Internationally known for Black Elk Speaks and A Cycle of the West, John G. Neihardt (1881–1973) wrote in almost all major genres: fiction, lyric and epic poetry, biography, autobiography, travelogue, literary criticism, and the familiar essay. The Giving Earth includes nearly forty selections representing every phase of Neihardt’s art, from the passionate poetry of his youth to the masterworks of his maturity to the lapidary reflections of his old age. In her introduction, Hilda Neihardt, who was with her father when he interviewed Black Elk at Pine Ridge, provides many personal details surrounding the publication of his works. She also introduces each section. Included among the early lyrics are "Let Me Live Out My Years." The short stories that brought him his first fame are represented by "Dreams Are Wiser Than Men" and the memorably horrific "Alien." An excerpt from The River and I documents a trip down the Missouri as atmospheric and eventful as any described by Mark Twain. A Cycle of the West, the five-volume masterwork written over nearly thirty years, receives its due with chapters from The Song of Three Friends, The Song of Hugh Glass, The Song of Jed Smith, The Song of the Indian Wars, and The Song of the Messiah. The extent of Neihardt's achievement is apparent long before the reader comes to the selections from the classic Black Elk Speaks and the fine, late novel When the Trees Flowered. Concluding the anthology are selections from the literary criticism that helped form his philosophy of literature and the autobiographical writing of his twilight years. The Giving Earth is the gift of a writer's generous spirit and unlimited imagination.
Originally published just months after his marriage to Mona Martinsen, the poems collected in Man-Song celebrate passionate love and offer many personal glimpses of the young John Neihardt.øUnashamedly erotic, they reveal his capacity for love at age twenty-eight. ø Poems like "A Vision of Woman" and "Women-Wine" show the lover's prejudices and greedy need for caresses and strong embraces. Those like "To Volney Streamer" are addressed to male friends and anticipate the theme of male bonding that runs throughout his work. Because passion takes various forms, Man-Song also include lyrics of the warrior little like the war chants Neihardt later learned from Plains Indians. "Battle Cry," a poem that was recited by Clarence Darrow and Samuel Gompers, is an example of the fighting songs current in the European avant-garde preceding World War I. ø Neihardt was beginning his struggle to reconcile the demands of the robustly physical life with spiritual insight. His love poems for the American West were still to come, but in Man-Song he is already exploring the vast tract between the essentially erotic and the divine that would be cultivated in his later work. This edition is the first complete reprinting of the work since 1909.
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.
How important were Sioux authors such as Charles Eastman in the opinion of the writer responsible for Black Elk Speaks? What will be the legacy of modern poetry according to the poet behind The Cycle of the West? Knowledge and Opinion offers an unparalleled glimpse into the social and literary thought of John G. Neihardt (1881?1973), one of America's most celebrated poets and authors. A wealth of little-known essays and reviews deepen and round out our appreciation for the accomplishments of Neihardt by revealing his no-nonsense opinions about noted literary figures and trends, events, and social issues of his day. Featured in these pages are Neihardt's views of such literary giants as F. Scott Fitzgerald, Robert Frost, H. G. Wells, e. e. Cummings, Dorothy Parker, Ernest Hemingway, Ezra Pound, Eugene O'Neill, and Upton Sinclair. The contributions of Sigmund Freud, anthropologist Paul Radin, and modern philosophers like Bertrand Russell do not escape his sweeping gaze. In their entirety, these essays showcase Neihardt's perspectives and opinions on a wide range of subjects and issues, including modern poetry, the qualities of great literature, twentieth-century trends in writing and literary criticism, the defining characteristics of Western civilization, the literatures and cultures of Native Americans, the lost world of the Old West, economic turmoil in the Great Depression, and the enduring power of classical thought. This rich archive of essays and reviews will surprise, delight, and provoke those who thought they already knew John G. Neihardt.
Black Elk Speaks is the story of the Lakota visionary and healer Nicholas Black Elk (1863-1950) and his people during the momentous twilight years of the nineteenth century. Black Elk met the distinguished poet, writer, and critic John G. Neihardt (1881-1973) in 1930 on the Pine Ridge Reservation in South Dakota and chose Neihardt to tell his story. Neihardt understood and conveyed Black Elk's experiences in this powerful and inspirational message for all humankind." "This new edition features two additional essays by John G. Neihardt that further illuminate his experience with Black Elk; an essay by Alexis Petri, great-granddaughter of John G. Neihardt, that celebrates Neihardt's remarkable accomplishments; and a look at the legacy of the special relationship between Neihardt and Black Elk, written by Lori Utecht, editor of Knowledge and Opinion: Essays and Literary Criticism of John G. Neihardt."--BOOK JACKET.
Coming four years after The Dawn Builder (1910), John G. Neihardt's second novel portrays the lives of Black Hills miners and of those who preyed on them. Life's Lure takes up a theme that runs throughout Neihardt's work: the consequences of an inordinate desire for wealth. The protagonists come in sets of three. On one hand there are Samuel Drake, a hapless thirty-year-old who has just squandered his inheritance in a Deadwood card game; his fickle wife Joy; and Louis Devlin, a smooth-talking, fast-fingered gentleman gambler. Devlin is not above talking about philosophy; he even paraphrases Nietzsche. On the other hand are Monte Joe, a drunken scoundrel, Punkins, a young man fresh off the farm, guileless and easy pickings; and Nellie, a mining-camp prostitute. Women and gold lure men to go on living, but Fortune is "a capricious jilt." Neihardt puts a lot of colorful characters in motion and then, along with the reader, watches them collide.
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