This addition to the Elements of International Law series explores the role of international law as an integral part of the Russian legal system, with particular reference to the role of international treaties and of generally-recognized principles and norms of international law. Following a discussion of the historical place of treaties in Russian legal history and the sources of the Russian law of treaties, the book strikes new ground in exploring contemporary treaty-making in the Russian Federation by drawing upon sources not believed to have been previously used in Russian or western doctrinal writings. Special attention is devoted to investment protection treaties. The importance of publishing treaties as a condition of their application by Russian courts is explored. For the first time a detailed account is given of the constitutional history of treaty ratification in Russia, the outcome being that present constitutional practice is inconsistent with the drafting history of the relevant constitutional provisions. The volume gives attention to the role of the Russian Supreme Court in developing treaty practice through the issuance of "guiding documents" binding on lower courts, the reaction of the Russian Constitutional Court to judgments of the European Court of Human Rights, and the place of treaties as an integral part of the Russian legal system. Butler further explores the hierarchy of sources of law, together with other facets of Russian arbitral and judicial practice with respect to treaties and other sources of international law. He concludes with a consideration of the 'generally-recognized principles and norms of international law' and their role as part of the Russian system.
Tim Jones had everything planned out. He was going to tell his wife, Shelley, that he still loved her. He didn't care if she cheated on him with his best friend, Frank. He wanted Shelley back and was ready to move on. That was until someone shot him...
This addition to the Elements of International Law series explores the role of international law as an integral part of the Russian legal system, with particular reference to the role of international treaties and of generally-recognized principles and norms of international law. Following a discussion of the historical place of treaties in Russian legal history and the sources of the Russian law of treaties, the book strikes new ground in exploring contemporary treaty-making in the Russian Federation by drawing upon sources not believed to have been previously used in Russian or western doctrinal writings. Special attention is devoted to investment protection treaties. The importance of publishing treaties as a condition of their application by Russian courts is explored. For the first time a detailed account is given of the constitutional history of treaty ratification in Russia, the outcome being that present constitutional practice is inconsistent with the drafting history of the relevant constitutional provisions. The volume gives attention to the role of the Russian Supreme Court in developing treaty practice through the issuance of "guiding documents" binding on lower courts, the reaction of the Russian Constitutional Court to judgments of the European Court of Human Rights, and the place of treaties as an integral part of the Russian legal system. Butler further explores the hierarchy of sources of law, together with other facets of Russian arbitral and judicial practice with respect to treaties and other sources of international law. He concludes with a consideration of the 'generally-recognized principles and norms of international law' and their role as part of the Russian system.
A tragic death. Two sisters...one who marries for love...the other marries into THE HOUSE OF BALESTROM. When Susan's husband, Victor Balestrom, dies in a mysterious and tragic accident, Susan is suspected of murdering him. With the Balestrom family, manipulated by Camille Balestrom, pointing fingers. Susan calls on her sister, Sara and her husband David to come to the private island owned by the Balestrom family to be by her side during this tragic moment in her life. But Sara and David's visit become twisted and manipulated by someone in the family, who not only want Susan to pay for her crimes, but want revenge as well. Will Sara discover who is behind everything before it is too late? Who is the mysterious man roaming the island grounds--the man who terrorizes Sara at every turn? Secrets are abound and will be revealed all the way to its tragic end.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ripley Luder is throwing a weekend getaway for eight close friends. He has promised relaxation, good food and killer entertainment. When Ripley tells his guest that one of them will murder him, everything changes. Each of the guest is given an envelope with another guests secret and the location of forty million dollars hidden somewhere in the house. Only when they wake the next day and find their host dead, they start to suspect each other of his murder.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A plot to steal ten million dollars. A man down on his luck. A woman with a plan. A lethal affair that could only end badly. Ben Lyons is down on his luck. But his luck changes when he meets Lauren Tinsdale, the wife of loan shark and ex-boxer, Freddy "The Beef" Tinsdale. Seduced by Lauren, Ben finds himself caught up in her plan to steal a large sum of money and then skip town. But is that all Lauren wants from Ben? Or does she have another plan...One that involves taking her husband's life...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Jeanette just wants to be normal. She wants to have a good job, meet someone she can love, and someday get married and have a family. She just wants to be happy. But fate whispers to her, tells her its secrets, and shows her the things it knows. And so, when she relocates, trying to start a new life after a failed marriage, she quickly learns her past is the least of her worries, because the future is the thing that scares her most. Now, rather than finding happiness, sheas trying hold onto her sanityabecause tomorrow is here and she remembers tomorrow.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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