A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward’s Americanaland is filled with the enduring performers and vivid stories that are at the heart of Americana. At base a hybrid of rock and country, Americana is also infused with folk, blues, R&B, bluegrass, and other types of roots music. Performers like Bob Dylan, Johnny Cash, Ray Charles, and Gram Parsons used these ingredients to create influential music that took well-established genres down exciting new roads. The name Americana was coined in the 1990s to describe similarly inclined artists like Emmylou Harris, Steve Earle, and Wilco. Today, Brandi Carlile and I’m With Her are among the musicians carrying the genre into the twenty-first century. Essential and engaging, Americanaland chronicles the evolution and resonance of this ever-changing amalgam of American music. Margie Greve’s hand-embroidered color portraits offer a portfolio of the pioneers and contemporary practitioners of Americana.
Legendary musician, actress, activist, and icon Olivia Newton-John's fascinating life story—from her unforgettable rise to fame in the classic musical Grease to her passionate advocacy for health in light of her long battle with cancer. Perfect for fans of Tina Turner’s My Love Story and Sally Field’s In Pieces, this New York Times bestseller is an extraordinary can’t-miss memoir. For more than five decades, Olivia Newton-John was one of our most successful and adored entertainers. A four-time Grammy Award winner, she was one of the world’s bestselling recording artists of all time, with more than 100 million albums sold. Her starring roles in the iconic movies Grease and Xanadu catapulted her into super-stardom. In addition to her music and screen successes, Olivia was perhaps best known for her strength, courage, and grace. After her own personal journeys with cancer, she became an inspiration for millions around the world. A tireless advocate for countless charities, her true passion was founding the Olivia Newton-John Cancer Wellness & Research Centre in her hometown of Melbourne, Australia. Olivia radiated joy, hope, and compassion—and was determined to be a force for good in the world. Here, she shares her journey, from Melbourne schoolgirl to international superstar, in this deeply personal book. Candid and moving, Don’t Stop Believin’ is Olivia Newton-John’s story in her own words for the very first time.
The blues revival rescued the creators of America's most influential music from dusty obscurity, put them onstage in front of a vast new audience, and created rock 'n' roll
Among the most significant subcultures in modern U.S. history, the hippies had a far-reaching impact. Their influence essentially defined the 1960s--hippie antifashion, divergent music, dropout politics and "make love not war" philosophy extended to virtually every corner of the world and remains influential. The political and cultural institutions that the hippies challenged, or abandoned, mainly prevailed. Yet the nonviolent, egalitarian hippie principles led an era of civic protest that brought an end to the Vietnam War. Their enduring impact was the creation of a 1960s frame of reference among millions of baby boomers, whose attitudes and aspirations continue to reflect the hip ethos of their youth.
Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.
Beautifully written and unexpectedly moving, John Darnielle's audacious and gripping debut novel Wolf in White Van is a marvel of storytelling and genuine literary delicacy. Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. His primary creation, Trace Italian, is an intricate text-role playing game that enables participants far and wide to explore a dystopian America, seeking refuge amidst the ruin. However, when two high school players, Lance and Carrie, extend the game into their reality, the consequences are horrifying, leaving Sean to account for it. Darnielle’s Wolf in White Van invites us to comprehend the depth and intricacy of Sean's life. Told in reverse, the story draws us back to the moment that fundamentally altered Sean’s life as he knows it.
Celebrating the twentieth anniversary of the King-Cat zine Never before have so few lines conveyed such a wealth of meaning as in John Porcellino’s quietly riveting book about memory, relationships, and selfhood. During a period of isolation following a divorce, Porcellino penned Map of My Heart, endowing it with the sensitivity and emotional depth so characteristic to his minimalist style. His tender drawings and spacious panels shape an autobiographical testimony where no moment is too small or insignificant for posterity. Pensive walks in the forest, encounters with rogue woodland creatures, school yard fights, Zen meditations, long lost crushes, and childhood exploits are the heart of this therapeutic account of the ever-fleeting present.
William Alwyn: A Research and Information Guide is a catalogue, discography and annotated bibliography of the nearly 500 works of this twentieth-century British composer. It will be invaluable to twentieth-century British composer researchers and aficionados, music history courses, and film music courses.
Ethics is understood as a social practice developed by human beings through their living together as members of actual communities. Implicit in communal membership is a mutual commitment to pursue one’s good within common and binding rules. Whereas individualism holds that the rights and duties of human beings arise from their inherent worth as individuals, communitarianism says that our rights and duties arise from participation in the ethical entity that is created through communal bonds. The book derives from this ethical idea, some basic substantive norms that are valid for every political community. Secondly, it applies the ethical idea to some fundamental variations in communal forms but focuses especially on modern industrial economies and their appropriate political superstructures. The third part of the book discusses attempts to create a global ethical community in the form of a community of states that treat each other and each other’s members as ethical ends, despite disagreements over the actual rights that they accord to their members. The key audience for the book is researchers and students in the fields of ethics, political philosophy/theory, social philosophy, legal philosophy, and history of political thought.
Based on nearly five decades of research, this magisterial work is a biographical register and analysis of the people who most directly influenced the course of the Civil War, its high commanders. Numbering 3,396, they include the presidents and their cabinet members, state governors, general officers of the Union and Confederate armies (regular, provisional, volunteers, and militia), and admirals and commodores of the two navies. Civil War High Commands will become a cornerstone reference work on these personalities and the meaning of their commands, and on the Civil War itself. Errors of fact and interpretation concerning the high commanders are legion in the Civil War literature, in reference works as well as in narrative accounts. The present work brings together for the first time in one volume the most reliable facts available, drawn from more than 1,000 sources and including the most recent research. The biographical entries include complete names, birthplaces, important relatives, education, vocations, publications, military grades, wartime assignments, wounds, captures, exchanges, paroles, honors, and place of death and interment. In addition to its main component, the biographies, the volume also includes a number of essays, tables, and synopses designed to clarify previously obscure matters such as the definition of grades and ranks; the difference between commissions in regular, provisional, volunteer, and militia services; the chronology of military laws and executive decisions before, during, and after the war; and the geographical breakdown of command structures. The book is illustrated with 84 new diagrams of all the insignias used throughout the war and with 129 portraits of the most important high commanders.
National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Bob Dylan was awarded the Nobel Prize in Literature in June 2016, and seldom in recent years has it been more richly deserved. That a song writer's lyrics should be regarded as literature was an idea at which many were surprised. Others have felt that to isolate the lyrics of a song from its musical context is unreal. Ultimately that is true: a song is an indefeasible whole, an inseparable marriage of words and music which achieves its overall emotional effect by that symbiosis and not otherwise. Yet it can also be said that the two components can be separately considered as two elements in the artist's creative utterance, and discussed as such. The evidence of Dylan's manuscripts supports the view that in writing his lyrics his way of going about things is not always widely different from that of a poet. Bob Dylan commented on the Nobel Prize in Literature which was awarded to him "for having created new poetic expressions within the great American song tradition": "When I first received this Nobel Prize for Literature, I got to wondering exactly how my songs related to literature. I wanted to reflect on it and see where the connection was." Voice Without Restraint, refers to and is from the song "I dreamed I saw St Augustine" on John Wesley Harding, and is a phrase chosen to evoke the full-blooded commitment to his artistic utterance which is the hallmark of Bob Dylan's voice – in all senses.
Includes entries on jazz artists, record labels, and musical concepts in addition to providing a 20-page chronology of jazz and extensive bibliographies for different jazz styles and jazz artists.
This revised edition includes all the films produced and distributed by MGM from the early days of silent films, through the golden age of the 1930s and 1940s right up to the blockbusters of the 80s and 90s. Year by year every film is appraised alongside a still from the movie.
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