The first comprehensive book to be produced under the Ferguson badge. The book is divided into eras of "Ferguson" tractor production, starting with the Ferguson Brown and ending with Massey-Harris-Ferguson. The book is well illustrated with 400 photographs with text providing basic technical detail of the equipment.
This text provides a complete history of tractors and trucks, tracing their evolution from the early pioneers to today's state-of-the-art farming and road machines. It also contains an A-Z of all the major manufacturers around the world.
John W. Moffat was a poor student of math and science. That is, until he read Einstein’s famous paper on general relativity. Realizing instantly that he had an unusual and unexplained aptitude for understanding the complex physics described in the paper, Moffat wrote a letter to Einstein that would change the course of his life. Einstein Wrote Back tells the story of Moffat’s unusual entry into the world of academia and documents his career at the frontlines of twentieth-century physics as he worked and associated with some of the greatest minds in scientific history, including Niels Bohr, Fred Hoyle, Wolfgang Pauli, Paul Dirac, Erwin Schrödinger, J. Robert Oppenheimer, Abdus Salam, among others. Taking readers inside the classrooms and minds of these giants of modern science, Moffat affectionately exposes the foibles and eccentricities of these great men, as they worked on the revolutionary ideas that, today, are the very foundation of modern physics and cosmology.
By examining the family and financial circumstances of Wordsworth’s early years, this illuminating biography reshapes our understanding of the great Romantic poet’s most creative period of life and writing. Features new research into Wordsworth’s financial situation, and into how the poet and his family survived financially Offers a new understanding of the role of his great unwritten poem ‘The Recluse’ Presents a new assessment of the relationship between Wordsworth and Coleridge
A brilliant account of the proud and ferocious American fighters who stood up to the British forces in savage battles crucial in deciding both the fate of the Carolina colonies and the outcome of the war. "A tense, exciting historical account of a little known chapter of the Revolution, displaying history writing at its best."--Kirkus Reviews "His compelling narrative brings readers closer than ever before to the reality of Revolutionary warfare in the Carolinas."--Raleigh News & Observer "Buchanan makes the subject come alive like few others I have seen." --Dennis Conrad, Editor, The Nathanael Greene Papers "John Buchanan offers us a lively, accurate account of a critical period in the War of Independence in the South. Based on numerous printed primary and secondary sources, it deserves a large reading audience." --Don Higginbotham, Professor of History, University of North Carolina, Chapel Hill
Authors Franklin and Hein have witnessed firsthand difficulties experienced in some black communities. They use their knowledge to analyze and discuss the interactions between American policing, a subculture of the black community and the BLM movement. The authors wrote this book not because of attacks on police officers but because of overzealous actions by officers to shoot black men. It describes how blue on black shootings along with police tactics sometimes cause intense citizen responses through public statements, outbursts, and demonstrations. It begins with an examination of the differences between the black and white communities; how the same incident can be viewed from two different perspectives and how a discussion can be perceived unbiased by one but biased and unjust by another. Because of civil rights efforts American policing is going through a transformation. A change in policing tactics must be met with a re-evaluation of some cultural norms by the black community. They also discuss the lack of support by blacks shown to other blacks when there is an impression of being “not black enough.” The authors believe in political correctness, but also believe that political correctness is harming the black community, because well-recognized negative issues in some communities are not being addressed to avoid criticism of black culture. In the final chapter the authors discuss the failure of black leadership to make any earnest effort to rescue a wanting black subculture from itself. Finally, the authors believe that American policing understands its 21st century obligations and is taking steps to meet them.
Introduction -- Resistance: war gods -- Only after night fall -- Keepers of the sky -- Magic relief -- Tribal resolution -- All things will eat themselves up -- This far away -- Regret: a scalp from Sand Creek -- I have come to kill Indians -- The Bones Bill -- We are going back home -- Indian trophies -- Ac.35b -- A wound of the soul -- Reluctance: killer whale flotilla robe -- Masterless things -- Chief Shakes -- Johnson v. Chilkat Indian Village -- Cranes' last stand -- The weight was heavy -- Our culture is not dying -- Respect: Calusa skulls -- The hardest cases -- Long since completely disappeared -- Unidentifiable -- Their place of understanding -- Timeless limbo -- Before we just gave up -- Conclusion
In his first major book on the state of black America since the New York Times bestseller Losing the Race, John McWhorter argues that a renewed commitment to achievement and integration is the only cure for the crisis in the African-American community. Winning the Race examines the roots of the serious problems facing black Americans today—poverty, drugs, and high incarceration rates—and contends that none of the commonly accepted reasons can explain the decline of black communities since the end of segregation in the 1960s. Instead, McWhorter posits that a sense of victimhood and alienation that came to the fore during the civil rights era has persisted to the present day in black culture, even though most blacks today have never experienced the racism of the segregation era. McWhorter traces the effects of this disempowering conception of black identity, from the validation of living permanently on welfare to gansta rap’s glorification of irresponsibility and violence as a means of “protest.” He discusses particularly specious claims of racism, attacks the destructive posturing of black leaders and the “hip-hop academics,” and laments that a successful black person must be faced with charges of “acting white.” While acknowledging that racism still exists in America today, McWhorter argues that both blacks and whites must move past blaming racism for every challenge blacks face, and outlines the steps necessary for improving the future of black America.
A complete catalog of the Atlanta History Center’s permanent folk art exhibition, this richly illustrated volume defines and documents the folk arts of the lower southeastern United States. The objects, crafting processes, and performances represented here illustrate the unique qualities of the community-learned traditional arts of the South. John A. Burrison examines a multitude of traditional art forms, many of which still thrive today. Intricately constructed miniatures of covered wagons, sorghum-syrup mills, and pottery workshops speak of a life of subsistence farming. Decorated baskets represent the cultural exchanges of Native Americans, European Americans, and African Americans. Intricate wrought-iron gates, musical instruments, quilts, and such curiosities as face jugs combine beauty and utility--the dual nature of most folk art--with southern flair. An illuminating introduction by Burrison, the curator of the exhibit and an expert folk art collector, presents highlights of his thirty years of research and collecting experience, offering a behind-the-scenes glimpse of the exhibition. A concluding section looks at the adaptations and innovations shaping the future of southern folk arts.
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