One New Year's Eve, inspiration hit. It involved a blog, a camera and a whole lot of walking. But it was perfect. Author John Galluzzo, a naturalist and historian by trade, would walk a half an hour each day, each walk in a different place, for a full year. Eighty percent of the time, he would walk near his home, in parks, on sanctuaries and down streets on the South Shore of Boston. But the other twenty percent of the time, he would step out of those bounds and explore less familiar places. Half an Hour a Day on Foot: Stepping Out of Bounds is the story of those meanderings and ponderings, told through flowing prose and spectacular original photography.
This volume contains eleven articles and book chapters written by John Wippel since the publication of his Metaphysical Themes in Thomas Aquinas in 1984.
For all that has been written about the author of the Divine Comedy, Dante Alighieri (1265-1321) remains the best guide to his own life and work. Dante's writings are therefore never far away in this authoritative and comprehensive intellectual biography, which offers a fresh account of the medieval Florentine poet's life and thought before and after his exile in 1302. Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity. Describing as it does a journey of the mind, the book confirms the nature of Dante's undertaking as an exploration of what he himself speaks of as "maturity in the flame of love." The result is an original synthesis of Dante's life and work." --Amazon.com.
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy Weaves together intellectual, cultural, social, economic, religious, and political developments Academically rigorous yet accessible and appealing to the general reader Likely to become the standard work on Renaissance Florence for years to come
This book investigates the relationships between education and national development in an area of the world where both have acquired considerable importance. It questions assumptions which view education primarily as a direct investment in human capital and approaches which measure the efficacy of educational provision solely in terms of quantifiable differences between inputs and outputs. Unlike most of the more general works in this field, it does not set out either to confirm or to refute a particular theory. Instead, the main perspectives which have been adopted to explain the role of education in development are explored. The role of education in the development of eight societies in East Asia, including Japan, Hong Kong, Singapore, Taiwan, South Korea, Malaysia, Macau, and the People's Republic of China, is examined. These societies are compared in order to highlight the diverse and complex role played by education in their development.
MAFIA. CAMORRA. 'NDRANGHETA. The Sicilian mafia, known as Cosa Nostra, is far from being Italy's only dangerous criminal fraternity. The country hosts two other major mafias: the camorra from Naples; and, from the poor and isolated region of Calabria, the mysterious 'ndrangheta, which has now risen to become the most powerful mob group active today. Since they emerged, the mafias have all corrupted Italy's institutions, drastically curtailed the life-chances of its citizens, evaded justice, and set up their own self-interested meddling as an alternative to the courts. Yet each of these brotherhoods has its own methods, its own dark rituals, its own style of ferocity. Each is uniquely adapted to corrupt and exploit its own specific environment, as it collaborates with, learns from, and goes to war with the other mafias. Today, the shadow of organized crime hangs over a country racked by debt, political paralysis, and widespread corruption. The 'ndrangheta controls much of Europe's wholesale cocaine trade and, by some estimates, 3 percent of Italy's total GDP. Blood Brotherhoods traces the origins of this national malaise back to Italy's roots as a united country in the nineteenth century, and shows how political violence incubated underworld sects among the lemon groves of Palermo, the fetid slums of Naples, and the harsh mountain villages of Calabria. Blood Brotherhoods is a book of breathtaking ambition, tracing for the first time the interlocking story of all three mafias from their origins to the present day. John Dickie is recognized in Italy as one of the foremost historians of organized crime. In these pages, he blends archival detective work, passionate narrative, and shrewd analysis to bring a unique criminal ecosystem -- and the three terrifying criminal brotherhoods that have evolved within it -- to life on the page.
Die Bedeutung von musizierenden Engeln in florentinischen Trecento-Gemälden ist umstritten: Einige meinen, sie seien einfach Symbole himmlischer Musik; andere argumentieren, dass es sich um echte Menschen handele, die echte Musik machen. Eine Argumentationslinie besagt sogar, dass die textlosen Stimmen in Manuskripten weltlicher Musik für die Instrumentalaufführung gedacht waren. Diese Studie löst den Streit, indem sie den Entstehungsprozess von Kunstwerken analysiert und Bilder mit zeitgenössischen Dokumenten in Beziehung setzt. Chroniken und Zahlungsaufzeichnungen dokumentieren die Praxis von Bruderschaften, Laudesi vor einem Bild der Jungfrau Maria zu singen, wobei sie wie Engel gekleidet sind, manchmal mit Instrumentalbegleitung.
Although the immense importance for the Renaissance of Greek émigrés to fifteenth-century Italy has long been recognized, much basic research on the phenomenon remains to be done. This new volume by John Monfasani gathers together fourteen studies filling in some of the gaps in our knowledge. The philosophers George Gemistus Pletho and George Amiroutzes, the great churchman Cardinal Bessarion, and the famous humanists George of Trebizond and Theodore Gaza are the subjects of some of the articles. Other articles treat the émigrés as a group within the wider frame of contemporary issues, such as humanism, the theological debate between the Orthodox and Roman Catholics, and the process of translating Greek texts into Latin. Furthermore, some notable Latin figures also enter into several of the articles in a detailed way, specifically, Nicholas of Cusa, Niccolò Perotti, and Pietro Balbi.
A central text of occult literature, now in a deluxe Weiser Ankh hardcover edition with new ancillary material (a new introduction, corrections to the text, appendices, and other enhancements) by renowned scholar Joseph Peterson. Three-piece quarter binding with black cloth spine and blue cloth over heavy boards Gold and black foil stamping on case with blind frame, front and back; gold stamping on spine Headbands, ribbon marker, and marbled endpapers. Printed on quality, archival (acid-free), 55# natural-colored paper, with sewn signatures and reinforced spine “This book is not just a fancier version of the older edition. Anyone interested in Renaissance magic or Enochian magic will want this on their shelf.” —Jason Miller, author of Consorting with Spirits and other books and courses Mysteriorum Libri Quinque—the Five Books of Mysteries—written by John Dee in the 16th century, remains to this day one of the most important core texts of occult literature and a comprehensive guide to Enochian magic, encompassing language, symbolism, rituals, and practical techniques. This deluxe Weiser Ankh edition is a compilation of John Dee’s secret spiritual treatises and was prepared from the original manuscript (preserved in the British Library) in Dee’s own handwriting. These secret writings were discovered long after John Dee’s death (c. 1609); they had been tucked away in a hidden compartment of an old wooden chest and were remarkably spared from destruction—uncovered only a few years before the Great Fire of London in 1666. In these five secret treatises, John Dee, one of the most renowned scholars of the Elizabethan era, records in minute detail his research into the occult. Throughout his life, Dee had kept concealed his writings on the nature of humankind’s contact with angelic realms and languages. In this comprehensive work, Joseph Peterson presents a brief biography of John Dee, detailing his work in astronomy, mathematics, navigation, the arts, astrology, and the occult sciences, and calling him a “true Renaissance man.” Although this present work is concerned primarily with Dee's occult experiments, through it, we catch many glimpses of Elizabethan life and politics. Mysteriorum Libri Quinque presents Dee’s main achievement: five books, revealed and transcribed between 1581 and 1583, detailing his system for communicating with the angels and bringing to light mysteries and truths that scholars and adepts have been struggling to understand and use ever since. While Dee’s influence was certainly felt in his lifetime, his popularity has grown tremendously since. His Enochian system was used and adapted by the Hermetic Order of the Golden Dawn and subsequently by Aleister Crowley. First published by Weiser Books in 2003 as John Dee’s Five Books of Mystery: Original Sourcebook of Enochian Magic, this new deluxe Weiser Ankh edition has been extensively updated and expanded. It includes new commentary that reflects twenty years of research by editor Joseph Peterson, corrections to the text based on a review of high-resolution scans of the original manuscripts only recently made available by the British Library, new appendices reflecting more recent scholarship, and translations of the many Latin passages and extensive footnotes, making this work more accessible to readers.
The complete text of John Gower's Confessio Amantis is a 3-volume edition, including all Latin components - with translations - of this bilingual poem and extensive glosses, bibliography, and explanatory notes. Volume 3 contains Books 5, 6, and 7, which follow another kind of development as Gower shifts from romance banter and formulaic confession to philosophical inquiry.
Metaphysical Themes in Thomas Aquinas III is Msgr. John Wippel’s third volume dedicated to the metaphysical thought of Thomas Aquinas. After an introduction, this volume of collected essays begins with Wippel’s interpretation of the discovery of the subject of metaphysics by a special kind of judgment (“separation”). In subsequent chapters, Wippel turns to the relationship between faith and reason, exploring what are known as the preambles of faith. This is followed by two chapters on the important contributions by Cornelio Fabro on Aquinas’s distinction between essence and esse and on participation. The volume continues with articles on Aquinas’s view of creation as a preamble of faith, Aquinas’s much-disputed defense of unicity of substantial form in creatures, his account of the separated soul’s natural knowledge, and Aquinas’s understanding of evil in his De Malo 1. The volume concludes with an article comparing Bonaventure, Aquinas, and Godfrey of Fontaines on the metaphysical composition of angelic beings. Most of these issues were disputed during Aquinas’s time by some of his contemporaries, and the proper understanding of each continues to be debated by various students of his thought today. Wippel’s purpose, therefore, is to help clarify our understanding of Aquinas’s thought on each of these topics, a task that requires the careful analysis of primary sources and of secondary literature and attention to the relative chronology of his writing.
An ambitious history of how medieval writers came to terms with paganism From the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book identifies and examines for the first time. How could the wisdom and virtue of the great thinkers of antiquity be reconciled with the fact that they were pagans and, many thought, damned? Related questions were raised by encounters with contemporary pagans in northern Europe, Mongolia, and, later, America and China. Pagans and Philosophers explores how writers—philosophers and theologians, but also poets such as Dante, Chaucer, and Langland, and travelers such as Las Casas and Ricci—tackled the Problem of Paganism. Augustine and Boethius set its terms, while Peter Abelard and John of Salisbury were important early advocates of pagan wisdom and virtue. University theologians such as Aquinas, Scotus, Ockham, and Bradwardine, and later thinkers such as Ficino, Valla, More, Bayle, and Leibniz, explored the difficulty in depth. Meanwhile, Albert the Great inspired Boethius of Dacia and others to create a relativist conception of scientific knowledge that allowed Christian teachers to remain faithful Aristotelians. At the same time, early anthropologists such as John of Piano Carpini, John Mandeville, and Montaigne developed other sorts of relativism in response to the issue. A sweeping and original account of an important but neglected chapter in Western intellectual history, Pagans and Philosophers provides a new perspective on nothing less than the entire period between the classical and the modern world.
A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historians In this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated, a concept first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Sandro Botticelli, Antonio del Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character.
In this book the author what it means to be physical, mental, or abstract entity, and how they relate to the concept of reality. His answers are framed in terms of a comprehensive ontology of substances, and properties inspired by Descartes, Locke, their successors, and their latter day exemplars.
A vivid recreation of how the governors and governed of early seventeenth-century Florence confronted, suffered, and survived a major epidemic of plague Plague remains the paradigm against which reactions to many epidemics are often judged. Here, John Henderson examines how a major city fought, suffered, and survived the impact of plague. Going beyond traditional oppositions between rich and poor, this book provides a nuanced and more compassionate interpretation of government policies in practice, by recreating the very human reactions and survival strategies of families and individuals. From the evocation of the overcrowded conditions in isolation hospitals to the splendor of religious processions, Henderson analyzes Florentine reactions within a wider European context to assess the effect of state policies on the city, street, and family. Writing in a vivid and approachable way, this book unearths the forgotten stories of doctors and administrators struggling to cope with the sick and dying, and of those who were left bereft and confused by the sudden loss of relatives.
The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity. Providing a wealth of new detail about the making of canonized avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
On the 50th anniversary of its release, Repeater is honoured to reissue John Boorman’s novelization of his cult film Zardoz with a new introduction by the director. In a post-apocalyptic 2393, society is split between an elite group of immortal Eternals and a brutal underclass that live in the outlands and are controlled by the Exterminators. Zed, an Exterminator who has come to question his role and the exact nature of the world he inhabits, stows away in the flying head that descends to issue guns and sermons to the Exterminators, and enters the world of the Eternals: the Vortex. An ostensible paradise of rationality and order, the Vortex is revealed as a place which is itself full of division and intrigue. Has he come here of his own free will? Or is he part of some larger competition among the Eternals? How has the Vortex come about, and what might come after? What is it in Zed that the Eternals lack, and is he there to bring them “the gift of death"? Expanding on and fleshing out the characters' histories and the themes of his riotous, psychedelic cult classic film Zardoz, Boorman’s novelization has become something of a cult itself, a fully realised visionary sci-fi novel by one of the most important directors of the twentieth century.
Nine of the ten essays in this collection appeared first between 1995 and 2005. Centered in the Carolingian age, they explore how the seventh-century Visio Baronti was read in the ninth century and how social and cultural imperatives transformed the life of scholarship, schools and learning in Carolingian Europe. Several essays consider the significance of numerical and scientific studies in the Carolingian curriculum, including the impact of Bede's scientific works in the schools and on the thought of John Scottus (Eriugena). Another reconstructs Eriugena's early career in light of his Glossae divinae historiae. Carolingian biblical culture is the subject of two essays, including a reading of Haimo of Auxerre's commentary on Ezechiel that highlights the unfinished and unpublished commentary's critique of Carolingian society. A poem in the Anthologia Latina long ascribed to Octavian, the Roman emperor, is restored to the monastic culture of the ninth century. Finally, an article on the Laon Formulary, originally published in French in 1973, is here translated and revised.
Historians typically single out the hundred-year period from about 1050 to 1150 as the pivotal moment in the history of the Latin Church, for it was then that the Gregorian Reform movement established the ecclesiastical structure that would ensure Rome’s dominance throughout the Middle Ages and beyond. In Before the Gregorian Reform John Howe challenges this familiar narrative by examining earlier, "pre-Gregorian" reform efforts within the Church. He finds that they were more extensive and widespread than previously thought and that they actually established a foundation for the subsequent Gregorian Reform movement. The low point in the history of Christendom came in the late ninth and early tenth centuries—a period when much of Europe was overwhelmed by barbarian raids and widespread civil disorder, which left the Church in a state of disarray. As Howe shows, however, the destruction gave rise to creativity. Aristocrats and churchmen rebuilt churches and constructed new ones, competing against each other so that church building, like castle building, acquired its own momentum. Patrons strove to improve ecclesiastical furnishings, liturgy, and spirituality. Schools were constructed to staff the new churches. Moreover, Howe shows that these reform efforts paralleled broader economic, social, and cultural trends in Western Europe including the revival of long-distance trade, the rise of technology, and the emergence of feudal lordship. The result was that by the mid-eleventh century a wealthy, unified, better-organized, better-educated, more spiritually sensitive Latin Church was assuming a leading place in the broader Christian world. Before the Gregorian Reform challenges us to rethink the history of the Church and its place in the broader narrative of European history. Compellingly written and generously illustrated, it is a book for all medievalists as well as general readers interested in the Middle Ages and Church history.
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