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The creation of humankind in the Image of God is perhaps the most foundational tenet of theological anthropology, yet it is rarely understood in the fullness of what it represents. Too often, focus is placed on the divine image as a condition. A study of the Scriptures suggests that it is better understood not as a condition, but rather as a commission of humanity to a role, specifically a priestly role. This book delves into the recognition that the Image of God is nothing less than a divine commission over all of humanity to serve as priests within the temple of creation. It examines not only the creation of humankind as a priesthood in the opening chapters of Genesis, but also the echoes of this anthropological interpretation throughout the Scriptures and the resulting ramifications for future biblical and theological studies.
In Colours Green and White is the second volume in John Campbell's fascinating post-war history of Hibernian Football Club, which continues to relive the club's past with a game-by-game and goal-by-goal account of the Easter Road team between 1967 and 1990. In the years that followed the halcyon days of the Famous Five and the club's domination of the league championship, the Easter Road faithful continued to witness some outstanding milestones in the history of the club. As pioneers in Europe, Hibernian regularly faced giants of the European stage, rising majestically to the occasion year after year against Italian, German, Portuguese and English opposition, with illustrious names like Napoli, Sporting Lisbon, Hamburg and Liverpool all leaving Edinburgh cowed by the men in green and white. Throughout this period the team that would become known as 'Turnbull's Tornadoes' lifted the League Cup and pulled off the mother of all derby wins at Tynecastle in January 1973 with a display of outstanding tactical play and mesmeric footballing skill. Denied a position at the pinnacle of Scottish football by Jock Stein's superb Celtic side, Eddie Turnbull's Hibs nevertheless entertained wherever they played and are remembered to this day with huge affection by fans around the country.
In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history.Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger.
Never losing sight of the historical foundations of the office of President of the United States, the authors maintain a delicate balance as they examine the presidency through a modern lens.
Get the most up-to-date coverage and analysis of the presidency. Never losing sight of the foundations of the office, The Politics of the Presidency maintains a balance between historical context and contemporary scholarship on the executive branch, providing a solid foundation for any presidency course. In this Revised Tenth Edition, bestselling authors Joseph A. Pika, John Anthony Maltese, and Andrew Rudalevige present a thorough analysis of the change and continuity following the November 2020 presidential election and Biden administration.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
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