In Three Books : the First Setting Forth the Antiquity of the Admiralty in England, the Second Proving the Ports, Havens, and Creeks of the Sea to be Within the Jurisdiction of the Admiralty, the Third Shewing that All Contracts Concerning Maritime Affairs are Within the Jurisdiction of the Admiralty, and There Cognoscible
In Three Books : the First Setting Forth the Antiquity of the Admiralty in England, the Second Proving the Ports, Havens, and Creeks of the Sea to be Within the Jurisdiction of the Admiralty, the Third Shewing that All Contracts Concerning Maritime Affairs are Within the Jurisdiction of the Admiralty, and There Cognoscible
First published in 1664, this book, though ostensibly descriptive, was written chiefly to maintain the jurisdiction of the Admiralty court in the new government. Beyond its political interest, it offers a detailed analysis of seventeenth-century maritime law and admiralty jurisdiction at the time when Great Britain was emerging as a major maritime and colonial power. Exton [1600?-1668] was educated at Cambridge, earning the LL.D. in Civil Law in 1634. He was appointed President of the High Court of Admiralty by Parliament in 1649, and was reappointed by the Duke of York after the Restoration.
Die knallharte Killerballade um den Ex-Söldner Harry Exton! Harry Exton war ein "Button Man" - ein Spieler im tödlichen Killerspiel, bei dem Mann gegen Mann gegeneinander antreten. Die Einsätze waren hoch - man wurde entweder sehr reich oder war anschließend sehr schnell sehr tot. Dann wandte sich Exton gegen die Stimmen – die geheimnisvollen, unsichtbaren Geldgeber, die die Spiele arrangierten – und kündigte. Aber niemand verlässt das Spiel und überlebt. Jetzt ist es an der Zeit, dass der Jäger zum Gejagten wird! Serie auf Netflix in Produktion!
Harry Exton is a button man, a gun for hire in a deadly game played by anonymous 'voices'. Now Harry has decided he isn't taking any more and after a full confession he flees to the US. However, there he finds an even deadlier game! Can Harry track down his 'voice', and will he survive one more throw of the dice?
The Chilton Conference on Inositol and Phosphoinositides, held on January 9-11, 1984 at Southwestern Medical School, University of Texas Health Science Center, Dallas, Texas, was the third in a series of conferences on cyclitols and phosphoinositides. The first took place in 1968 in New York [Ann. New York Acad. Sci. (1969), 765,508-819] and the second was held in 1977 in East Lansing, Michigan [eyclitols and Phosphoinositides, Wells, W. W. and Eisenberg, F. , eds. , (1978) Academic press, New York, pp. 1-607. ] In the interim since the previous conference, not only has the pace of research in the field accelerated markedly, but the physiological importance of phosphoinositide metabolism has become apparent to an increasing number of investigators from diverse fields in the life sciences. Thus it seemed to us timely for both recent and established workers in this area, as well as others whose interests impinged on it, to meet in order to disseminate new information, to review, and perhaps arrive at, a consensus of our current understanding of the role of inositol and phosphoinositides, and to establish new directions for research for the next few years. The expansion of the field since the last meeting made it mandatory to restrict the scope of the topics covered at the conference, primarily to aspects dealing with mammalian systems. We sincerely regretted the exclusion of recent research on cyclitols and phosphoinositides in microbes and plants and hope that these areas will be included in future conferences.
When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne’s Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.
First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare.
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