John Gibson is one of the Fox News Channel's most outspoken personalities. Now, as the aftershocks of the war in Iraq reverberate around the world, Gibson exposes the outrageous tenor of anti-American sentiment filling newsprint and airwaves beyond our borders and how disagreements over policy have mushroomed into poisonous hatred."I loathe America . . . and what it has done to Iraq and the rest of the helpless world." —Margaret Drabble, British novelist From the "Arab street" to the halls of even the most historically friendly foreign governments, extreme anti-Americanism has grown disturbingly pervasive throughout the world since the shell-shocking moment of 9/11. Over the year that followed, Gibson writes, "I began to watch the overseas press with a morbid fascination punctuated by bursts of outrage. The things that were being said about America and Americans were marked by an off-the-charts level of venom, a scandalous parade of mistaken assumptions, an endless font of suspicion, mistrust, and the promulgation of outright, willful lies. The viciousness of commentary on America was breathtaking." "Damn Americans. Hate those bastards." --Carolyn Parrish, Canadian parliament member And, as Gibson traces, the hate speech has gone well beyond the usual suspects in the Middle East, infecting our erstwhile allies in Europe, Asia, and even Canada. British Prime Minister Tony Blair complained that "some of the rhetoric I hear used about America is more savage than some of the rhetoric I hear about Saddam and the Iraqi regime." Presumptuous Belgian officials attempted to bring American officials up on war-crimes charges. And special hatred was reserved for President George W. Bush, whom one Australian newspaper dismissed as "the village idiot." As America defends its security in the ongoing war on terror, Gibson argues, we must be prepared to face this growing tide of resentment abroad, which will only result in serious consequences for the haters themselves. For the anti-Americans, he argues, would "like us to forget that those who hate us may eventually try to kill us -- because they now know that we will never allow that to happen without exacting a price on those who would attempt it.
Upon his retirement from active service as a Justice of the Supreme Court of Virginia in 2011, Justice Koontz had completed more than four decades of service to citizens of the Commonwealth of Virginia. In order to recognize that service and help preserve Justice Koontz legacy as one of the outstanding jurists in Virginia and the United States, the Salem/Roanoke County Bar Association instituted this project to collect all of Justice Koontz's published opinions, both from his tenure as a Justice of the Supreme Court and as an inaugural member of the Court of Appeals of Virginia. The sixth volume to be produced by the Opinions Project includes opinions, concurrences and dissents authored by Justice Koontz during the middle years of his service as a Justice of the Supreme Court of Virginia.
In 1832 Joseph Smith, Jr., the Mormons’ first prophet, foretold of a great war beginning in South Carolina. In the combatants’ mutual destruction, God’s purposes would be served, and Mormon men would rise to form a geographical, political, and theocratic “Kingdom of God” to encompass the earth. Three decades later, when Smith’s prophecy failed with the end of the American Civil War, the United States left torn but intact, the Mormons’ perspective on the conflict—and their inactivity in it—required palliative revision. In The Civil War Years in Utah, the first full account of the events that occurred in Utah Territory during the Civil War, John Gary Maxwell contradicts the patriotic mythology of Mormon leaders’ version of this dark chapter in Utah history. While the Civil War spread death, tragedy, and sorrow across the continent, Utah Territory remained virtually untouched. Although the Church of Jesus Christ of Latter-day Saints—and its faithful—proudly praise the service of an 1862 Mormon cavalry company during the Civil War, Maxwell’s research exposes the relatively inconsequential contribution of these Nauvoo Legion soldiers. Active for a mere ninety days, they patrolled overland trails and telegraph lines. Furthermore, Maxwell finds indisputable evidence of Southern allegiance among Mormon leaders, despite their claim of staunch, long-standing loyalty to the Union. Men at the highest levels of Mormon hierarchy were in close personal contact with Confederate operatives. In seeking sovereignty, Maxwell contends, the Saints engaged in blatant and treasonous conflict with Union authorities, the California and Nevada Volunteers, and federal policies, repeatedly skirting open warfare with the U.S. government. Collective memory of this consequential period in American history, Maxwell argues, has been ill-served by a one-sided perspective. This engaging and long-overdue reappraisal finally fills in the gaps, telling the full story of the Civil War years in Utah Territory.
Electric Guitars: The Illustrated Encyclopedia is a tour through pop-music’s most celebrated musical instrument. Covering several decades of iconic pieces, this guide describes electric guitars produced by every significant manufacturer from Alembic to Zemaitis. Alongside every model is detailed information and a host of action pictures of key players, from Chet Atkins to Joey Z. 1,200 photographs really bring each guitar to life. With 800 classic, rare and unusual instruments from all major manufacturers in studio-quality photographs, plus illustrations of key players, original ads, and memorabilia, it’s easy to get lost within these pages. Comprehensive and informative text with a unique A-to-Z guitar directory covers makers’ histories, great guitarists, and musical trends. This is the definitive guide to the electric guitar, written and researched by the world’s leading authorities on the instrument that has shaped over 50 years of popular music. In words and pictures, detailed descriptions of just why the electric guitar is the most exciting icon of modern pop music.
Historians have traditionally viewed the Creek War of 1836 as a minor police action centered on rounding up the Creek Indians for removal to Indian Territory. Using extensive archival research, John T. Ellisor demonstrates that in fact the Second Creek War was neither brief nor small. Indeed, armed conflict continued long after peace was declared and the majority of Creeks had been sent west. Ellisor’s study also broadly illuminates southern society just before the Indian removals, a time when many blacks, whites, and Natives lived in close proximity in the Old Southwest. In the Creek country, also called New Alabama, these ethnic groups began to develop a pluralistic society. When the 1830s cotton boom placed a premium on Creek land, however, dispossession of the Natives became an economic priority. Dispossessed and impoverished, some Creeks rose in armed revolt both to resist removal west and to drive the oppressors from their ancient homeland. Yet the resulting Second Creek War that raged over three states was fueled both by Native determination and by economic competition and was intensified not least by the massive government-sponsored land grab that constituted Indian removal. Because these circumstances also created fissures throughout southern society, both whites and blacks found it in their best interests to help the Creek insurgents. This first book-length examination of the Second Creek War shows how interethnic collusion and conflict characterized southern society during the 1830s.
A survey of the interaction between science and Anglo-American literature from the late medieval period to the 20th century, examining how authors, thinkers, and philosophers have viewed science in literary texts, and used science as a window to the future. Spanning six centuries, this survey of the interplay between science and literature in the West begins with Chaucer's Treatise on the Astrolabe and includes commentary on key trends in contemporary literature. Beginning with the birth of science fiction, the authors examine the works of H. G. Wells and Jules Verne as well as Mary Shelley's Frankenstein within the context of a wider analysis of the impact of major historical developments like the Renaissance, the scientific revolution, the Enlightenment, and Romanticism. The book balances readings of literature with explanations of the impact of key scientific ideas. Focusing primarily on British and American literature, the book also takes an informed but accessible approach to the history of science, with seminal scientific works discussed in a critical rather than overly theoretical manner.
Winner of the Goldsmith Book Prize by the Harvard Shorenstein Center on Media, Politics and Public Policy Manipulating the Masses tells the story of the enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens. Its agent for this was the Committee on Public Information (CPI), established by President Woodrow Wilson one week after the United States entered the war in April 1917. Driven by its fiery chief, George Creel, the CPI reached every crevice of the nation, every day, and extended widely abroad. It established the first national newspaper, made prepackaged news a quotidian aspect of governing, and pioneered the concept of public diplomacy. It spread the Wilson administration’s messages through articles, cartoons, books, and advertisements in newspapers and magazines; through feature films and volunteer Four Minute Men who spoke during intermission; through posters plastered on buildings and along highways; and through pamphlets distributed by the millions. It enlisted the nation’s leading progressive journalists, advertising executives, and artists. It harnessed American universities and their professors to create propaganda and add legitimacy to its mission. Even as Creel insisted that the CPI was a conduit for reliable, fact-based information, the office regularly sanitized news, distorted facts, and played on emotions. Creel extolled transparency but established front organizations. Overseas, the CPI secretly subsidized news organs and bribed journalists. At home, it challenged the loyalty of those who occasionally questioned its tactics. Working closely with federal intelligence agencies eager to sniff out subversives and stifle dissent, the CPI was an accomplice to the Wilson administration’s trampling of civil liberties. Until now, the full story of the CPI has never been told. John Maxwell Hamilton consulted over 150 archival collections in the United States and Europe to write this revealing history, which shows the shortcuts to open, honest debate that even well-meaning propagandists take to bend others to their views. Every element of contemporary government propaganda has antecedents in the CPI. It is the ideal vehicle for understanding the rise of propaganda, its methods of operation, and the threat it poses to democracy.
Originally published in 1982, this book introduces the student to the central problem of all perceptual theories: just how does the perceiver identify particular objects? In focusing on the problem, Dr Wilding provides a coherent, well organized framework for its study, bypassing the conventional split between perception and reaction time evidence which was common to most textbooks at the time. The author draws on evidence from a wider number of research traditions and argues that each has a contribution to make to any account of perception. Throughout he emphasizes the methodological basis of the research discussed, in order to provide students with a solid foundation for their own practical work.
Acoustic Guitars: The Illustrated Encyclopedia is the most comprehensive guide of its type ever produced, covering decades of great instruments and the people who played them. You will find here the highest quality photos of acoustic guitars produced by every significant maker, from Alvarez to Zemaitis, plus detailed information, and a host of action pictures of important players from pop, rock, jazz, country classical, blues, and folk. An acoustic guitar need not be a simple brown box with a neck attached. Acoustic Guitars: The Illustrated Encyclopedia celebrates the unusual, the different and the purely bizarre in addition to the assured roots-based craft of the finest unadorned instruments, underlining the sheer diversity and variety of the acoustic stringed instruments that have been built and sold and played through three centuries. Here are resonator guitars made since the 1920s by Dobro, National, and others, often with highly decorated metal bodies; revered flat-tops from Martin, Taylor, Gibson, and more; peculiarly shaped and oddly featured creations from many of the custom builders; early 20th-century harp guitars with extra strings and extended bodies; creative archtops from D’Angelico, Epiphone, Benedetto, and more; and plastic-equipped constructions from Ovation. The comprehensive and informative text is in a clear A-to-Z format organized by brand name, written and researched by a unique team of the world’s leading authorities on the subject. Acoustic Guitars: The Illustrated Encyclopedia shows in words and pictures just why and how the acoustic guitar continues to be the most popular musical instrument in the world.
Ecological Psychoacoustics" outlines recent advances in dynamic, cognitive, and ecological investigations of auditory perception and ties this work to findings in more traditional areas of psychoacoustics. The book illuminates some of the converging evidence that is beginning to emerge from these traditionally divergent fields, providing a scientifically rigorous, "real world" perspective on auditory perception, cognition, and action. In a natural listening environment almost all sounds are dynamic, complex, and heard concurrently with other sounds. Yet, historically, traditional psychoacoustics has examined the perception of static, impoverished stimuli presented in isolation. "Ecological Psychoacoustics" examines recent work that challenges some of the traditional ideas about auditory perception that were established with these impoverished stimuli and provides a focused look at the perceptual processes that are more likely to occur in natural settings. It examines basic psychoacoustics from a more cognitive and ecological perspective. It provides broad coverage including both basic and applied research in auditory perception; and coherence and cross referencing among chapters.
The Glorious Revolution of 1688, which pushed James II from the throne of England, was not glorious for everyone; in fact, for many, it was a great disaster. Those who had already taken an oath of allegiance to James II and “to his heirs and lawful successors” now pondered how they could take a second oath to William and Mary. Those who initially refused to swear the oath were called Nonjurors. In 1691, Archbishop Sancroft, eight bishops, and four hundred clergy of the Church of England, as well as a substantial number of scholars at Oxford and Cambridge, were deprived, removed from their offices and their license to practice revoked, for their refusal. This nonjuring community over time adopted hybridized ideas, long-embraced and called out by the times and circumstances. Five paradigms shaped the English Nonjurors’ mental universe: a radical obedience, a Cyprianist mentality, using printing presses in place of the pulpits they had lost, a hybridized view of time, and a global ecumenical perspective that linked them to the Orthodox East. These patterns operated synergistically to create an effective tool for the Nonjurors’ survival and success in their mission. The Nonjurors’ influence, out of proportion to their size, was due in large measure to this mentality; their unique circumstances prompted creative thinking, and they were superb in that endeavor. Those five ideas constituted the infrastructure of the Nonjurors’ world. This study helps us to see the early eighteenth century not only as a time of rapid change, but also as an era of persistent older religious mentalities adapted to new circumstances, and the Nonjurors were brilliant at this adaptation.
In the bestselling tradition of In the Heart of the Sea, The Colony, “an impressively researched” (Rocky Mountain News) account of the history of America’s only leper colony located on the Hawaiian island of Molokai, is “an utterly engrossing look at a heartbreaking chapter” (Booklist) in American history and a moving tale of the extraordinary people who endured it. Beginning in 1866 and continuing for over a century, more than eight thousand people suspected of having leprosy were forcibly exiled to the Hawaiian island of Molokai -- the longest and deadliest instance of medical segregation in American history. Torn from their homes and families, these men, women, and children were loaded into shipboard cattle stalls and abandoned in a lawless place where brutality held sway. Many did not have leprosy, and many who did were not contagious, yet all were ensnared in a shared nightmare. Here, for the first time, John Tayman reveals the complete history of the Molokai settlement and its unforgettable inhabitants. It's an epic of ruthless manhunts, thrilling escapes, bizarre medical experiments, and tragic, irreversible error. Carefully researched and masterfully told, The Colony is a searing tale of individual bravery and extraordinary survival, and stands as a testament to the power of faith, compassion, and the human spirit.
In todays multicultural atmosphere, Christians struggle to hold steadfast to the Word of God. Doubt, sin, and false teachers beckon at every turn and do their best to derail our faith. Therefore, Christians need to don the armor of God and yield His sword. Rich in theological history and filled with hope, The Sword and Shield reveals how Christians must embrace Gods word and stand firm in the belief of His eternal promise. Using his extensive theological knowledge, John W. Edwards III shares his personal journey of faith and demonstrates how todays Christian crusaders must remain diligent against Satans relentless attacks. Edwards examines the lives of several biblical leaders, including Moses, Daniel, David, and Paul, to show how they anchored believers to Gods holy message. He then discusses ways in which Christians can wield the sword of truth by knowing Gods message, living within the character of Christ, and preparing to be tested each day. In this way, Christians can apply their knowledge and discern between Gods truth and Satans lies. We are not measured to man, but measured to Gods word. Find your truth within Gods word and prepare to draw your sword!
This unique book, now republished, was the first of its kind to be published on British aircraft of the Second World War. Aviation enthusiasts and aero-modellers can see British aircraft as they really were, through magnificently reproduced colour photographs. Each of the forty-nine types of aircraft is accompanied by a brief 'biography' together with tables of the most important marks and their specifications, engine, span, length, height, weight, crew number, maximum speed, service ceiling, normal range and armament. There is also a section on British aircraft in action, which includes accounts of outstanding exploits by the pilots of different types. John Frayn Turner, the well-known aviation author, has chosen the pictures and provided the text.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Most baseball fans know what links Fred Merkle, Fred Snodgrass, Mickey Owen and Bill Buckner. It's a pantheon of public failure. They would be harder put to say what links Eric Byrnes, Tony Fernandez, and Babe Ruth, though these players made misplays every bit as egregious. In this smart, highly readable history of scapegoating, John Billheimer identifies the elements that combine to condemn one player to a life sentence while another gets a wrist slap for the same offense. As it turns out, the difference between a lower-case e in some forgotten box score and a lifetime of ignominy can hinge on a number of factors, including timing, geography, reputation, misunderstanding, media bias, and just plain bad luck.
Salmon P. Chase was one of the preeminent men of 19th-century America. A majestic figure, tall and stately, Chase was a leader in the fight to end slavery, a brilliant administrator who as Lincoln's Secretary of the Treasury provided crucial funding for a vastly expensive war, the Chief Justice of the Supreme Court during the turmoil of Reconstruction, and the presiding officer of the impeachment trial of President Andrew Johnson. Yet he was also a complex figure. As John Niven reveals in this magisterial biography, Chase was a paradoxical blend of idealism and ambition. If he stood for the highest moral purposes--the freedom and equality of all mankind--these lofty ideas failed to mask a thirst for power so deeply ingrained in his character that it drove away many who shared his principles, but mistrusted his motives. Niven provides a vivid description of Chase's early years--his childhood in New Hampshire (where his father's failed business venture and early death left the family all but destitute) and in Ohio (where he was sent to live with his uncle Philander, an Episcopal bishop), his education at Dartmouth, and his early law career in Cincinnati. Niven shows how the plight of the slaves stirred this reticent young lawyer, and how Chase gradually moved to the forefront of the antislavery movement. At the same time, we see how he used his growing prominence in the antislavery movement to forward his political ambitions. Niven illuminates Chase's long tenure as a public man. Twice elected United States Senator, twice chosen governor of Ohio (then the third most populous state in the Union), Chase organized the widespread but diffuse anti-slavery movement into a workable political organization, the Free Soil party (whose slogan "Free Soil, Free Labor, Freemen" Chase coined himself). We read of Chase's work in Lincoln's war cabinet and his tenure as Chief Justice of the Supreme Court, and we also follow his many political maneuvers, his attempts to undercut rivals, and his poorly run campaigns for presidential nominations. Niven also provides an intimate portrait of Chase's family life--his loss of three wives and four of his six children, and the unfortunate marriage of his beautiful daughter Kate to a rich but dissolute man--and a vivid picture of life at mid-century. What emerges is a portrait of a tragic figure, whose high qualities of heart and mind and whose many achievements were ultimately tarnished by an often unseemly quest for power. It is a striking look at an eminent statesman as well as a revealing glimpse into political life in 19th-century America, all set against a background of the anti-slavery movement, the Civil War, and the turmoil of Reconstruction.
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