Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Encompasses ante-colonial America, the English colonies, the Revolutionary War, and the rampaging frontier and constitutes a unique national literary treasure. Guilds's Simms restores Simms to his proper place as a major figure in American letters and reintroduces the man and the author to the reading public.
Spanning the history of Marlboro County from the first Welsh settlement in 1736 until the end of the 19th century, this work features sketches of the following Marlboro County pioneer families: Brown, Bruce, Carloss, Cochrane, Covington, Coxe, David, Ellerbe, Evans, Forniss, Gillespie, Henagan, Hodges, Irby, Kolb, Lee, McCall, McColl, McLaurin, McLeod, McLucas, McRae, Magee, Parker, Pearson, Pegue, Pledger, Pouncey, Rogers, Spears, Terrell, Thornwell, Thomas, Townsend, and Vining.
An intimate portrait of a legendary generation of artists, writers, activists, and dreamers who created a utopia on the shores of Cape Cod during the first half of the twentieth century. Their names are iconic: Eugene O’Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius—the list goes on and on. Scorning the devastation that industrialization had wrought on the nation’s workforce and culture in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beach - fronts of Cape Cod. They began as progressives but soon turned to socialism, then communism. They founded theaters, periodicals, and art schools. They formed editorial boards that met in beach shacks and performed radical new plays in a shanty on the docks, where they could see the ocean through cracks in the floor. They welcomed the tremendous wave of talent fleeing Europe in the 1930s. At the end of their era, in the 1960s, as the postwar economy boomed, they took shelter in liberalism when the anticapitalist movement fragmented into other causes. John Taylor “Ike” Williams, who married into the Cape’s artistic world and has spent half a century talking about and walking along its shores with these cultural and political luminaries, renders the twisting lives and careers of a generation of staggering American thinkers and creators. The Shores of Bohemia records a great set of shifts in American culture and the ideas and arguments fueled by drink, infidelity, and competition that made for a fifty-year conversation among intellectual leaders and creative revolutionaries. Together they found a community as they created some of the great works of the American Century. This is their story. Welcome to the party!
Before his most fabulous adventure (celebrated by John G. Neihardt in The Song of Hugh Glass and by Frederick Manfred in Lord Grizzly), Hugh Glass was captured by the buccaneer Jean Lafitte and turned pirate himself until his first chance to escape. Soon he fell prisoner to the Pawnees and lived for four years as one of them before he managed to make his way to St. Louis. Next he joined a group of trappers to open up the fur-rich, Indian-held territory of the Upper Missouri River. Then unfolds the legend of a man who survived under impossible conditions: robbed and left to die by his comrades, he struggled alone, unarmed, and almost mortally wounded through two thousand miles of wilderness.
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