Adulthood is a choice. It does not happen because we reach a certain age or income level. Adulthood happens when we choose to pass through the many interconnected doors that lead to the deeper realms of our own souls. The passage of time and the events around us may propel us toward maturity, but it is up to us to pass through these doors. When you read this book, you will embark on a journey through many layers of soulfulness, including Struggle, Resistance, Entitlement, Disappointment, Narcissism, Trade-offs, Appreciation, Love, Power, Graciousness, Tradition, Integrity and Victimhood. Adulthood is a quality of soul that is chosen and earned through the very deepening struggles that life offers us as we progress from birth to death. We can engage these struggles anytime until the day we die. It is never too late to grow up.
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
The sex scandal that toppled Dominique Strauss-Kahn gripped the world with its salacious allegations, dramatic twists, and a stunning turnabout in court. But the public saw only a fraction of what really went on behind the scenes, where justice played second fiddle to egos, political pressures, and investigative missteps. Now award-winning reporter John Solomon exposes the story you didn't know, delivering a searing indictment of American justice at its moment of intense international scrutiny. When Strauss-Kahn arrived in New York on Friday, May 13, 2011, he was an international political powerhouse and favorite to win the French presidential election. By Monday, he was sitting in the notorious Rikers Island jail, his career in tatters. Likewise, when hotel maid Nafissatou Diallo arrived at work on Saturday morning, she never could have predicted that a brief encounter with a VIP guest would put her at the center of a legal and public relations battle that would leave her life in shambles. Those seven minutes in Suite 2806 would throw international politics into turmoil, eliminate one of the key players in Europe's debt crisis, and create a trial by fire for Manhattan's rookie district attorney. And it would all happen under the eye of a frenzied media which at first presumed guilt before suddenly turning the tables on the alleged victim. The public was left wondering: Was Dominique Strauss-Kahn guilty or innocent? Solomon goes past the headlines to show how personal clashes, ambition, and media leaks took precedence over facts and evidence. He chronicles the personal battles that went on behind the scenes, from suicide worries to AIDS scares, and the toll they took on key players. He lays out in gripping detail all the facts, good and bad, pro and con, so that finally the public can judge what really happened in one of the most fascinating criminal cases of the last decade.
One way or another, all playwrights use their work to explore the issues that interest them. The characters in a play may trumpet their creator's political views from the stage, or an unusual structure or set design may result from the playwright's interest in theatrical form. It is also common, particularly in the plays of the 20th and 21st century, to see a playwright delving into psychological issues raised by his own mental struggles or those of people he loves. Luigi Pirandello, tormented by the schizophrenia of his wife and other family members, repeatedly explored the problems caused by different visions of reality. Noel Coward's self-obsessed characters reflect his own narcissism. Alcoholism is a recurrent theme in the works of many playwrights, including Eugene O'Neill, Edward Albee, and Brian Friel. Through their exploration of these issues and more, the great writers of the theater have turned suffering into art. This book looks at the work of 20 playwrights to see how their examination of the disturbed mind has influenced the modern theater.
First Published in 2000. Why do we go to the theater? There's a question! Or put it this way: Why, oh why, do we go to the theater? If we go to a movie and it isn't any good, well it's not the end of the world. We're usually quite content just the same. It passes the time. Though, as Samuel Beckett pointed out, the time would have passed anyway. But if we're disappointed at the theater, everything changes dramatically. We cannot while away the time at the theater. Time becomes precious. This is a collection of writings about the world of the theatre and includes pieces about Sir John Gielgud, Sir Ralph Richardson, Arthur Miller, Michael Bennett, Noel Coward, Barbra Streisand, Ralph Fiennes and more.
The loss of men from Team 2400 has taken its toll, but the replacements keep coming--as do the mission orders. This time, Team Midnight is sent to the heart of the Iranian desert to inflict maximum casualties on a terrorist group responsible for bombing a U.S. warship. Their mission is more complicated and dangerous than anything they've seen before. Original.
THE STORY: Poor Oliver Pankey is a born loser; his landlady charges him when someone else breaks his window; his fiancee leaves him for a married man; his boss at the bank cuts his pay when he asks for a raise; and a thief takes everything he has--i
The intoxicating smell of a cube of Walnut pipe tobacco. The watery taste of the cream on the offered sweet. The 'Hello, little boy' as the man steps out of a copse of trees.These, the boy's addiction to the smell of gas, deep poverty, alienation and the 11+ exam build the terrain that explodes into a quarter of a century of political violence.This is life seen through the inquisitive eye of a young boy, his older seven sisters and his band of brothers - who are drawn ever closer by the brutal murder of one of their number.His mother, the epicentre of his childhood, is hostage to the vagaries of biology and the diktats of Catholic Ireland - diktats that are thrown into hilarious disarray with the arrival of American sailors, their Dixie-cup hats and Chesterfield cigarettes.Told with striking simplicity, with sensory information swooping and tearing at our hearts, A Derry Tale - In the beginning binds together credibly with jumps in time. Moments of great comedy, dry humour, and perceptive description pervade this, the first in a trilogy.
It is estimated that as many as 34 million people grew up in alcoholic homes. But what about the rest of us? What about families that had no alcoholism, but did have perfectionism, workaholism, compulsive overeating, intimacy problems, depression, problems in expressing feelings, plus all the other personality traits that can produce a family system much like an alcoholic one? Countless millions of us struggle with these kinds of dysfunctions every day, and until very recently we struggled alone. Pulling together both theory and clinical practice, John and Linda Friel provide a readable explanation of what happened to us and how we can rectify it.
Psychologists John and Linda Friel have written an enormously readable and infinitely practical book that digs into some of the worst mistakes that parents make, with suggestions on how parents can change immediately. The Friels examine the seven most ineffective and self-defeating behaviors that parents display again and again. Working from the ideas that even small changes can have big results, the authors give parents concrete steps they can take to end the behaviors and improve the quality of their parenting. Whether readers are contemplating starting a family, have children who haven’t entered school yet, are struggling with rebellious teenagers, or are empty-nesters wondering how they can be better parents to their grown children, they can’t afford not to read this book. With the same clarity and concrete examples that have sold over 350,000 copies of their books, the Friels offer readers forty years of combined experience as practicing psychologists, and fifty years of combined experience as blended-family parents. This material has been field-tested in the authors’ own household, with hundreds of their clients, and with thousands of their workshop and Clearlife Clinic participants. It will cause immediate changes in parents’ behavior, and immediate improvement in the lives of their children.
Corrections in Canada: Policy and Practice, Second Edition examines the Canadian correctional policy and practice. The book is comprised of 11 chapters that tackle a specific area of concern. The first chapter provides an introductory discourse about the Canadian correctional system. The next chapter discusses the history of Canadian Correction. Chapter 3 covers the Canadian correctional enterprise, and Chapter 4 talks about policymaking in Canadian corrections. The book also tackles correctional planning and deals with the structures of management and administration in corrections. The correctional treatment programs and the delivery of correctional treatment are also explained. The book then covers the community-based corrections. The last two chapters discuss correctional reform and the future of correction in Canada. The book will be of use to individuals interested in the Canadian correctional system, as well as to those involved in the development of any correctional systems.
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
In the early 17th century Dame England drove the native Irish from the richest six counties of Northern Ireland. Seamus Cavanaugh and Tommy Gibbons were but lads when the English soldier put a sword through the heart of Tommy's father. A curse was put upon the English King and his heir to the throne. Tomy was to become a skilled ploughboy, a teacher , and a poet. Semus was to don the whitw robe of a Dominican Friar, ever challenging the God for peace and justice for Ireland. There was a time of peace when the natives brought life to the bog laden rocky fields of Connaught, but English greed was ever in the storms that blew from the English shore. First there was a consumptive tax and then there was a Commission of Defective Titles. An isle which sought peace was caught amidst the gale. Tommy and Seamus stayed the course. They kept the faith. They were citizens of a land that never was, keepers of dreams.
A useful guide to best practice including reviews of the latest and most helpful tests available. In Part One, contributors discuss the theory of reading assessment including issues such as screening, legal aspects, memory and visual problems, computer based assessment and the dyslexias. Part Two contains the review section where experts give comprehensive reviews of named tests.
(Applause Books). This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, the Hudson Review, National Review, Opera News, the New Leader, and other notable publications. The theatre volume contains selected reviews that are as eloquent as they are famously provocative-reviews that can enrage but always entertain. Simon covers a wide range of New York productions, from the East Village to Broadway, examining all with the same rigor and high expectations. A SAMPLE: Simon on Vanessa Redgrave in Long Day's Journey into Night: "The highly accomplished Redgrave gets some details right, but the overarching mental unstableness she exudes is so excessive as to make one wonder whether she is playing or being unhinged.
One of the largest and most complex human services systems in Western nations has evolved to address the needs of people with developmental disabilities. In the U.S., for example, school budgets are stretched thin by legally mandated special education, and billions of Medicaid dollars annually are consumed by residential and professional services to this population. The temptation of a quick fix is strong. Many parents desperately seek the latest ideas and place pressure on program administrators, who often are not trained to think critically about the evidence base for intervention efforts. The problems of people with developmental disabilities have historically been targeted by a wide range of professionals who rely on clinical experience and intuition and do not submit their claims to the tests of scientific research. Professional entrepreneurs have energetically promoted their treatments to a public perhaps too trustful of those with credentials. Thus, families and their children are buffeted by reforms founded on belief and ideologically driven management. Services fluctuate with the currents of social movements and rapidly shifting philosophies of care as policymakers and providers strive for increased responsiveness and individualization. These forces affect not only where and how, but how well people are served. Too often, services are less effective than they could be, or worse, damaging to personal growth and quality of life. Many treatments are based on poorly understood or even disproven approaches. What approaches to early intervention, education, therapy, and remediation really help those with mental retardation and developmental disabilities improve their functioning and adaptation? And what approaches represent wastes of time, effort, and resources? This book brings together leading behavioral scientists and practitioners to focus light on the major controversies surrounding these questions. The authors review the origins, perpetuation, and resistance to scrutiny of questionable practices, and offer a clear rationale for appraising the quality of services. In an era of increasing accountability, no one with a professional stake in services to individuals with mental retardation and developmental disabilities can afford not to read this book.
In About Beckett Emeritus Professor John Fletcher has compiled a thorough and accessible volume that explains why Beckett's work is so significant and enduring. Professor Fletcher first met Beckett in 1961 and his book is filled not only with insights into the work but also interviews with Beckett and first-hand stories and observations by those who helped to put his work on the stage, including Dame Peggy Ashcroft, Roger Blin, Peter Hall, Max Wall and George Devine. As an introduction to Beckett and his work, Professor Fletcher's book is incomparable.
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the violence of public historical life. It is a curiously equivocal ideal, and as such most clearly demonstrates the intellectual origins, the humanist character, and the inherent strains of these poetics, the work of one of the world's leading poet-critics of the last thirty years. Seamus Heaney and the Adequacy of Poetry is the first study of the development of Heaney's thought and its central theme. Eschewing the tendency of Heaney critics to endorse or expand on the poet's poetics in largely adulatory terms, it draws on archival as well as print sources to trace the emerging dualistic shape, redemptive logic, and post-Christian nature of Heaney's thought, from his undergraduate formation to the expansive affirmations of his late cultural poetics. Through a meticulous and wholly new examination of Heaney's revisions to previously published prose, it reveals the logical strain of his conceptual constructions, so that it becomes acutely apparent just how appropriate that ambivalent ideal 'adequacy' is. This book takes seriously the post-Christian, frequently religious tenor of Heaney's language, explicating the character of his thought while exposing its limits: Heaney's belief in poetry's adequacy ultimately constitutes an Arnoldian substitute for--indeed, an 'afterimage' of--Christian belief. This is the deep significance of the idea of adequacy to Heaney's thought: it allows us to identify precisely the late humanist character and the limits of his troubled trust in poetry.
Well-known playwright and acerbic wit, John Osborne was a man of trenchant opinions which he was unafraid to express. Ranging from his infamous 1961 letter to Tribune which provides the book with its title to columns written in the last decade of his life, the prose on offer here bear witness to the rage, fury - and great tenderness - that inspired so much of his work.
Bytown's early years - as military outpost and lumber town - did not presage greatness. Yet this rough little town (renamed Ottawa in 1855) did not remain insignificant, for geography and politics soon combined to place it at centrestage as Canada's national capital. Ottawa's fascinating story is recounted with skill and wit in John H. Taylor's Ottawa: An Illustrated History. Taylor tells this story in all its variations - the life of the French and the English, the poor and the rich; the politics of city hall and Parliament Hill; the social lives of Ottawans. Crisp and colourful, Ottawa: An Illustrated History focuses on the history of the city's relationship with its landlord - the federal government - but it also does more. It weaves together, for the first time, all the complex strands that over the years have shaped Ottawa's identity. Ottawa: An Illustrated History is handsomely illustrated by 150 historical photographs and by a dozen original maps depicting the city's geographical evolution.
From the ocean depths to river rapids, aquatic life can be found in all climates and settings. Geared toward young students, this set is packed with information, naturalistic artwork, helpful maps, and full-colour photography intended to illustrate key life-science principles.
In this funny and tender memoir, John Freely reflects on a remarkable life. Splitting his early childhood between the U.S. and Ireland inspired in Freely a lifelong desire to see the world and its inhabitants. At age six he settled in Brooklyn, where he spent a sometimes tumultuous boyhood amidst a large extended family: moving from house to house, the family’s belongings packed in an uncle’s hearse. Growing up poor, in his teens, Freely took whatever jobs he could when times got tough, always shaking off his losses and moving on, hungry for new experiences and adventures. He joined the U.S. Navy at seventeen to “see the world” and did just that. As a member of an elite commando unit, he was sent to one of the most remote places in Asia where he served alongside Chiang Kai-shek’s Chinese forces during the last weeks of World War II. A vivid recollection on a world that now exists only in memory, The House of Memory is a lasting tribute to a life well lived, and to all of the immigrant families who have struggled, endured, and enriched our country.
Introduction by Lorin Clarke This book tells the story of John Clarke’s writing life, including the fan letter he sent to All Black Terry Lineen when he was ten, a golf instruction manual unlike any other, Anna Karenina in forty-three words, and the moving essays he wrote after the deaths of his parents. Tinkering is full of surprises, and includes all kinds of puzzles and propositions. Each one has different rules but together they reveal the different facets of John Clarke’s comic genius. In these pages you will find Fred Dagg dispensing advice on everything from dentistry to dreaming, the complete history of the lost sport of farnarkeling, the famous ‘Quiz Answers’, and ‘Saint Paul’s Letter to the Electorates’ —a brilliant account of the Rudd–Gillard years that was first inscribed onto stone tablets. Tinkering also includes previously unpublished material including the ‘Doorstop Poems’, and the ‘Letters from the School’ suggesting what a serious matter birdwatching was for John Clarke. John Clarke was born in New Zealand in 1948. He was and remains one of Australia’s best known and most loved faces on TV. A comedian, writer and actor, his appearances included the famous Fred Dagg character, The Gillies Report and The Games. John’s books include The Even More Complete Book of Australian Verse, A Dagg at My Table, The Howard Miracle, The 7.56 Report and A Pleasure to be Here, The Best of Clarke and Dawe (2017). His only novel, The Tournament, was published in the UK and the US to great critical acclaim and will be republished in the Text Classics in November. He died in April 2017. ‘Tinkering is packed with puzzles and propositions, with tea-fuelled musings on everything from plumbing to Paul Holmes. A gem.’ North & South NZ ‘This book comes with some magnificent pictures of Clarke’s beloved birds and they seem to have represented the magic of the reality of the world to him. There is plenty of that magic in this book and everyone who liked John Clarke should buy it and find in it what will soothe their spirit. It will be there.’ Australian ‘ The late John Clarke, aka. Fred Dagg, really was a satirical one-off...Tinkering is packed with puzzles and propositions, with tea-fuelled musings on everything from plumbing to Paul Holmes. A gem.’ North & South ‘...Assessment of his The Games co-writer Ross Stevenson that Clarke was “the great satirist in the English language” is probably pretty close to the mark.’ Otago Daily Times
I am no good at letters. John McGahern, 1963 John McGahern is consistently hailed as one of the finest Irish writers since James Joyce and Samuel Beckett.This volume collects some of the witty, profound and unfailingly brilliant letters that he exchanged with family, friends and literary luminaries - such as Seamus Heaney, Colm Tóibín and Paul Muldoon - over the course of a well-travelled life. It is one of the major contributions to the study of Irish and British literature of the past thirty years, acting not just as a crucial insight into the life and works of a much-revered writer - but also a history of post-war Irish literature and its close ties to British and American literary life. 'One of the greatest writers of our era.' Hilary Mantel 'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike
This delightful book will be enjoyed and cherished by GAA fans old and young. - Dermot Earley Gaelic Games have a unique capacity to lift the spirits but they also have created many extraordinary moments. In the GAA world the truth is stranger than fiction and often funnier. This book celebrates the extraordinary moments in the GAA's long and distinguished history. Representing all counties, it features Gaelic football, hurling, ladies' football and camogie. Read about the star player who grabbed Ger Cunningham's balls; Seán Boylan's experience in the maternity ward; what happened when Pat Spillane took the DART; Ger Loughnane and the night life in Amsterdam; Paidí Ó'Sé and the tractor; the Galway icon who did not wear his socks; the Meath legend's love affair; Clare's sex scandal; the tender affection to a top pundit; the man who silenced Joe Brolly; the Dublin star who runs like a chicken; Garret Fitzgerald's flirtation with hurling; Jack Lynch's inspiration; and the GAA and Lady Diana. An uplifting must-read for all sports fans and lovers of Gaelic Games.
Set against the harsh backdrop of the Great Depression, On the Rails traces the journey of Michael Shymchuk (later Shutt), a boy from the Canadian prairies who escapes a bitter family life and a failing farm to ride the train rails, crossing the country and the paths of a memorable cast of characters. Fleeing poverty and abandoning perhaps the love of his life, Michael enlists in the legendary Royal Canadian Mounted Police, where he comes face to face with bootleggers, bandits, whores, murderers, and, ultimately, all the evil men do. Finally, in the unforgiving Canadian Arctic, among the Inuit, the missionaries, and the mercenaries, Michael's body and spirit are severely tested as he deals with the brutal environment, another mans insanity, and the haunting discovery of a nineteenth-century English expedition. Death comes close, and he faces an intense day of reckoning with all that he believes. Tracing one young mans journey into manhood and self-knowledge, On the Rails is an adventure, a bittersweet love story, and an epic tale of sin, redemption, and the agonizing choices that confront us all.
The Catholic intellectual tradition is broad, and covers a wide array of academic disciplines. In their book, John Piderit, Melanie Morey, and their contributors take a disciplinary approach to the Catholic intellectual tradition. Each chapter focuses on one academic discipline or major that is taught at the undergraduate level in most colleges or universities, including English literature, political theory, psychology, business economics, and law.
John Osborne, the original Angry Young Man, shocked and transformed British theater in the 1950s with his play Look Back in Anger. This startling biography–the first to draw on the secret notebooks in which he recorded his anguish and depression–reveals the notorious rebel in all his heartrending complexity. Through a working-class childhood and five marriages, Osborne led a tumultuous life. An impossible father, he threw his teenage daughter out of the house and never spoke to her again. His last written words were "I have sinned." Theater critic John Heilpern’s detailed portrait, including interviews with Osborne's daughter, scores of friends and enemies, and his alleged male lover, shows us a contradictory genius–an ogre with charm, a radical who hated change, and above all, a defiant individualist.
In the aftermath of the September 11 attacks, officer Connor Tyler and the Delta Force put operation Swift Sword into action before another terrorist attack.
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