Building New Worlds is a history of a pivotal decades-long episode in the birth and growth of today's science fiction. Enthralling and amusing, it's written with affection and wit. This is no dry, modishly theorized academic analysis. Nor is it a rah-rah celebration of the "Good Old Days." Here is a candid and astute reader's response to a magazine that, by today's standards, was often comically bad--but was also immensely important in its time, and improved, like the Little Engine (or maybe Starship) That Could. New Worlds is best remembered today as the fountainhead of the New Wave of audacious experimental SF in the second half of the 1960s, under editor Michael Moorcock. But these first pioneering issues, from 1946-59, were edited by the magazine’s founder, John "Ted" Carnell (1912-72). Carnell was a pillar of the old-style UK SF establishment, but gamely supportive of innovators--most famously, of the brilliant J. G. Ballard, Brian W. Aldiss, and John Brunner, whose early work he nurtured. The story of how New Worlds got started, survived, and got better is essential to the history of the genres of the fantastic in the UK--and indeed, the world. And huge fun to read. Watch for the companion volumes, New Worlds: Before the New Wave, and Strange Highways, dealing with New World's companion magazine, Science Fantasy.
Science Fantasy blends science fiction AND fantasy, so it tends to be bolder and more highly colored than pure science fiction. In the middle of the last century, the British magazine SCIENCE FANTASY created its own distinctive strains of fantasy narrative, most famously by such writers as Brian W. Aldiss, J. G. Ballard, John Brunner, Michael Moorcock, and Thomas Burnett Swann, among others. This book looks closely at the whole trajectory of that lost magazine, from its birth in 1950 through 1967, when it was briefly called (SF) Impulse. John Boston provides a brilliantly insightful and often every funny account of the rise, evolution, and final fall of SCIENCE FANTASY, its writers, and its quirky editors. Boston is joined by writer and critic Damien Broderick, adding his own waspish and nostalgic comments. This volume, the first of three dealing with the history and development of the major British SF magazines, is a compelling night journey into the past, where the future took a turn down paths not often explored. It's a trip not to be missed.
A broad introduction to CinemaScope and other widescreen movies, including full credits for 85 sample films, a description of various anamorphic processes, plus background information for movie fans.
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 54 provides an illustrated listing of every American and foreign film released in the United States in 2002, all documented with more than 1000 photographs. The 2003 edition of Screen World features such notable films as Chicago , the Academy Award winner for Best Picture; Martin Scorsese's Academy Award-nominated Gangs of New York ; The Pianist , featuring the surprise Academy Award winners Adrien Brody for Best Actor and Roman Polanski for Best Director; Spider-Man , the highest grossing film of 2002; The Hours with Academy Award winner for Best Actress Nicole Kidman; and About Schmidt starring Academy Award nominees Jack Nicholson and Kathy Bates. As always, Screen World's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Includes over 1,000 photos! "The enduring film classic." Variety
This book is designed to fulfill a dual role. On the one hand it provides a description of the rheological behavior of molten poly mers. On the other, it presents the role of rheology in melt processing operations. The account of rheology emphasises the underlying principles and presents results, but not detailed deriva tions of equations. The processing operations are described qualita tively, and wherever possible the role of rheology is discussed quantitatively. Little emphasis is given to non-rheological aspects of processes, for example, the design of machinery. The audience for which the book is intended is also dual in nature. It includes scientists and engineers whose work in the plastics industry requires some knowledge of aspects of rheology. Examples are the polymer synthetic chemist who is concerned with how a change in molecular weight will affect the melt viscosity and the extrusion engineer who needs to know the effects of a change in molecular weight distribution that might result from thermal degra dation. The audience also includes post-graduate students in polymer science and engineering who wish to acquire a more extensive background in rheology and perhaps become specialists in this area. Especially for the latter audience, references are given to more detailed accounts of specialized topics, such as constitutive relations and process simulations. Thus, the book could serve as a textbook for a graduate level course in polymer rheology, and it has been used for this purpose.
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