To mark the retirement of John F. A. Sawyer, Professor of Religious Studies in the University of Newcastle upon Tyne, colleagues and former students from around the world have contributed studies on his areas of interest: the study of Hebrew, the books of the Jewish Bible, and the culture and traditions of Judaism. The essayists consider not simply the origin of the meaning of word and text, but also the many and strange ways in which word and text become transposed, re-oriented and often enough traduced by later interests and purposes. The roll call of scholars reads: Philip Alexander, Francis Andersen, Graeme Auld, Calvin Carmichael, Robert Carroll, David Clines, Richard Coggins, Jon Davies, Philip Davies, James Dunn, John Elwolde, John Gibson, Graham Harvey, Peter Hayman, Dermot Killingley, Jonathan Magonet, Robert Morgan, Takamitsu Muraoka, Christopher Rowland, Deborah Sawyer, Clyde Curry Smith, Max Sussman, William Telford, Marc Vervenne, Wilfred Watson, Keith Whitelam and Isabel Wollaston.
The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.
John Sawyer has been known for over 40 years as one of the finest British biblical scholars, always alert to new perspectives in biblical criticism and a pioneer in fruitful applications of new, often interdisciplinary, research methods. He has been an inspiring teacher to generations of students in Glasgow (1964-65), Newcastle upon Tyne (1965-94), Lancaster (1994-2002) and Oxford (2005-2008). From the very beginning he saw the need to apply sound linguistic theory to the study of the Bible, with the fundamental insight that all texts can have, and very often have had, more than one meaning. In 2011John Sawyer was elected President of the Society for Old Testament Study, and to celebrate that appointment Sheffield Phoenix Press is honoured to present this representative selection of 46 of his papers, some previously unpublished and some originally published in rather obscure places.
There is currently much interest in the history of interpretation, reader-response and the sociology of sacred texts - in what the text does as much as what it means. Isaiah, 'more evangelist than prophet' according to Jerome and others, provides an ideal case study, because of his profound influence on the language and imagery of Christianity. With illustrations from art, music, literature and the media as well as commentaries, sermons and official church pronouncements, Professor Sawyer shows how Isaiah has been used in all kinds of context, from the cult of the Virgin Mary, mediaeval passion iconography and antisemitic propaganda to Christian feminism and liberation theology. This first attempt at a comprehensive critical study of an essential part of biblical interpretation will provide a model for further research, and ensure that commentaries will never be the same again.
One of the most important and cherished books in the Old Testament, Isaiah contains a message of vibrant spirituality. It reveals an exalted view of God and speaks in soaring poetry of joy and hope in the kingdom. Throughout his two-volume commentary, John F. A. Sawyer seeks to present the meaning of the text of the book of Isaiah with compelling clarity and, at the same time, lead the reader to a deeper understanding of familiar passages. Carrying forward brilliantly the pattern established by Barclay's New Testament series, the Daily Study Bible has been extended to cover the entire Old Testament as well. Invaluable for individual devotional study, for group discussion, and for classroom use, the Daily Study Bible provides a useful, reliable, and eminently readable way to discover what the Scriptures were saying then and what God is saying today.
This prophetic Old Testament book begins by telling the reader that it is the "vision" of Isaiah. The use of the word "vision," John F. A. Sawyer explains, conveys to the reader that regardless of when the prophet lived, "his 'words' go beyond the immediate historical circumstances of his day." Sawyer argues that we as modern readers also are being addressed. Carrying forward brilliantly the pattern established by Barclay's New Testament series, the Daily Study Bible has been extended to cover the entire Old Testament as well. Invaluable for individual devotional study, for group discussion, and for classroom use, the Daily Study Bible provides a useful, reliable, and eminently readable way to discover what the Scriptures were saying then and what God is saying today.
Taking a refreshingly original approach to a familiar topic, this authoritative study examines the Biblical prophets and Jewish and Christian interpretations of prophecy. Beginning with a broad discussion of the phenomena of prophecy and the prophetic literature, Sawyer explores the work of Old Testament prophets, ranging from Moses to Huldah and Daniel to Malachi. In marked contrast to other studies, he pays particular attention to legends about the prophets, both canonical and apocryphal, many of which have been considerably more influential in the history of Western civilization than the prophets' original words. He concludes with a chapter on Jewish, Christian and Muslim interpretation and the matter of the fulfillment of prophecy.
One of the most important and cherished books in the Old Testament, Isaiah contains a message of vibrant spirituality. It reveals an exalted view of God and speaks in soaring poetry of joy and hope in the kingdom. Throughout his two-volume commentary, John F. A. Sawyer seeks to present the meaning of the text of the book of Isaiah with compelling clarity and, at the same time, lead the reader to a deeper understanding of familiar passages. Carrying forward brilliantly the pattern established by Barclay's New Testament series, the Daily Study Bible has been extended to cover the entire Old Testament as well. Invaluable for individual devotional study, for group discussion, and for classroom use, the Daily Study Bible provides a useful, reliable, and eminently readable way to discover what the Scriptures were saying then and what God is saying today.
The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Sacred Languages and Sacred Texts is the first comprehensive study of the role of languages and texts in the religions of the Greco-Roman world, including Judaism and Christianity. It explores bilingualism, language learning, literacy, book production and translation, as well as some of the more explicitly religious factors, including beliefs about language, missionary zeal, ritual, conservatism and the power of a priestly establishment. Sacred Languages and Sacred Texts sheds new light on the role of the power of words, spoken and written, in religion.
The Apostle Paul's reference to the "tongues of angels" (1 Cor 13.1) has always aroused curiosity, but it has rarely been the object of a history-of-traditions investigation. Few readers of Paul's words are aware of the numerous references and allusions to angelic languages in Jewish and Christian texts. John C. Poirier presents the first full-length study of the concept of angelic languages, and the most exhaustive attempt to assemble the evidence for that concept in ancient Jewish and early Christian texts. He discusses possible references to angelic languages in the New Testament, pseudepigraphic writings (both Jewish and Christian), the Dead Sea scrolls, rabbinic texts, patristic references, magical writings, and epigraphy. The discussion is divided between those witnesses that understand angels to speak Hebrew, and those that understand angels to speak an esoteric heavenly language.
This commentary on Paul’s highly autobiographical letter to the Galations traces the history of the book’s reception through the ages. Explores the influence and history of this important New Testament book Demonstrates the crucial role that Galatians has played in the development of very diverse forms of Christian spirituality Considers the influence of Galatians on a wide range of theological figures, including Chrysostom, Augustine, and Luther Examines the ways in which Galatians has influenced images of Paul, suggesting that it is the indeterminacy and complexity of his text that cause it to be interpreted in such widely differing ways Focuses on verses, themes or arguments that have been the subject of particularly influential readings Published in the innovative and stimulating Wiley-Blackwell Bible Commentaries reception history series, which focuses on the broad spectrum of interpretations rather than the traditional verse by verse analysis typically found in commentaries.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.
If God is all-knowing and all-powerful, can he in any way be vulnerable to his creation? Can God be in control of anything at all if he is not constantly in control of everything? John Sanders says yes to both of these questions. In The God Who Risks defends his answer with a careful and challenging argument. He first builds his case on an in-depth reading of the Old and New Testaments. Then Sanders probes philosophical, historical and systematic theology for further support. And he completes his defense with considerations drawn from practical theology. The God Who Risks is a profound and often inspiring presentation of "relational theism"--an understanding of providence in which "a personal God enters into genuine give-and-take relations with his creatures." With this book Sanders not only contributes to serious theological discussion but also enlightens pastors and laypersons who struggle with questions about suffering, evil and human free will.
Pastor John MacArthur combines his passion for the Bible with the training expertise of faculty members at The Master's Seminary to guide seminary students and ministry leaders in developing their pastoral ministry skills. Pastors today can easily become preoccupied with the many pitfalls of modern culture, buying into the idea of image and straying from Jesus's call to shepherd leadership. Pastoral Ministry: How to Shepherd Biblically presents a practical pastoral theology aimed at showing pastors and pastors-in-training the vital role God's word plays in shaping the preparation and maintaining the priorities of pastoring. The authors examine the biblical teaching about the high and demanding call to ministry required of any spiritual shepherd. You'll learn how to pursue intentional growth through the stages of calling, training, and ministering to God's church—along the way, uncovering answers to questions such as: How does the Bible establish a philosophy of pastoral ministry, and what is it? Who is personally qualified to be an undershepherd of God's flock? What are the biblical preparations required of shepherd leaders? What priority does God's word place on activities involved in pastoral ministry? United in affirming shepherd leadership as the biblical model for pastoral ministry, The Master's Seminary faculty contributes a treasury of expertise alongside insights from well-known Bible teacher John MacArthur. This book will inspire any pastor dedicated to serving God's church in the pattern of Jesus Christ.
This masterly book is the climax of over twenty-five years of study of the impact of Canaanite religion and mythology on ancient Israel and the Old Testament. It is John Day's magnum opus in which he sets forth all his main arguments and conclusions on the subject. The work considers in detail the relationship between Yahweh and the various gods and goddesses of Canaan, including the leading gods El and Baal, the great goddesses (Asherah, Astarte and Anat), astral deities (Sun, Moon and Lucifer), and underworld deities (Mot, Resheph, Molech and the Rephaim). Day assesses both what Yahwism assimilated from these deities and what it came to reject. More generally he discusses the impact of Canaanite polytheism on ancient Israel and how monotheism was eventually achieved.
Literary Representations of Christianity in Late Qing and Republican China examines the multiple representations of Christianity through the major genres of Chinese Christian literature (novels, drama and poetry) of the late Qing and Republican periods.
In the past century of critical scholarship on Luke-Acts, it has become commonplace to affirm that Luke attaches no direct soteriological value to the death of Jesus. More specifically, the scholarly consensus affirms that Luke-Acts does not present Jesus’ death as an atonement for sin. Rather, Luke’s soteriology is understood to center upon Jesus’ resurrection and exaltation as Lord. In this careful thematic study of atonement theology in Luke’s double-work, John Kimbell demonstrates that the value Luke attributes to the death of Christ has been underestimated. When all the data is considered, the death of Christ is given greater direct soteriological significance in the Lukan writings than scholarship has generally acknowledged. Specifically, the death of Jesus is portrayed by Luke as an atoning death that brings about the forgiveness of sins. This book does not deny the presence of other soteriological emphases. Nevertheless, it convincingly shows that atonement theology plays a fundamental role in Luke’s soteriology, such that when this aspect is rejected or minimized, Luke’s presentation of the cross and salvation is significantly distorted. Kimbell carefully interacts with the scholarly secondary literature on this subject, ensuring that any serious Christian reader will find this work stimulating and useful. Detailed exegesis is paired with careful attention to Luke’s overall theological purposes. The result is that the reader will come away with a clearer understanding of Luke’s writings and a deeper appreciation for the meaning of Christ’s death.
This theological treatment of the Book of Judges is fresh, original, imaginative, scholarly, and relevant. In his commentary E. John Hamlin pays careful attention to the structure and meaning of the text of Judges, and he elucidates the "risk" that Israel faced in the Promised Land — the risk of living among the "Canaanites," of adopting their ungodly practices and their way of organizing society (the way of death). Hamlin's characterizations of the various liberator judges are particularly thought-provoking. Each chapter concludes with "Perspectives" on the text — reflections on the ancient context of the Judges accounts, insights from the Asian cultures among which Hamlin has lived and worked, and applications to modern situations.
In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.
The stories of Genesis 1-11 constitute one of the better known parts of the Old Testament, but their precise meaning and background still provide many debated questions for the modern interpreter. In this stimulating, learned and readable collection of essays, which paves the way for his forthcoming ICC commentary on these chapters, John Day attempts to provide definitive solutions to some ofthese questions. Amongst the topics included are the background and interpretation of the seven-day Priestly Creation narrative, problems in the interpretation of the Garden of Eden story, the relation of Cain and the Kenites, the strange stories of the sons of God and daughters of men and of Noah's drunkenness and the curse of Canaan, the precise ancient Near Eastern background of the Flood story and the preceding genealogies, and the meaning and background of the story of the tower and city of Babel. Throughout this volume John Day constantly seeks to determine the original meaning of these stories in the light of their ancient Near Eastern background, and to determine how far this original meaning has been obscured by later interpretations.
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