The definitive biography of Creedence Clearwater Revival, exploring the band's legendary rise to fame and how their music embodied the cultural landscape of the late '60s and early '70s From 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story: the thirteen-year saga of an unassuming suburban quartet's journey through the wilds of 1960s pop, and their slow accrual of a sound and ethos that were almost mystically aligned with the concerns of decade's end. Starting in middle school, these Californian friends and brothers cut a working-class path through the most expansive decade in American music, playing R&B, country, and rock 'n' roll under a variety of names as each of those genres expanded and evolved. When they finally synthesized those styles under a new name in 1968, Creedence Clearwater Revival became instantly epochal, then fell apart under the weight of personal grievances that dated back to adolescence. As musicians and as men, they embodied the contradictions and difficulties of their time, and those dimensions of their career have never been explored until now. Drawing on wide-ranging research into the social and musical developments of 1959-1972, extensive original interviews with surviving Creedence members and associates, and unpublished memoirs from people who knew the group closely, A Song for Everyone is the definitive account of a legendary and still-beloved American band. At the same time, it is also a cultural history of those same years—from Elvis to Altamont, Eisenhower to Watergate—seen through the eyes of four men who encapsulated them in song for all time, told by one of the rising figures in contemporary music writing.
This provocative work reveals the origins and development of political theory as it is presently understood—and misunderstood. Tracing the evolution of the field from the nineteenth century to the present, John G. Gunnell shows how current controversies, like those over liberalism or the relationship of theory to practice, are actually the unresolved legacy of a forgotten past. By uncovering this past, Gunnell exposes the forces that animate and structure political theory today. Gunnell reconstructs the evolution of the field by locating it within the broader development of political science and American social science in general. During the behavioral revolution that swept political science in the 1950s, the relationship between political theory and political science changed dramatically, relegating theory to the margins of an increasingly empirical discipline. Gunnell demonstrates that the estrangement of political theory is rooted in a much older quarrel: the authority of knowledge versus political theory is rooted in a much older quarrel: the authority of knowledge versus political authority, academic versus public discourse. By disclosing the origin of this dispute, he opens the way for a clearer understanding of the basis and purpose of political theory. As critical as it is revelatory, this thoughtful book should be read by any one interested in the history of political theory or science—or in the relationship of social science to political practice in the United States.
US conservatives have repeatedly turned to classical Greece for inspiration and rhetorical power. In the 1950s they used Plato to defend moral absolutism; in the 1960s it was Aristotle as a means to develop a uniquely conservative social science; and then Thucydides helped to justify a more assertive foreign policy in the 1990s. By tracing this phenomenon and analysing these, and various other, examples of selectivity, subversion and adaptation within their broader social and political contexts, John Bloxham here employs classical thought as a prism through which to explore competing strands in American conservatism. From the early years of the Cold War to the 2003 invasion of Iraq, Bloxham illuminates the depth of conservatives' engagement with Greece, the singular flexibility of Greek ideas and the varied and diverse ways that Greek thought has reinforced and invigorated conservatism. This innovative work of reception studies offers a richer understanding of the American Right and is important reading for classicists, modern US historians and political scientists alike.
A fresh view of the legal arguments leading to the American Revolution, this book argues that rebellious acts called "lawless" mob action by British authorities were sanctioned by "whig law" in the eyes of the colonists. Professor Reid also holds that leading historians have been misled by taking both sides' forensic statements at face value. The focus is on three events. First was the Malcom Affair (1766), when a Boston merchant and his friends faced down a sheriff's party seeking smuggled goods, arguing that the search warrant was invalid. Second was a parade in Boston to celebrate the second anniversary (1768) of the repeal of the Stamp Act—an occasion when some revenue officials were hanged in effigy. Third was the Liberty "riot" (1768), when customs officers boarded John Hancock's ship and were carried off by a crowd including the aforementioned Malcom. Legal inquires into the three events were marked by hyperbole on both sides. Whigs depicted Crown officials as lawless trespassers serving a foreign tyrant. Tories painted the Sons of Liberty as lawless mobs of almost savage ferocity. Both sides, as the author shows, had extralegal motives: whigs to enlist supporters in the other colonies for the cause of independence; tories to bring British troops and warships to Massachusetts in support of the status quo. Both succeeded in their polemical aims, and both have gulled most historians.
The Red Knight is the product of 25 years of meticulous research. It is, arguably, the most comprehensive account ever written about the Canadian Air Force’s legendary solo jet-aerobatics performer. An important part of Canadian aviation history, the Red Knight is third in longevity and total number of performances among RCAF display teams. In recognition of the program’s importance, Canada’s Aviation Hall of Fame honoured the Red Knight with its Belt of Orion Award for Excellence in 2020 and the Royal Canadian Mint issued a commemorative coin in 2022. The Red Knight chronicles the history of the program, from its origins in 1957 to its cancellation in 1970. Everyone who has enjoyed watching the precision, grace and beauty of aerobatic flight will enjoy this insight into the “behind the scenes” aspect of aerial displays. A fine addition to any aviation reference library, The Red Knight will be of particular interest to anyone who remembers the program or saw a performance of this uniquely Canadian display. Printed in colour, The Red Knight - Second Edition is illustrated with many rare photographs never published before. The book is further enhanced by specially commissioned works of art from noted Canadian Aviation Artist, Don Connolly. Details of the various Red Knight paint schemes are provided through aircraft profiles, also specifically created for this publication. Together, this unique pictorial collection vividly portrays the legacy of the Red Knight. https://www.facebook.com/rcafredknight www.johncharlescorrigan.com "It's hard to imagine a more comprehensive look at the Red Knight program--and at aerobatics in general." — Kirkus Reviews
Tribal peoples believe that the shaman experiences, absorbs, and communicates a special mode of power, sustaining and healing. This book discusses American Indian shamanic traditions, particularly those of the Woodland Ojibway, in terms drawn from the classical shamanism of Siberian peoples. Using a cultural-historical method, John A. Grim describes the spiritual formation of shamans, male and female, and elucidates the special religious experience that they transmit to their tribes. Writing as a historian of religion well acquainted with ethnological materials, Grim identifies four patterns in the shamanic experience: cosmology, tribal sanction, ritual reenactment, and trance experience. Relating those concepts to the Siberian and Ojibway experiences, he draws on mythology, sociology, anthropology, and psychology to paint a picture of shamanism that is both particularized and interpretative. As religious personalities, shamans are important today because of their singular ability to express symbolically the forces that animate the tribal cosmology. Often identifying themselves with primordial earth processes, shamans develop symbol systems drawn from the archetypal earth images that are vital to their psychic healing technique. This particular ability to resonate with the natural world is felt as an important need in our time. Those readers who identify with American Indians as they confront modern technological society will value this introduction to our native shamanic traditions and to the religious experience itself. The author's discussion of Ojibway practices is the most comprehensive short treatment available, written with a fine poetic feeling that reflects the literary expressiveness inherent in American Indian religion and thought.
Finalist for the National Book Award: This sweeping novel set in the aftermath of World War II reveals the story behind the creation of an American icon Major General Melville A. Goodwin, the son of a druggist, served in two world wars, rising through the ranks to take command of an armored division. He was a hero long before he braved a hail of bullets to save a fellow American in postwar Berlin, but until that mad act of courage, no one outside of the military had ever heard of him. That is all about to change: A weekly news magazine has convinced the major general to sit down for an extended interview at the home of Sid Skelton, a popular radio commentator and former army buddy of Goodwin’s. Over the course of many hours, Goodwin tells the story of his life—from his small-town childhood to his years at West Point, his battlefield traumas, his marriage to an ambitious woman who helped shape his military career, and his impressions of the world as seen through the barbed wire of far-flung army posts. Of primary interest to Skelton, however, is Dottie Peale, the vivacious journalist Goodwin romanced in war-torn France. Skelton is a little bit in love with her himself, and now that the major general is in the news, Dottie plans to make a dramatic return to his life. At the moment of his greatest triumph, Goodwin will discover that his marriage and career are under threat.
The service of African-American soldiers during the Civil War is one of that conflict’s most stirring, if still not completely understood, aspects. In this comprehensive account—from recruitment into combat, and covering all the military, political, and social aspects of this story—John D. Warner recounts the history of the 5th Massachusetts Cavalry Regiment, the only Black cavalry regiment raised in the North during the war. After Massachusetts made history with the 54th and 55th Infantry Regiments, its governor wanted to continue the experiment of training African-Americans as Union fighting men, this time as cavalry. Where the infantry regiments recruited largely free Blacks from the North, the 5th focused on escaped slaves who it was believed would be better horsemen. (But not solely: the regiment’s members included a son of Frederick Douglass and, interestingly, several Hawaiian islanders.) This gave the regiment a sharper edge: not only would the former slaves be fighting for themselves, but they would be fighting to liberate loved ones still enslaved. The 5th’s officers were drawn from Boston’s abolitionist elite, including Charles Francis Adams Jr., great-grandson and grandson of U.S. presidents, son of the U.S. ambassador to the United Kingdom. In the spring of 1864, the regiment journeyed south and fought in Grant’s siege of Petersburg, where it joined attacks that nearly took the city in June. The 5th was then abruptly sent to Maryland to guard Confederate prisoners of war, until Col. Charles Francis Adams advocated for, and was granted, a return to combat duty. As part of the mostly Black XXV Corps, the cavalrymen found themselves at the vanguard of the Union army as it captured Richmond. On April 3, 1865, the 5th Massachusetts Cavalry Regiment was among the first units to enter the burning Confederate capital, at once a hellscape of destruction and a heaven for liberated slaves. Denied the rapid demobilization granted white regiments, the 5th ended the war in Texas on the Mexican border. In the spirit of the book One Gallant Rush and the movie Glory, Riders in the Storm covers—uncovers and indeed recovers—the story of the African-American cavalrymen of the 5th Massachusetts. Author John Warner has literal fingertip command of the primary sources, and after spending two decades researching letters, diaries, reports, newspapers, and more, he tells a story of resilience in the face of adversity, one that will resonate not just during the present moment of reckoning with race in the United States, but in the annals of American history for all time.
Americans have long prided themselves on living in a country that serves as a beacon of democracy to the world, but from the time of the founding they have also engaged in debates over what the criteria for democracy are as they seek to validate their faith in the United States as a democratic regime. In this book John Gunnell shows how the academic discipline of political science has contributed in a major way to this ongoing dialogue, thereby playing a significant role in political education and the formulation of popular conceptions of American democracy. Using the distinctive “internalist” approach he has developed for writing intellectual history, Gunnell traces the dynamics of conceptual change and continuity as American political science evolved from a focus in the nineteenth century on the idea of the state, through the emergence of a pluralist theory of democracy in the 1920s and its transfiguration into liberalism in the mid-1930s, up to the rearticulation of pluralist theory in the 1950s and its resurgence, yet again, in the 1990s. Along the way he explores how political scientists have grappled with a fundamental question about popular sovereignty: Does democracy require a people and a national democratic community, or can the requisites of democracy be achieved through fortuitous social configurations coupled with the design of certain institutional mechanisms?
During the French wars (1793-1801, 1803-1815) the system of promotion to flag rank in the Royal Navy produced a cadre of admirals numbering more than two hundred at its peak. These officers competed vigorously for a limited number of appointments at sea and for the high honours and significant financial rewards open to successful naval commanders. When on active service admirals faced formidable challenges arising from the Navy's critical role in a global conflict, from the extraordinary scope of their responsibilities, and from intense political, public and professional expectations. While a great deal has been written about admirals' roles in naval operations, other aspects of their professional lives have not been explored systematically. British Flag Officers in the French Wars, 1793-1815 considers the professional lives of well-known and more obscure admirals, vice-admirals and rear-admirals. It examines the demands of naval command, flag officers' understanding of their authority and their approach to exercising it, their ambitions and failures, their professional interactions, and their lives afloat and onshore. In exploring these themes, it draws on a wide range of correspondence and other primary source material. By taking a broad thematic approach, this book provides a multi-faceted account of admirals' professional lives that extends beyond the insights that are found in biographical studies of individual flag officers. As such, it will be of great interest to students and scholars of British naval history.
How parents, teachers, and even professionals are being deceived by the "ADHD Establishment" regarding ADHD and other childhood behavior disorders and the drugs used to treat them. The issue of diagnosing children with behavioral diseases that do not conform to a scientific definition of disease, and then medicating them is a scandal ready to erupt. In The Diseasing of America's Children, popular family psychologist, speaker, and best-selling author John Rosemond joins with pediatrician Dr. Bose Ravenel to uncover the fiction and fallacy behind attention-deficit/hyperactivity disorder (ADHD), oppositional defiant disorder (ODD), early-onset biopolar disorder (EOBD), and the drugs prescribed to treat them. Rosemond and Ravenel will: reveal the pseudo-science behind these diagnoses explain how parents, teachers, and even professionals are deceived expose the short- and long-term dangers behavioral drugs pose to children discuss how America's schools are unwittingly feeding the diagnostic beast reveal the simple, common sense truth behind these behavior problems and give parents a practical program for curing these problems without drugs or dependence on professionals
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