Act of July 4, 1783
Register of the Certificates Issued by John Pierce, Esquire, Paymaster General and Commissioner of Army Accounts for the United States, to Officers and Soldiers of the Continental Army Under Act of July 4, 1783
A dramatic countdown of the final months of World War II in Europe, The Last 100 Days brings to life the waning power and the ultimate submission of the Third Reich. To reconstruct the tumultuous hundred days between Yalta and the fall of Berlin, John Toland traveled more than 100,000 miles in twenty-one countries and interviewed more than six hundred people—from Hitler’s personal chauffeur to Generals von Manteuffel, Wenck, and Heinrici; from underground leaders to diplomats; from top Allied field commanders to brave young GIs. Toland adeptly weaves together these interviews using research from thousands of primary sources. When it was first published, The Last 100 Days made history, revealing after-action reports, staff journals, and top-secret messages and personal documents previously unavailable to historians. Since that time, it has come to be regarded as one of the greatest historical narratives of the twentieth century.
Part of the premise of the online discussion transcribed in this book is how Gerry Anderson's television series 'Space: 1999' can be understood in relation to Stanley Kubrick's '2001: A Space Odyssey' by looking at both narratives through the perspective of systems theory. As a result of doing so, an engaged debate concerned with the political and philosophical subtext of both stories developed. This book gives a full account of the debate with summaries of ideas and insights. The book has been developed on an idealistic basis. It is sold at the lowest price the publisher was willing to accept. A free e-book version can be downloaded at www.lulu.com.
New York Times bestselling author John Connolly, “one of the best thriller writers we have” (Harlan Coben, #1 New York Times bestselling author), returns with a shivery collection of supernatural tales. Filled with eerie surprises and dark delights, Night and Day takes us from the dusty shelves of an uncanny library filled with fictional characters to a bunker deep beneath the earth where scientists seek revenge on old Nazis; from an English marsh haunted by a mother and her son to a country house where a grieving widower finds comfort from a most unlikely source. Concluding with the author’s account of how an obscure horror film brought him closer to his lost father, and how nostalgia can help to keep us sane, this is a collection that will move, entertain, and keep you reading late into the night.
John Jakes, the acclaimed author of the #1 New York Times bestselling North and South Trilogy, returns to the Civil War era with the story of two couples divided by war and allegiance, who discover that love doesn’t take sides... A Rebel sympathizer’s affection for a former Pinkerton detective turned Union agent cannot save him from the horrors of a Richmond prison. A Confederate officer sacrifices his rank to save an actress taken captive while posing as a Union soldier. Overshadowing them all is an actor’s outspoken hatred of Abraham Lincoln—and a date with destiny that will shock a nation and change the course of history...
In Speed, Safety, and Comfort: The Origins of Delta Air Lines, former Delta Boeing 767 captain and aviation historian James John Hoogerwerf traces the evolution and growth of one of America’s most successful airlines. Delta’s story began during the early twentieth century with the fight against the cotton-devouring boll weevil, which devastated the southern economy and compelled scientists to formulate calcium arsenate powder to eradicate the invasive pest. To aid in the elimination effort, Huff Daland Company, a military aircraft manufacturer, constructed the first plane specifically designed to dispense the poison from the air. Crop dusting proved so effective, Huff Daland Dusters, the world’s first crop-dusting company, rebranded as Delta Air Service in 1928 to focus more on providing commercial services, including the transport of passengers and air mail. The following year Delta began flying its first passengers from Monroe, Louisiana, eventually establishing routes across the southeastern United States. By the eve of World War II, the firm had assumed the familiar Delta Air Lines name and boasted forward-thinking management, a modern fleet of aircraft, and increased revenue from passenger ticket sales. Now headquartered in Atlanta, Delta counts itself among the oldest and largest airlines in the world, with nearly 90,000 employees and more than 5,400 flights per day. Delta’s expansion and survival are anomalies in an industry historically dominated by government and special interests. Hoogerwerf’s masterful history of Delta’s beginnings underscores the company’s contribution to agriculture, southern industrialization, and the development of commercial aviation in the United States.
From reviews of Volume I: "Brazilian Crusader is no doubt the best biography yet produced on Lacerda and the second volume . . . is certainly worth waiting for." —Luso-Brazilian Review Journalist and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over. In the first volume, John F. W. Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil, who prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies. In the second and final volume, Dulles explores the political and private life of Lacerda from 1960, when he became governor of Brazil's Guanabara state, until his death in 1977. Dulles focuses particularly on the years 1960 to 1968, in which Lacerda played a central role in some of the most drastic political changes that Brazil has experienced in this century. Lacerda's story ranges from the headlines constantly generated by his political attacks and journalistic sensationalism to private moments of personal tragedy. In telling his story, Dulles draws on hundreds of interviews, as well as extensive research in press archives, Lacerda's public papers, and the private collections of Lacerda's family and associates. This material paints a compelling portrait of an honest administrator who alienated top figures in politics, the press, and the military.
Wyoming attorney John W. Davis retells the story of the West’s most notorious range war. Having delved more deeply than previous writers into land and census records, newspapers, and trial transcripts, Davis has produced an all-new interpretation. He looks at the conflict from the perspective of Johnson County residents—those whose home territory was invaded and many of whom the invaders targeted for murder—and finds that, contrary to the received explanation, these people were not thieves and rustlers but legitimate citizens. The broad outlines of the conflict are familiar: some of Wyoming’s biggest cattlemen, under the guise of eliminating livestock rustling on the open range, hire two-dozen Texas cowboys and, with range detectives and prominent members of the Wyoming Stock Growers Association, “invade” north-central Wyoming to clean out rustlers and other undesirables. While the invaders kill two suspected rustlers, citizens mobilize and eventually turn the tables, surrounding the intruders at a ranch where they intend to capture them by force. An appeal for help convinces President Benjamin Harrison to call out the army from nearby Fort McKinley, and after an all-night ride the soldiers arrive just in time to stave off the invaders’ annihilation. Though taken prisoner, they later avoid prosecution. The cattle barons’ powers of persuasion in justifying their deeds have colored accounts of the war for more than a century. Wyoming Range War tells a compelling story that redraws the lines between heroes and villains.
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