Hamer has produced a very well-written ethnographic analysis of development and change among the Sadama, a Cushitic-speaking people living along the Rift Valley...The analysis attempts to show how traditional modes of decision making and living adapt to or are adapted to impinging forces of modernization.a Hamer's emphasis on humane development is highly appropriate and his analysis is very successful.a The focus on inevitable and constant change, and the continuing evolution of the society, makes this study a particularly useful one because the lessons of the Sadama can be generalized far beyond the boundaries of East Africa.a The Sadama's particularistic history is of course unique to this group but the patterns of adaption are far more broadly applicable.OCo"Academic Library Book Review"
What is history and why should we study it? Is there such a thing as historical truth? Is history a science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and other questions in this short, witty, and humane book. The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today. Gaddis points out that while the historical method is more sophisticated than most historians realize, it doesn't require unintelligible prose to explain. Like cartographers mapping landscapes, historians represent what they can never replicate. In doing so, they combine the techniques of artists, geologists, paleontologists, and evolutionary biologists. Their approaches parallel, in intriguing ways, the new sciences of chaos, complexity, and criticality. They don't much resemble what happens in the social sciences, where the pursuit of independent variables functioning with static systems seems increasingly divorced from the world as we know it. So who's really being scientific and who isn't? This question too is one Gaddis explores, in ways that are certain to spark interdisciplinary controversy. Written in the tradition of Marc Bloch and E.H. Carr, The Landscape of History is at once an engaging introduction to the historical method for beginners, a powerful reaffirmation of it for practitioners, a startling challenge to social scientists, and an effective skewering of post-modernist claims that we can't know anything at all about the past. It will be essential reading for anyone who reads, writes, teaches, or cares about history.
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
It was the aim of Capt. Thomas, in writing this history of Marlboro County, South Carolina, to make it so full in the matters of tradition and genealogy as to leave no room for complaint, but in spite of his zeal, industrious inquiry and research, he was unable to procure from some families, facts and data, whilst some others were unable to give information sought, having preserved no family records, and having no traditions stored up in memory. The Rev. J. A. W. Thomas endeavored to write this piece of local history of a people loyal to the State, valorous in war, law abiding, industrious and thrifty in time of peace. The citizens of Marlboro should feel deeply indebted for the history of the people who have ever been true to themselves and their State in time of war, and who, in peace, by quiet industry and exemplary thrift have made Marlboro the garden spot of the State.
The South Carolina 23rd Infantry Regiment [also called Coast Rangers] was assembled at Charleston, South Carolina, in November, 1861. Most of the men were from Horry, Georgetown, Charleston, and Colleton counties. After being stationed in South Carolina, the regiment moved to Virginia and during the war served in General Evans', Elliot's, and Wallace's Brigade.
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