Since its initial publication in 1979, Sources for the Study of Greek Religion has become an essential classroom resource in the field of classical studies. The Society of Biblical Literature is pleased to present a corrected edition—in a new, attractive, and electronic-friendly format—with hopes that it will inspire a new generation of classicists and religious historians.
Preliminary material -- INTRODUCTION -- THE HELLENISTIC ICONOGRAPHY OF SARAPIS -- SARAPIS AND PLUTO -- SARAPIS AND OSIRIS -- SARAPIS AND DIONYSUS -- SARAPIS AND THE APIS BULL -- SARAPIS AND APIS THE KING -- SARAPIS AND ASCLEPIUS -- LATER HELLENISTIC IDENTIFICATIONS -- CONCLUSION -- Plates I-IV.
This book gives a clearly written, authoritative introduction to social-scientific criticism of the New Testament, including the rise of this method, its practitioners and the focal points of their work, how the method is applied to the interpretation of the biblical text, and the presuppositions and procedures of the method. Four appendices; glossary; two bibliographies.
In today's society, where life and death are increasingly becoming matters of choice, life is on the line. Kilner explores topics such as "active" and "passive" euthanasia, suicide, quality of life, living wills, and the criteria for deciding who will receive access to vital treatments that cannot be provided to all. Contrasts a Biblically-grounded ethics with other ethical approaches commonly employed today.
From the field's leading authority, the most authoritative and comprehensive advanced-level textbook on asset pricing In Financial Decisions and Markets, John Campbell, one of the field’s most respected authorities, provides a broad graduate-level overview of asset pricing. He introduces students to leading theories of portfolio choice, their implications for asset prices, and empirical patterns of risk and return in financial markets. Campbell emphasizes the interplay of theory and evidence, as theorists respond to empirical puzzles by developing models with new testable implications. The book shows how models make predictions not only about asset prices but also about investors’ financial positions, and how they often draw on insights from behavioral economics. After a careful introduction to single-period models, Campbell develops multiperiod models with time-varying discount rates, reviews the leading approaches to consumption-based asset pricing, and integrates the study of equities and fixed-income securities. He discusses models with heterogeneous agents who use financial markets to share their risks, but also may speculate against one another on the basis of different beliefs or private information. Campbell takes a broad view of the field, linking asset pricing to related areas, including financial econometrics, household finance, and macroeconomics. The textbook works in discrete time throughout, and does not require stochastic calculus. Problems are provided at the end of each chapter to challenge students to develop their understanding of the main issues in financial economics. The most comprehensive and balanced textbook on asset pricing available, Financial Decisions and Markets is an essential resource for all graduate students and practitioners in finance and related fields. Integrated treatment of asset pricing theory and empirical evidence Emphasis on investors’ decisions Broad view linking the field to financial econometrics, household finance, and macroeconomics Topics treated in discrete time, with no requirement for stochastic calculus Forthcoming solutions manual for problems available to professors
Ex-Pinkerton agent Jefferson Hewitt responds to a call for help from the Deputy Marshall in Kaylee's Ford, South Dakota, where the tensions between cattlemen and quarry workers have reached a boiling point and an alleged murderer is threatened with lynching.
Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John R. Clarke again addresses the neglected underside of Roman art in this original, perceptive analysis of ordinary people as spectators, consumers, and patrons of art in the public and private spheres of their lives. Clarke expands the boundaries of Roman art, stressing the defining power of context in establishing Roman ways of seeing art. And by challenging the dominance of the Roman elite in image-making, he demonstrates the constitutive importance of the ordinary viewing public in shaping Roman visual imagery as an instrument of self-realization."—Richard Brilliant, author of Commentaries on Roman Art, Visual Narratives, and Gesture and Rank in Roman Art "John Clarke reveals compelling details of the tastes, beliefs, and biases that shaped ordinary Romans' encounters with works of art-both public monuments and private art they themselves produced or commissioned. The author discusses an impressively wide range of material as he uses issues of patronage and archaeological context to reconstruct how workers, women, and slaves would have experienced works as diverse as the Ara Pacis of Augustus, funerary decoration, and tavern paintings at Pompeii. Clarke's new perspective yields countless valuable insights about even the most familiar material."—Anthony Corbeill, author of Nature Embodied: Gesture in Ancient Rome "How did ordinary Romans view official paintings glorifying emperors? What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book. Charting a new approach to people's art, Clarke investigates individual images for their functional connections and contexts, broadening our understanding of the images themselves and of the life and culture of ordinary Romans. This original and vital book will appeal to everyone who is interested in the visual arts; moreover, specialists will find in it a wealth of stimulating ideas for further study."—Paul Zanker, author of The Mask of Socrates: The Image of the Intellectual in Antiquity
Fourteen members of The Context Group honor Bruce J. Malina and his scholarship in this volume by following his consistent example of developing or using explicit social scientific models to interpret documents from the ancient Mediterranean world. Ordinary features of that cultural world such as gossip, reciprocity, a pervasive military presence, the power of women, and becoming a follower of Jesus stand out with greater clarity in the Bible when a reader understands the cultural matrix in which such social dynamics function. These essays reflect The Context Group’s more than twenty years of collaborative experience in researching the cultural context of the Bible. New insights are built on the solidly established foundations of their earlier cross-cultural studies. Readers will find the individual essays enlightening and challenging. Taken as a whole they form a valuable resource and a stimulating and helpful aid to further study.
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