The Chronicles of Jean Froissart (1337-1410) are universally acknowledged as the most vivid and faithful account of 14th century events and ideas. This medieval collector of intelligence travelled widely from Scotland and Wales to France, Italy and the Netherlands, conversing with gentlemen of rank everywhere and developing a tremendous skill for persuading those about him to divulge their secrets. These Chronicles offer an unrivalled picture of the age of chivalry, drawn by a contemporary, with a verve that recalls Chaucer. Fresh, vivid, immediate and laced with a certain disrespect for the Establishment, they tell of acts of gallantry, tournaments, feasts and wars that make for fascinating reading, abetted by John Jolliffe's translation that renders Froissart into highly accessible modem English.
Jean Froissart or John Froissart to the English, was a chronicler during the 14th and 15th century. His chronicles have become famous as an important source for the first half of the Hundred Years' War.
The Chronicles of Jean Froissart (1337-1410) are universally acknowledged as the most vivid and faithful account of 14th century events and ideas. This medieval collector of intelligence travelled widely from Scotland and Wales to France, Italy and the Netherlands, conversing with gentlemen of rank everywhere and developing a tremendous skill for persuading those about him to divulge their secrets. These Chronicles offer an unrivalled picture of the age of chivalry, drawn by a contemporary, with a verve that recalls Chaucer. Fresh, vivid, immediate and laced with a certain disrespect for the Establishment, they tell of acts of gallantry, tournaments, feasts and wars that make for fascinating reading, abetted by John Jolliffe's translation that renders Froissart into highly accessible modem English.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
In Shakespeare's Foreign Worlds, Carole Levin and John Watkins focus on the relationship between the London-based professional theater preeminently associated with William Shakespeare and an unprecedented European experience of geographic, social, and intellectual mobility. Shakespeare's plays bear the marks of exile and exploration, rural depopulation, urban expansion, and shifting mercantile and diplomatic configurations. He fills his plays with characters testing the limits of personal identity: foreigners, usurpers, outcasts, outlaws, scolds, shrews, witches, mercenaries, and cross-dressers. Through parallel discussions of Henry VI, The Taming of the Shrew, and The Merchant of Venice, Levin and Watkins argue that Shakespeare's centrality to English national consciousness is inseparable from his creation of the foreign as a category asserting dangerous affinities between England's internal minorities and its competitors within an increasingly fraught European mercantile system. As a women's historian, Levin is particularly interested in Shakespeare's responses to marginalized sectors of English society. As a scholar of English, Italian Studies, and Medieval Studies, Watkins situates Shakespeare in the context of broadly European historical movements. Together Levin and Watkins narrate the emergence of the foreign as portable category that might be applied both to "strangers" from other countries and to native-born English men and women, such as religious dissidents, who resisted conformity to an increasingly narrow sense of English identity. Shakespeare's Foreign Worlds will appeal to historians, literary scholars, theater specialists, and anyone interested in Shakespeare and the Elizabethan Age.
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