Douglas Bader was a legend in his lifetime and remains one today 100 years after his birth. A charismatic leader and fearless pilot he refused to let his severe disability (loss of both legs in a flying accident) ground him. He fought the authorities as ruthless as he did the enemy and not only managed to return to the front line but became a top scoring ace. His innovative tactics (The Big Wing) ensured his promotion and he led a key group of squadrons during the dark days of the Battle of Britain.His luck ran out when he was shot down and captured; he only escaped his burning fighter by cutting away one of his artificial legs. As a POW he was a thorn in the Germans side and he was sent to Colditz Castle. As this perceptive book reveals Bader, the hero, was at times a difficult overbearing man, no doubt in part due to the pain he suffered. But his strengths far outweighed his weaknesses and his place in the annuals of British history is secure.This is a timely republication of an important biography.
Compose originellement en grec vers la fin du IIIe ou le debut du IVe siecle, probablement a Alexandrie, ce traite reflete des traditions mythologiques qui sont exposees de facon plus ample et plus precise dans les textes appartenant au groupe des textes sethiens platonisants, notamment Allogene et Zostrien. La maniere dont Marsanes reprend ces traditions mythologiques permet de le situer au terme de l'evolution litteraire attestee par ces textes. Marsanes est l'un des plus mal preserves des cinquante-quatre traites de la bibliotheque de Nag Hammadi. L'intention du traite est d'etablir l'autorite de Marsanes comme prophete, voyant et chef spirituel de sa communaute, et de presenter un enseignement detaille sur les principes premiers de la theologie sethienne, notamment sur la nature et la destinee de l'ame. Ce qui est particulier a Marsanes, c'est son souci de reveler les 'appellations' correctes des anges et des dieux, ainsi que des puissances planetaires et cosmiques qui controlent la destinee de l'ame, d'ou un interet tres grand pour les categories grammaticales et astrologiques. D'autre part, le traite est parseme d'exhortations qui montrent bien la relation etablie par l'auteur entre la connaissance qu'il communique a ses auditeurs et leur acces au salut. Le traite Marsanes presente une dette tres grande envers la tradition grecque, qu'il s'agisse des theories grammaticales, des speculations astrologiques et arithmologiques ou de la philosophie. Sur ce dernier plan, Marsanes se revele etonnament proche de philosophes neoplatoniciens comme Jamblique et Theodore d'Asinee. Le present volume offre une introduction developpee au traite Marsanes, un texte copte nouvellement etabli, une traduction francaise, le premier commentaire a etre consacre a cet ouvrage, ainsi qu'un 'index verborum' complet.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
How do creative people think? Do great works of the imagination originate in words or in images? Is there a rational explanation for the sudden appearance of geniuses like Mozart or Einstein? Such questions have fascinated people for centuries; only in recent years, however, has cognitive psychology been able to provide some clues to the mysterious process of creativity. In this revised edition of Notebooks of the Mind, Vera John-Steiner combines imaginative insight with scientific precision to produce a startling account of the human mind working at its highest potential. To approach her subject John-Steiner goes directly to the source, assembling the thoughts of "experienced thinkers"--artists, philosophers, writers, and scientists able to reflect on their own imaginative patterns. More than fifty interviews (with figures ranging from Jessica Mitford to Aaron Copland), along with excerpts from the diaries, letters, and autobiographies of such gifted giants as Leo Tolstoy, Marie Curie, and Diego Rivera, among others, provide illuminating insights into creative activity. We read, for example, of Darwin's preoccupation with the image of nature as a branched tree while working on his concept of evolution. Mozart testifies to the vital influence on his mature art of the wondrous "bag of memories" he retained from childhood. Anais Nin describes her sense of words as oppressive, explaining how imagistic free association freed her as a writer. Adding these personal accounts to laboratory studies of thought process, John-Steiner takes a refreshingly holistic approach to the question of creativity. What emerges is an intriguing demonstration of how specific sociocultural circumstances interact with certain personality traits to encourage the creative mind. Among the topics examined here are the importance of childhood mentor figures; the lengthy apprenticeship of the talented person; and the development of self- expression through highly individualistic languages, whether in images, movement or inner speech. Now, with a new introduction, this award-winning book provides an uniquely broad-based study of the origins, development and fruits of human inspiration.
A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.
This collection offers the island's best recipes, both traditional and the new, from Jamaica's hottest chefs and restaurants, including Norma Shirley of Norma at the Wharfhouse, Everett Wilkerson of the Sans Souci Lido and James Palmer at Strawberry Hill, to name only a few. Over 60 full-color photographs, all shot on location, illustrate this beautiful collection. Lively essays by food writers John DeMers and Norma Benghiat on the island's culture and history, explanations of special ingredients and easy-to-follow recipes make this the most complete guide to Jamaican food.
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