John Fisher explores the acquisitive thinking which, from the autumn of 1914, drove the Mesopotamian Expedition, and examines the political issues, international and imperial, delegated to a War Cabinet committee under Lord Curzon. The motives of Curzon and others in attempting to obtain a privileged political position in the Hejaz are studied in the context of inter-Allied suspicions and Turkish intrigues in the Arabian Peninsula. This is a penetrating study of war imperialism, when statesmen contemplated strong measures of control in several areas of the Middle East.
John Fisher explores the acquisitive thinking which, from the autumn of 1914, drove the Mesopotamian Expedition, and examines the political issues, international and imperial, delegated to a War Cabinet committee under Lord Curzon. The motives of Curzon and others in attempting to obtain a privileged political position in the Hejaz are studied in the context of inter-Allied suspicions and Turkish intrigues in the Arabian Peninsula. This is a penetrating study of war imperialism, when statesmen contemplated strong measures of control in several areas of the Middle East.
When originally published in 1985 this was the first detailed study of business in Nazi Germany. Drawing on a wealth of new evidence from government and private archives, the book throws light on the important role played by Germany heavy industry in preserving traditions valuable for the post-Nazi future. Contrary to widely held beliefs, the industrialists of the Ruhr did not master-mind the economic strategy of the third Reich, nor were they the helpless victims of Hitler’s tyranny. In this penetrating study, the author reveals that while the management of the coal industry in the Ruhr certainly cooperated with Hitler, they did so only to the extent that it served their own purposes, which were far less destructive than those of the regime.
This third collection of widescreen wonders photographed in CinemaScope, focuses on such popular movies as "Love Is a Many-Splendored Thing," "Cleopatra," "Three Coins in the Fountain," "Bus Stop," "There's No Business Like Show Business," "The Seven Year Itch," "Let's Make Love," "Peyton Place," "North to Alaska," "The Longest Day," "The Eddy Duchin Story," "Far from the Madding Crowd," "The Man in the Gray Flannel Suit," "The Helen Morgan Story," "A Star Is Born" and "2001: A Space Odyssey.
Preliminary material /Eve and John R. Harris -- MITHRAISM /Eve and John R. Harris -- THE CULT OF JUPITER DOLICHENUS /Eve and John R. Harris -- THE EGYPTIAN CULTS /Eve and John R. Harris -- THE CULTS OF ASIA MINOR AND SYRIA /Eve and John R. Harris -- APPENDIX /Eve and John R. Harris -- ADDENDA /Eve and John R. Harris -- TOPOGRAPHICAL INDEX /Eve and John R. Harris -- LIST OF PLATES /Eve and John R. Harris -- ACKNOWLEDGEMENTS /Eve and John R. Harris -- Plates I-XX /Eve and John R. Harris.
In this new and much-expanded edition of his classic study, John Vasquez examines the power of the power politics perspective to dominate inquiry, and evaluates its ability to provide accurate explanations of the fundamental forces underlying world politics.
It's pretty broadly recognized that Hollywood movies contain patterns of bias, but it's not just people of color or women who are hurt by this. Many groups within America's multicultural society have complained over the years about negative and stereotypical portrayals of their own group members in motion pictures produced or released through the Hollywood-based studios. Yet, as an expert on the U.S. film industry points out, such complaints have had little impact on consistent patterns of bias in movies. This book takes a broader look at the nature of negative and stereotypical movie portrayals and tracks patterns of such one-sided depictions over a longer period time. As a result, the patterns of bias — and the source the problem — become more clear. The problem appears be that most of the people who have green-light authority in the U.S. film industry — for either the production and/or distribution of a motion picture — share a common ethnic/religious/cultural background. Thus, the stories of their cohort and those of all other ethnic, religious and/or cultural groups (whose members seldom achieve positions of power Hollywood) are being filtered through the cultural sensibilities of a single group. John Cones suggests that the solution could lie in increasing diversity at the highest levels in the U.S. film industry. This work grew out of the observed frustration of film industry critics who have pointed out examples of bias and stereotyping in specific movies over the years only to be rebuffed by the simplistic studio arguments that such films reflect the real world and that moviegoers vote with their pocket books. It can be shown that there is a consistent pattern to the choices Hollywood studio executives make with respect to the movies produced and released and the specific content of those movies, and it becomes obvious that Hollywood is selectively portraying reality. Movie goers only have limited options among all of the possibilities that could be portrayed on the silver screen. This book differs from other studies touching on bias in motion pictures. Most such books focus on the treatment of a single ethnic, religious, cultural, racial or other readily identifiable interest group, but this study attempts to provide an overview and to identify patterns over time. When the patterns of bias in motion picture content are sufficiently demonstrated and documented, it becomes easier to identify the source of the bias and to explain why such bias exists.
This book’s contribution to the discussion on the origin’s of the First World War is a pioneering study of both the British General Staff and the evolution of military strategy in the period immediately prior to the war. It describes the development of the General Staff, Britain’s agency for strategic planning, and goes on to give an account of its role in devising strategy. Problems are examined as they arose at grass-roots level in the War Office and progressed upward towards the Cabinet. The complex cross-currents involving the Admiralty, Foreign Office, Treasury and individuals from Edward VII downwards are charted. The account covers British military policy up to 1916, interpreting the Gallipoli campaign and explanation for its failure.
Warfare, State and Society in the Byzantine World is the first comprehensive study of warfare and the Byzantine world from the sixth to the twelfth century. The book examines Byzantine attitudes to warfare, the effects of war on society and culture, and the relations between the soldiers, their leaders and society. The communications, logistics, resources and manpower capabilities of the Byzantine Empire are explored to set warfare in its geographical as well as historical context. In addition to the strategic and tactical evolution of the army, this book analyses the army in campaign and in battle, and its attitudes to violence in the context of the Byzantine Orthodox Church. The Byzantine Empire has an enduring fascination for all those who study it, and Warfare, State and Society is a colourful study of the central importance of warfare within it.
During ten of the 31 years between 1914 and 1945 the English people were involved in world wars; for 19 of the years they lived in the shadow of mass unemployment. These themes and the politics which sprang from them shape the narrative of this book.
Hollywood movies are famous for promoting negative stereotypes of all kinds, especially against minorities, women, Southerners, and Christians. To what extent are biographical films selected for production according to certain biases, conscious or unconscious, among the Hollywood elite? An expert on the U.S. film industry gives readers brief synopses of Hollywood biopics produced and/ or released from 1912 through 1994. This survey provides the basis for discussion and analysis. Tracking these one-sided depictions over a longer period of time, the patterns of bias - and the source of the problem - become more clear. The problem appears to be that most of the people who have green-light authority in the U.S. film industry - for either the production and/or distribution of a motion picture - share a common ethnic/religious/cultural background. Thus, the stories of their own cohort and those of all other ethnic, religious and/or cultural groups (whose members seldom achieve positions of power in Hollywood) are being filtered through the cultural sensibilities of a single group. John Cones suggests that the solution could lie in increasing diversity at the highest levels in the U.S. film industry.
The South African War (1899–1902), also called the Boer War and Anglo-Boer War, began as a conventional conflict. It escalated into a savage irregular war fought between the two Boer republics and a British imperial force that adopted a scorched-earth policy and used concentration camps to break the will of Afrikaner patriots and Boer guerrillas. In An Imperfect Occupation , John Boje delves into the agonizing choices faced by Winburg district residents during the British occupation. Afrikaner men fought or evaded combat or collaborated; Afrikaner women fled over the veld or submitted to life in the camps; and black Africans weighed the life or death consequences of taking sides. Boje's sensitive analysis showcases the motives, actions, and reactions of Boers and Africans alike as initial British accommodation gave way to ruthlessness. Challenging notions of Boer unity and homogeneity, Boje illustrates the precarious tightrope of resistance, neutrality, and collaboration walked by people on all sides. He also reveals how the repercussions of the war's transformative effect on Afrikaner identity plays out in today's South Africa. Readable and compassionate, An Imperfect Occupation provides a dramatic account of the often overlooked aspects of one of the first "modern" wars.
This book is an innovative study offering the first examination of how three fourteenth-century English queens, Margaret of France, Isabella of France, and Philippa of Hainault, exercised power and authority. It frames its analysis around four major themes: gender; status; the concept of the crown; and power and authority.
John Brooker writes in his Introduction: "B westerns have always been part of my life. I decided ... to tour the US by Greyhound bus and try and track down some of my childhood heroes." From that and subsequent trips, Brooker began to write books, magazine columns, and even a TV series ("Movie Memories"). This book contains his interviews with the actors and other research on the B westerns. Fully illustrated.
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