A collection of key nonfiction works includes the writer's frank observations on the film industry, politics, sports, and other topics; his reflections on raising an adopted daughter; and depictions of Las Vegas and a Hollywood film studio. Original.
“Dunne has a wicked eye for the telling details, an uncanny ear for the revealing phrase.”—The New York Times. Quintana & Friends gathers thirty-three brilliant essays written by a pioneer of New Journalism between 1963 and 1978. John Gregory Dunne's gifts for keen reportage, subtle storytelling, and articulate opinion on full display, he covers topics ranging from the Hollywood machine to America’s last fight club to departure day for young soldiers shipping out to Viet Nam. In a celebrated baseball essay, he follows San Francisco Giant outfielder Willie Mays as the slugger seeks to break the National League career home-run record, his portrait capturing a prickly veteran not shy, in an age before PR handlers for athletes, of expressing his annoyance with reporters. In “Sneak,” Dunne brings us inside Twentieth-Century Fox’s Minneapolis advance screening of the movie Dr. Doolittle. In “Quebec Zero,” he spends 24 hours underground with a crew of four young men manning nuclear missiles aimed at the Soviet Union, Dunne’s goal “to see how it worked on the mind, to have World War III only an arm’s length away.” In the title essay, Dunne writes of raising his adopted daughter Quintana with wife Joan Didion, speculating about the day the girl might wish to seek out her birth mother. In “Friends,” he writes movingly of a best friend, screenwriter Josh Greenfield, father to an autistic son. “Eureka” celebrates Los Angeles. “Pauline” famously takes down revered New Yorker movie critic Pauline Kael. And in the much-discussed essay “Gone Hollywood,” Dunne blasts the notion that the movie business is a destroyer of writing talent. “The ecology of Hollywood eludes them,” he writes of those who bemoan the studio system’s effects on writers. Echoing this point in the Kael essay, occasional screenwriter Dunne, making reference to an Upper West Side of Manhattan grocery store, famously declares: “The writers who fell apart in Hollywood would have fallen apart in Zabar's.” Download this first-ever digital edition of Quintana & Friends and enjoy John Gregory Dunne at his wittiest, most observant, and powerfully eloquent best.
Monster is John Gregory Dunne's mordant account of the eight years it took to get the 1996 Robert Redford/Michelle Pfeiffer film Up Close & Personal made. A bestselling novelist, Dunne has a cold eye, perfect pitch for the absurdities of Hollywood, and sharp elbows for the film industry's savage infighting. 192 pp. Author tour & national ads. 25,000 print.
A grisly racial murder in what news commentators insist on calling “the heartland.” A feeding frenzy of mass media and seamy politics. An illicit love affair with the potential to wreck lives. In his grandly inventive last novel, John Gregory Dunne orchestrated these elements into a symphony of American violence, chicanery, and sadness.In the aftermath of Edgar Parlance’s killing, the small prairie town of Regent becomes a destination for everyone from a sociopathic teenaged supermodel to an enigmatic attorney with secret familial links to the worlds of Hollywood and organized crime. Out of their manifold convergences, their jockeying for power, publicity or love, Nothing Lost creates a drama of magnificent scope and acidity.
In September 1965, Filipino and Mexican American farm workers went on strike against grape growers in and around Delano, California. More than a labor dispute, the strike became a movement for social justice that helped redefine Latino and American politics. The strike also catapulted its leader, Cesar Chavez, into prominence as one of the most celebrated American political figures of the twentieth century. More than forty years after its original publication, Delano: The Story of the California Grape Strike, based on compelling first-hand reportage and interviews, retains both its freshness and its urgency in illuminating a moment of unusually significant social ferment." -- Book cover.
In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business. Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better. "Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times
“Funny, outrageous, cynical, and spellbinding.”—People magazine. In this first-ever digital edition of John Gregory Dunne’s acclaimed collection Crooning, readers find evidence from the get-go confirming the writer’s reputation as one of the most clear-seeing, incisive observers of the American cultural and political scene. In sixteen sharp, distinctively voiced essays, Dunne profiles a blacklisted Hollywood screenwriter who three decades later passed himself off as a young Chicano novelist; considers the Kennedy men and conservative William F. Buckley, takes us inside California’s labyrinthine water politics and criminal justice system, details the workings of the Los Angeles county morgue, and is on the ground observing in Jerusalem just weeks before the intifada enveloped the West Bank and Gaza Strip in 1987. Here, too, are superbly entertaining accounts of the Hollywood star system and studio machine, Dunne drawing on two decades of experience as an L.A.-based journalist and fiction-writer with regular forays into screenwriting. He is candid and insightful about the business of writing and life of the dedicated writer as well. In “Laying Pipe,” Dunne chronicles the five-year experience of writing his epic novel The Red White and Blue. And in “Critical,” he focuses on book reviews and reviewers from his perspective as an author who, along with manifold strong notices, also received the occasional critical knock. He names names, and takes the opportunity to fire back at one of his critics. Early in Crooning, Dunne tells us that when he tires of the writing grind, he fantasizes about being a Johnny Mercer-like crooner, then reveals a moment later that he is tone deaf. The title, then, is playful - and in more than one way. Instead of writing sweet narrative melodies, Dunne built his career through work that exposes, challenges, thrums with opinion, and bristles with spiky, knowing humor. Download Crooning and dive into a book of provocative reportage, great stories, and witty, vigorous prose.
“Crackling dialogue, gritty characters, a fierce, unblinking stare at acts of brutality.”—Anne Tyler, The New York Times Book Review. A brilliantly panoramic novel spanning a quarter-century of American life, John Gregory Dunne’s The Red White and Blue tells the story of California's high-profile Broderick family, a tale beginning in the tumult of the 1960s. The clan includes a billionaire San Francisco patriarch, his sons the celebrity priest and Hollywood screenwriter, and his daughter, wife to the brother of the American president. Rounding out the front-line cast is Leah Kaye, a politically radical lawyer once married to the screenwriter Jack Broderick, an ex-newspaperman and the book's narrator. The influence of wealth in American politics. A California agricultural strike. A South American election. The black-power movement. Hollywood movers and shakers. All of this and more is deftly navigated as Dunne sets his main characters and big-canvas forces in motion. Jack himself is pulled into the swirl, his ironic detachment proving insufficient bulwark against dramas that grow darker, more dangerous and more personal as Dunne’s epic unfolds. A robust, bitterly comic portrait of America in the Viet Nam era and after, with a storyline headed towards tragedy, The Red White and Blue — appearing here in digital format for the first time — is John Gregory Dunne at his most ambitious and far-seeing, his gaze sweeping from coast to coast and from decade to American decade.
In 1940s Los Angeles, an unidentified murder victim is found bisected in a shadowy lot. A catchy nickname is given her in jest—"The Virgin Tramp"—and suddenly a "nice little homicide that would have drifted off the front pages in a couple of days" becomes a storm center. Two brothers, Tom and Des Spellacy, are at the heart of this powerful novel of Irish-Catholic life in Southern California just after World War II. Played in the film version by Robert Duvall and Robert De Niro respectively, Tom is a homicide detective and Des is a priest on the rise within the Church. The murder investigation provides the background against which are played the ever changing loyalties of the two brothers. Theirs is a world of favors and fixes, power and promises, inhabited by priests and pimps, cops and contractors, boxers and jockeys and lesbian fight promoters and lawyers who know how to put the fix in. A fast-paced and often hilarious classic of contemporary fiction, True Confessions is about a crime that has no solutions, only victims. More important, it is about the complex relationship between Tom and Des Spellacy, each tainted with the guilt and hostility that separate brothers.
A critically acclaimed best-seller set in the glamorous, gangster-dominated Hollywood of the 1940s tells the story of Blue Tyler, a child star who disappears from Hollywood and becomes a bag lady in New York City.
Situé à Los Angeles dans les années 1940, True Confessions met en scène deux frères irlando-américains, Tom et Desmond Spellacy : exemple typique d'ascension sociale d'immigrés de l'Irlande misérable. Tom, inspecteur de police, enquête sur le meurtre d'une jeune femme dont on a retrouvé le corps coupé en deux. Il s'agit de Lois Fazenda, dont le martyre est inspiré par celui, bien réel, d'Elizabeth Short, qui deviendra le célèbre Dahlia noir de James Ellroy. Desmond, prêtre ayant accédé au rang de monsignore, brigue l'archevêché de Los Angeles et mène une campagne active pour être nommé. Au cours de l'enquête, son frère Tom découvre qu'il a croisé le chemin de la victime... Leurs échanges sont des " confessions " mettant au jour d'une part les névroses sexuelles et les manigances financières de l'Église catholique irlandaise, d'autre part les coulisses de la pègre californienne et le rôle douteux de la presse. Ils présentent autant d'intérêt, sinon plus, que la résolution romanesque du meurtre, par ailleurs fort habilement amenée. Né dans le Connecticut en 1932, John Gregory Dunne était le frère de l'écrivain échotier Dominick Dunne. Romancier, journaliste, critique et scénariste ( Panique à Needle Park ), il a connu son heure de gloire hollywoodienne dans les années 1970 avec sa femme, la romancière Joan Didion. Après sa mort en 2003, elle a consacré à sa disparition un texte devenu un best-seller : L'Année de la pensée magique.
In this contemplation of his friend's life, Calvin Trillin attempts to chart the mysterious course of a career that had seemed full of limitless promise. He also embarks upon a provocative investigation of America in the 1950s - exploring the assumptions inherited by the "silent generation" as well as how those assumptions fared during the subsequent transformation of American society in the years that followed. Remembering Denny is not only a memoir of friendship, but also a meditation on our country's evolving sense of self."--Jacket.
From one of America's most celebrated writers—an incandescent love story set in a small American town overtaken by the celebrity machine that comes to feast on a big-time criminal trial. In the town of Regent, a lurid murder becomes a magnet for the media, the best and worst of the local courtroom powers, and a rich cast of hangers-on. There is Teresa Kean, the advocacy lawyer whose life is charged by a mysterious secret; J.J. McClure, the prosecutor who contemplates his own secrets under the radar screen of Poppy, his glamorous, funny, right-wing congresswoman wife. There is Max Cline, a tough gay former state's attorney, once J.J.'s boss and now a marginalized defense counsel. There is the sociopathic seventeen-year-old Carlyle, half sister of the accused, a supermodel whose addiction is attention—no matter the cost. And—as if it were a character itself—there is the reckless passion that will fulfill a self-destructive destiny for one of the players. Dunne's fascination with "the population of the forgotten, the rejected, and the left behind" in the emptiness of the American heartland is the foundation of a story that takes us through the inner workings of the media, the prisons, the courts, and politics. Unsentimental, surprising—deeply sad and darkly funny—Nothing Lost is Dunne's finest and last novel. From the Hardcover edition.
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