This is a book for anyone who has ever played or coached the game of football, who has ever competed between any set of lines, but, more importantly, for everyone who has ever battled life's larger foes, those monumentally more important than crossing a goal line, knocking down a buzzer-beating jump shot, or hitting a ball out of the park. Dick Strahm, a four-time NAIA national championship coach, is a member of the National Football Fnd and College Hall of Fame and has impacted small-college football perhaps as much as anyone who's ever strode the sidelines. A four-time recipient of NAIA's top coaching honor, National Coach of the Year, Strahm compiled a remarkable .736 winning percentage at The University of Findlay during his 24-year tenure. Along the way to coaching greatness, Strahm's most memorable victories have come against opponents with names like heart disease, cancer and stroke. His 40-plus-year coaching career is a remarkable story of perseverance, resiliency, and an indomitable will, the story of a man who has seen every setback as a golden opportunity to mount a fourth-quarter rally. Dick Strahm, both on the field and off, has been both a winner and, more importantly, a survivor. His love affair with football started during an era dominated by our nation's greatest war and continued throughout the decades which followed. From Lakota, Bryn, and Warren Western Reserve high schools to the University of Toledo to Kansas State University to The University of Findlay, Dick Strahm has been an inspiration to all whom he has touched.
A passionate and personal book about the writer's own love for a controversial architectural style. Whether you love or hate brutalist buildings, this book will explain what it is about them that elicits such strong feeling. You will understand the true power of concrete and of mammoth-sized buildings, but also some of the more subtle aspects of brutalist buildings that you may not have known or considered. Brutalist architecture, which flourished in the 1950s to mid-1970s, gained its name from the term ' Béton-brut', or raw concrete – the material of choice for the movement. British architectural critic Reyner Banham adapted the term into 'brutalism' (originally 'New Brutalism') to identify the emerging style. The architectural style – typified by buildings such as Trellick Tower in London and Unité D'Habitation in Marseille – is controversial but has an enthusiastic fan base, including the author who is on a mission to explain his passion. John Grindrod's book will be enlightening for those new to the subject, bringing humour, insight and honesty to the subject but will also interest those already immersed in built culture. Illustrated with striking drawings by The Brutal Artist, the book is divided up into a series of mini essays that explains the brutalist world from a human aspect, as well as an architectural, historical and even pop cultural angle. The book journeys from the UK to discover brutalism and its influence around the world – from Le Corbusier's designs in Chandigarh, India, to Lina Bo Bardi's buildings in Brazil.
A host of comedians, writers and viewers, including Rebecca Front, Andrew Collins, Kevin Eldon, Emma Kennedy, Richard Herring, Jim Shelley and David Quantick share funny and heartfelt rants and raves on everything from soaps to sitcoms, sci-fi to reality shows, HBO to QVC. All of TV is here: the age-old rift between BBC and ITV that tore families apart; the secret shame of crying at adverts; and those significant moments in life when television has made for an unforgettable backdrop. Richard Herring has a controversial new theory about Goodnight Sweetheart, Boyd Hilton shares his all-time comedy top ten and Rebecca Front demolishes the clichés of news reading. They're joined by a list of fellow telly addicts with axes to grind, . So, if you have ever rooted for the most offensive candidates in The Apprentice or repeatedly corrected Supernanny Jo Frost's pronounciation of 'unacceptable' then this book will give you and your spleen many happy memories of the hours you've spent shouting at the telly.
Was Britain's postwar rebuilding the height of mid-century chic or the concrete embodiment of crap towns? John Grindrod decided to find out how blitzed, slum-ridden and crumbling austerity Britain became, in a few short years, a space-age world of concrete, steel and glass. What he finds is a story of dazzling space-age optimism, ingenuity and helipads - so many helipads - tempered by protests, deadly collapses and scandals that shook the government.
Was Britain's postwar rebuilding the height of mid-century chic or the concrete embodiment of crap towns? John Grindrod decided to find out how blitzed, slum-ridden and crumbling austerity Britain became, in a few short years, a space-age world of concrete, steel and glass. What he finds is a story of dazzling space-age optimism, ingenuity and helipads - so many helipads - tempered by protests, deadly collapses and scandals that shook the government.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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