A Most Human Enterprise looks at controversial social science research methods and their effects on subjects and researchers. In detailing case studies in which plagiarism was alleged, subjects were mislead or seriously abused, and research denigrated certain demographics, Donald O. Granberg and John F. Galliher demonstrate how social scientists have strayed from the ethical standards of scientific research.
Charles Boyer: The French Lover is the first biography of Boyer to exist in English in almost forty years. Author John Baxter artfully presents the often-tragic life of this often overlooked, yet profoundly impactful French actor. Baxter relates how Boyer (1899–1978) established himself in the theater and cinema of France, confidently transitioning from silent film to sound and making a name for himself as a romantic leading man in Hollywood through the early 1940s. During World War II, Boyer put his career on hold to become politically active on behalf of his occupied home country. Upon returning to the stage and screen, Boyer adapted effortlessly to postwar character roles in both Europe and the United States. He entered television in the 1950s as both producer and performer, and then remade himself as a comedy performer in the 1960s. Nominated four times for Academy Awards, he was honored by the Academy only once—a special honorary award received for his activities on behalf of France during World War II. In an insightful analysis of Boyer's choice of roles during and after World War II, Baxter shows that the actor possessed a shrewd perception of his image. Baxter reveals how Boyer, realizing his accent would always mark him as an outsider, both embraced and subverted that identity. Far from clinging to the performances that made him famous, Boyer showed a readiness to break the mold. Yet above all, Baxter argues, Boyer's greatest achievement was becoming the embodiment of exiles everywhere.
Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce’s "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett’s Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett’s later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer’s philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett’s writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalized fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both music and literature of the twentieth century and beyond, John McGrath’s book is a significant contribution to the field of Word and Music Studies.
The solar transition region, which spans the temperature range from about 20,000 to 1,000,000 K, separates the chromosphere from the corona. All the energy that heats the corona and powers the solar wind must pass through this part of the solar atmosphere. This book summarizes recent ultraviolet and extreme ultraviolet observations of the transition region, the empirical models derived from them, and the physical models that try to explain both the observations and the empirical models. The observational focus is on quiet solar transition region observations made with Skylab and subsequent rocket and satellite experiments. The book also presents a unified discussion of the analysis of ultraviolet and extreme ultraviolet spectroscopic data, including the determination of the emission measure and density and temperature diagnostics. This will be useful to astrophysicists who are confronting high-resolution ultraviolet and extreme ultraviolet data from astrophysical plasmas for the first time.
A PI pieces together a serial killer’s bloody puzzle in this edge-of-your-seat thriller from the New York Times–bestselling author of Frenzy. Frank Quinn was once New York City’s top homicide detective—until a setup forced him into early retirement. Now running his own detective agency, he assists the NYPD on some of their most disturbing cases . . . A woman’s body is found in Central Park drained of blood, dismembered, and reassembled. Her killer is a cold man who enjoys taking things apart to figure out what makes them tick. And this is only the beginning of his destructive, bloody plan. Before he is finished, he will try to see what makes Frank Quinn tick, and what makes him break. Praise for John Lutz “Lutz knows how to make you shiver.” —Harlan Coben “One of the masters of the police novel.” —Ridley Pearson “Lutz offers up a heart-pounding roller coaster of a tale.” —Jeffrey Deaver “Lutz ranks with such vintage masters of big-city murder as Lawrence Block and Ed McBain.” —St. Louis Post-Dispatch
A detailed comparative analysis of speaker-audience interactions in Greek historiography, Josephus, and Acts that examines historians’ use of speeches as a means of instructing/persuading their readers and highlights Luke’s distinctive depiction of the apostles as adaptable yet frequently alienating orators.
Race, Ethnicity and Social Theory provides a critical analysis of the main areas of scholarly research and debate about racial and ethnic relations over the past few decades. The book covers substantive areas of scholarly debate in this fast-changing field, including race and social relations, identities and the construction of the racial other, feminism and race, the relationship between race and nationalism, antisemitism, the evolution of new forms of racism, race and political representation and, more generally, the changing debates about race and ethnicity in our global environment. The book argues that there is a need for more dialogue across national and conceptual boundaries about how to develop the theoretical tools needed to understand both the historical roots of contemporary forms of racialised social and political relations and the contemporary forms through which race is made and re-made. A key argument that runs through the book is the need to develop conceptual frameworks that can help us to make sense of the changing forms of racial and ethnic relations in contemporary societies. This means developing more dialogue across national research cultures as well as empirical research that seeks to engage with the key issues raised by contemporary theoretical debates. The book will be of interest to both students wanting to develop a deeper understanding of this area of scholarship and to researchers of race, ethnicity and migration working in various national and disciplinary environments.
The historical and procedural contexts of four measures of infant attention and learning - measures that have proved the most promising in predicting later childhood intellectual performance - are explored in this volume. Incorporating the latest research literature on individual differences in the preverbal infant, the author examines the psychometric properties for the measures, their concurrent relations with other measures of early cognition and development, and evidence of their predictive ability.
Why do people resort to plastic surgery to look young? Why are stepchildren at greatest risk of fatal abuse? Why do we prefer gossip to algebra? Why must Dogon wives live alone in a dark hut for five days a month? Why are young children good at learning language but not sharing? Over the past decade, psychologists and behavioral ecologists have been finding answers to such seemingly unrelated questions by applying an evolutionary perspective to the study of human behavior and psychology. Human Evolutionary Psychology is a comprehensive, balanced, and readable introduction to this burgeoning field. It combines a sophisticated understanding of the basics of evolutionary theory with a solid grasp of empirical case studies. Covering not only such traditional subjects as kin selection and mate choice, this text also examines more complex understandings of marriage practices and inheritance rules and the way in which individual action influences the structure of societies and aspects of cultural evolution. It critically assesses the value of evolutionary explanations to humans in both modern Western society and traditional preindustrial societies. And it fairly presents debates within the field, identifying areas of compatibility among sometimes competing approaches. Combining a broad scope with the more in-depth knowledge and sophisticated understanding needed to approach the primary literature, this text is the ideal introduction to the exciting and rapidly expanding study of human evolutionary psychology.
Many subscribe to an Ethic of Life, an ethical perspective on which all living things deserve some level of moral concern. Within philosophy, the Ethic of Life has been clarified, developed, and rigorously defended; yet it has also found its harshest critics. Between biocentrists, those that endorse the Ethic of Life, and those that accept a more restricted view of moral status, the debate has reached a standstill, with few new resources for shifting or complicating it. In The Death of the Ethic of Life, John Basl seeks to end this comfortable stalemate by emphasizing a simple truth: the well-being of non-sentient beings, such as plants, species, and ecosystems, is morally significant only to the extent that it matters to sentient beings. Basl first develops a version of The Ethic of Life that best meets traditional challenges: the Ethic, if it is to survive criticism, must be able to explain how it is that all living things have a welfare or a good of their own. The best hope of offering such an explanation is to ground that welfare in teleology or goal-directedness, and then to ground that goal-directedness in the workings of natural selection. While a naturalistic account of teleology is crucial to defending an Ethic of Life, it is also its downfall. This Ethic ultimately entails that not only are ecosystems and collectives morally considerable, but so, too, are artifacts: everything from can openers to computers. Basl shows that evaluation of the resources for distinguishing artifacts from organisms forces us to abandon, for good, the Ethic of Life. The Death of the Ethic of Life provides not only a new answer to a fundamental question in environmental ethics, but a new way to conceive of fundamental concepts and issues in debates over who or what matters from the moral point of view, with wide-ranging implications in the philosophy of technology and bioethics.
In his trailblazing studies of the spirit in Jewish and Christian antiquity, John R. (Jack) Levison shatters theological and exegetical taxonomies. Should the spirit be understood as breath or Spirit—or both? Is the spirit directed to creation or salvation—or both? Is the spirit a force or an angel—or both? Does the spirit inspire ecstasy or wisdom—or both? When Levison transfers the starting point of pneumatology from the New Testament to the Hebrew Bible, from Christianity to Judaism, questions swell, assumptions detonate, and expectations flourish. Consequently, Levison’s studies are considered “impressive and provocative” (Review of Biblical Literature), “delightful, engaging” (Catholic Biblical Quarterly), “impressive” (Journal of Ancient Judaism) and “a significant shift in research on understandings of the spirit in Judaism” (Journal of Theological Studies), with “profound ramifications for both Jewish and New Testament Studies” (Journal of Jewish Studies). Now, for the first time, selections of his breathtaking array of studies are available in three accessible volumes. In this volume, you will encounter Levison’s unprecedented and probing studies of the spirit in early Judaism in the context of Greek and Roman thought, from Sirach to the Tosefta, from the Dead Sea Scrolls to Philo of Alexandria, from Judith to Josephus. As they engage, readers will understand why Reading Religion: A Publication of the American Academy of Religion forecasts that “Levison will continue to be at the center of our most fruitful discussions of pneumatology.”
This annotated selection of more than five hundred letters by the groundbreaking composer and avant-garde icon covers every phase of his career. This volume reveals the intimate life of John Cage with all the intelligence, wit, and inventiveness that made him such an important composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham. They shed new light on his growing eminence as an iconic performance artist of the American avant-garde. Written in Cage’s singular voice—by turns profound, irreverent, and funny—these letters reveal Cage’s passionate interest in people, ideas, and the arts. They include correspondence with Peter Yates, David Tudor, and Pierre Boulez, among many others. Readers will enjoy Cage's commentary about the people and events of a transformative time in the arts, as well as his meditations on the very nature of art. This volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century.
Finely written and meticulously documented, this book describes how--very early on--a small group of ordinary citizens began extraordinary efforts to demonstrate that the JFK assassination could not have happened the way the government said it did. In time, their efforts had an enormous impact on public opinion, but this account concentrates on the months before the controversy caught fire, when people with skeptical viewpoints still saw themselves as lone voices. Material seldom seen by the public includes a suppressed photograph of the grassy knoll, an unpublished 1964 interview with an eyewitness, the earliest mention of the "magic bullet," and an analysis of the commotion surrounding New Orleans district attorney Jim Garrison's charge that anti-Castro CIA operatives were involved.
Novels six through ten in #1 New York Times bestselling and Pulitzer Prize-winning author John Sandford’s Prey series, featuring Minneapolis homicide investigator Lucas Davenport. NIGHT PREY A savage psychopath is playing cat and mouse with Lucas Davenport. But both killer and detective find themselves at odds with a female investigator who has intensely personal reasons for catching the killer herself—and fast. MIND PREY Lucas Davenport has met his match—a nemesis more intelligent, and more depraved, than any he has tracked before. A pure, wanton killer who knows more about mind games than Lucas himself—and with a female psychiatrist already in his trap, he’s one step ahead. SUDDEN PREY The crime spree should have ended when Lucas Davenport killed the female bank robber during the shoot-out. But it’s just beginning, because the woman’s husband isn’t about to let Lucas—or anyone he loves—escape retribution. SECRET PREY When a wealthy banker is shot dead during a hunting trip, Lucas Davenport's routine murder investigation turns into a cat-and-mouse game with a killer who won't hesitate to take the fight to Lucas himself. And those he loves… CERTAIN PREY A wealthy socialite has been murdered. Now the killer must tie up a few loose ends. One is the witness. The other is Lucas Davenport—and of all the criminals Davenport has hunted, none has been as efficient or as ferociously intelligent as the woman who’s hunting him.
The pioneering composer and music theorist makes his final on the totality of his work and thought in these three wide-ranging dialogues. “I was obliged to find a radical way to work ― to get at the real, at the root of the matter,” John Cage says in this trio of dialogues, completed just days before his death. This quest led him beyond the bounds of convention in all his musical, written, and visual pieces. The resulting expansion of the definition of art earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage explore his artistic production in its entirety. Cage's comments range from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. In her comprehensive introduction, Retallack describes Cage’s lifelong project as “dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.” Consummate performer to the end, Cage delivers here just such a conjunction ― a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
Soon enough, nobody will remember life before the Internet. What does this unavoidable fact mean? Those of us who have lived both with and without the crowded connectivity of online life have a rare opportunity. We can still recognize the difference between Before and After. We catch ourselves idly reaching for our phones at the bus stop. Or we notice how, midconversation, a fumbling friend dives into the perfect recall of Google. In this eloquent and thought-provoking book, Michael Harris argues that amid all the changes we're experiencing, the most interesting is the end of absence-the loss of lack. The daydreaming silences in our lives are filled; the burning solitudes are extinguished. There's no true "free time" when you carry a smartphone. Today's rarest commodity is the chance to be alone with your thoughts. Michael Harris is an award-winning journalist and a contributing editor at Western Living and Vancouvermagazines. He lives in Toronto, Canada.
This is the first English commentary on Josephus’ Against Apion, his apologetic treatise which rebuts Egyptian and Hellenistic slurs on the Judean people. Accompanied by a new translation, the commentary provides full analysis of the historical, literary, and rhetorical features of the treatise, and analyses its engagement with the cultural politics of the ancient world.
Human cultures have been interacting with natural hazards since the dawn of time. This book explores these interactions in detail and revisits some famous catastrophes including the eruptions of Thera and Vesuvius. These studies demonstrate that diverse human cultures had well-developed strategies which facilitated their response to extreme natural events.
“This important new book . . . based on archival material . . . shows the huge extent of Soviet espionage activity in the United States during the 20th century” (The Telegraph). Based on KGB archives that have never been previously released, this stunning book provides the most complete account of Soviet espionage in America ever written. In 1993, former KGB officer Alexander Vassiliev was permitted unique access to Stalin-era records of Soviet intelligence operations against the United States. Years later, Vassiliev retrieved his extensive notebooks of transcribed documents from Moscow. With these notebooks, John Earl Haynes and Harvey Klehr have meticulously constructed a new and shocking historical account. Along with valuable insight into Soviet espionage tactics and the motives of Americans who spied for Stalin, Spies resolves many long-standing intelligence controversies. The book confirms that Alger Hiss cooperated with the Soviets over a period of years, that journalist I. F. Stone worked on behalf of the KGB in the 1930s, and that Robert Oppenheimer was never recruited by Soviet intelligence. Uncovering numerous American spies who never came under suspicion, this essential volume also reveals the identities of the last unidentified American nuclear spies. And in a gripping introduction, Vassiliev tells the story of his notebooks and his own extraordinary life.
This book examines the themes that surface when considering clinical situations where patients feel stuck and where a failure to develop impedes the progress of analysis.
The dual traumas of colonialism and slavery are still felt by Native Americans and African Americans as victims of ongoing cycles of white violence toward people of color. In The Feeling of Forgetting, John Corrigan trains our attention on an underexamined aspect of this historical trauma: the trauma experienced by white Americans as perpetrators of this violence. By tracing the practices of remembering and forgetting in the Christian tradition, Corrigan shows how experiences of racial violence and efforts, on the part of white Americans, to deliberately forget race are drivers of Christian nationalism and white supremacy. White trauma, Corrigan says, is detectable as an underground river in American culture. Sometimes it is powerfully joined with evangelical Christianity and surfaces at times in acts of brutality, terrorism, and insurrection. The Feeling of Forgetting is an attempt to understand how that process occurs, and how it is braided with the trauma of victims, so that we might be better positioned to address both"--
Essentially clinical in its approach, Psychic Retreats discusses the problem of patients who are 'stuck' and with whom it is difficult to make meaningful contact. John Steiner, an experienced psychoanalyst, uses new developments in Kleinian theory to explain how this happens. He examines the way object relationships and defences can be organized into complex structures which lead to a personality and an analysis becoming rigid and stuck, with little opportunity for development or change. These systems of defences are pathological organisations of the personality: John Steiner describes them as 'psychic retreats', into which the patient can withdraw to avoid contact both with the analyst and with reality. To provide a background to these original and controversial concepts, the author builds on more established ideas such as Klein's distinction between the paranoid-schizoid and depressive positions, and briefly reviews previous work on pathological organizations of the personality. He illustrates his discussion with detailed clinical material, with examples of the way psychic retreats operate to provide a respite from both paranoid-schizoid and depressive anxieties. He looks at the way such organizations function as a defence against unbearable guilt and describes the mechanism by which fragmentation of the personality can be reversed so the lost parts of the self can be regained and reintegrated in to the personality. Psychic Retreats is written with the practising psychoanalysts and psychoanalytic psychotherapists in mind. The emphasis is therefore clinical throughout the book, which concludes with a chapter on the technical problems which arise in the treatment of such severely ill patients.
The twenty-first century opened with the religiously-inspired attacks of 9/11 and in the years since such attacks have become all too common. Over against the minority who carry out violence at God's direction, however, there are millions of believers around the world who live lives of anonymous kindness. They also see their actions as guided by the divine. How is divine guidance to be understood against the background of such diametrically opposed results? How to make sense of both Osama bin Laden and Mother Teresa? In order to answer this question, John A. Jillions turns to the first-century world of Corinth, where Jews, Gentiles, and early Christians intermixed and vigorously debated the question of divine guidance. In this ancient melting pot, the ideas of writers and poets, philosophers, rabbis, prophets, and the apostle Paul confronted and complemented each other. These writers reveal a culture that reflected deeply upon the realities, ambiguities, and snares posed by questions of divine guidance. Jillions draws these insights together to offer an outline for the twenty-first century and suggest criteria for how to assess perceived divine guidance. Jillions opens a long-closed window in the history of ideas in order to shed valuable light on this timeless question.
This third collection of widescreen wonders photographed in CinemaScope, focuses on such popular movies as "Love Is a Many-Splendored Thing," "Cleopatra," "Three Coins in the Fountain," "Bus Stop," "There's No Business Like Show Business," "The Seven Year Itch," "Let's Make Love," "Peyton Place," "North to Alaska," "The Longest Day," "The Eddy Duchin Story," "Far from the Madding Crowd," "The Man in the Gray Flannel Suit," "The Helen Morgan Story," "A Star Is Born" and "2001: A Space Odyssey.
John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.
The first comprehensive study of the late music of one of the most influential composers of the last half century, this book places Elliott Carter's music from 1995 to 2012 in the broader context of post-war contemporary concert music, including his own earlier work. It addresses Carter's reception history, his aesthetics, and his harmonic and rhythmic practice, and includes detailed essays on all of Carter's major works after 1995. Special emphasis is placed on Carter's settings of contemporary modernist poetry from John Ashbery to Louis Zukofsky. In readable and engaging prose, Elliott Carter's Late Music illuminates a body of late work that stands at the forefront of the composer's achievements.
On the surface, Riverview High School looks like the post-racial ideal. Serving an enviably affluent, diverse, and liberal district, the school is well-funded, its teachers are well-trained, and many of its students are high achieving. Yet Riverview has not escaped the same unrelenting question that plagues schools throughout America: why is it that even when all of the circumstances seem right, black and Latino students continue to lag behind their peers? Through five years' worth of interviews and data-gathering at Riverview, John Diamond and Amanda Lewis have created a rich and disturbing portrait of the achievement gap that persists more than fifty years after the formal dismantling of segregation. As students progress from elementary school to middle school to high school, their level of academic achievement increasingly tracks along racial lines, with white and Asian students maintaining higher GPAs and standardized testing scores, taking more advanced classes, and attaining better college admission results than their black and Latino counterparts. Most research to date has focused on the role of poverty, family stability, and other external influences in explaining poor performance at school, especially in urban contexts. Diamond and Lewis instead situate their research in a suburban school, and look at what factors within the school itself could be causing the disparity. Most crucially, they challenge many common explanations of the 'racial achievement gap,' exploring what race actually means in this situation, and why it matters. An in-depth study with far-reaching consequences, Despite the Best Intentions revolutionizes our understanding of both the knotty problem of academic disparities and the larger question of the color line in American society.
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
(Limelight). Now available in paperback, this compilation by longtime New York Times music and arts critic John Rockwell features the creme de la creme of the renowned journalist's arts criticism and commentary over the past 40 years. Taken mostly from the Times , but also including pieces from 17 other sources, such as the Los Angeles Times , The New Republic , the San Francisco Examiner , High Fidelity , Opera , and the Village Voice , these writings present Rockwell's unique vision of the arts scene over the past 40 years, with essays on classical music (including the breadth of contemporary works), rock, dance, art, film, theater, general arts topics, and reports from abroad. Rockwell's analysis includes parallels among the arts, insights from one to another, as he brilliantly communicates his aesthetic experiences to the reader.
“The stakes are high, the characters rich, the action relentless” (Publishers Weekly) in this Lucas Davenport novel from #1 New York Times bestselling author John Sandford. The crime spree should have ended when Lucas Davenport killed the female bank robber during the shoot-out. But it’s just beginning, because the woman’s husband isn’t about to let Lucas—or anyone he loves—escape retribution. INCLUDES A NEW INTRODUCTION BY THE AUTHOR
In this moving and intelligent book John Gillibrand, an Anglican priest, draws on his experience of caring for his non-verbal son, Adam, who has autism and is now a teenager. He reflects on how the experience has changed not just his life, but also his whole way of thinking about theology, politics and philosophy. Illuminated by an account of his day to day experiences with Adam, and deeper reflection upon the meaning of that experience, John Gillibrand considers the challenges that autism - and disability in general - present to the western tradition of thought in theology and philosophy. His experiences lead him to consider the place of people with autism in relation to religion and philosophy, and how the difficulties in providing adequate public services for those with autism and their carers point to a need for radical transformation of western political structures. This thoughtful and incisive book will be of interest to theologians, philosophers and sociologists, as well as to all those trying to integrate people with autism into society. Parents and carers will find much to reflect on. Shortlisted for the Michael Ramsey Prize for theological writing 2013.
Weimar Cities explores Germany's efforts to come to grips with its great cities after World War I; by extension the book measures the feasibility of the postwar experiment that was the Weimar Republic. The book focuses particularly on the weakness, both local and national, that resulted from the disjunct between the cities’ perceived and actual power.
The Development of Children and Adolescents, by Penny Hauser-Cram, J. Kevin Nugent, Kathleen Thies, and John F. Travers, provides an integrated view of child development. Presenting the most pertinent research for each developmental stage and linking this to practical applications in the areas of Parenting, Policy, and Practice, this balanced approach emphasizes the relationship between research and theory and applications. The rich media program, including WileyPLUS with Real Development promotes active learning and allows for increased understanding and comprehension of the course content. Real Development, authored by Nicole Barnes, Ph.D., Montclair State University and Christine Hatchard, Psy.D., Monmouth University, uses authentic video showcasing real families, along with activities and assessments that put students in the place of a professional, to gain an understanding of key concepts. Through the combination of text and media, students are engaged in meaningful learning that deepens and enriches their understanding of developmental concepts. WileyPLUS sold separately from text.
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