A monograph of the work of Los Angeles-based artist Judy Fiskin. Includes duotone reproductions of 288 photographs made by Fiskin from 1973 to 1995, as well as an introduction, an interview with the artist, a chronology, and a bibliography"--Provided by publisher.
The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, no disruptions of cinematic space and time can be allowed. After collecting these discarded photographs from the Warner Brothers 1930s film sets, Divola began to group the randomly found images in haunting installations of fictive reality. From ""Hallways"" to ""Evidence of Aggression"", the artist evokes a film noir-like charged world from what once were flea market cast-offs. Featured essay by film critic Edward Dimendberg.
A monograph of the work of Los Angeles-based artist Judy Fiskin. Includes duotone reproductions of 288 photographs made by Fiskin from 1973 to 1995, as well as an introduction, an interview with the artist, a chronology, and a bibliography"--Provided by publisher.
It’s World War II and the A-bomb is here to stay. The only question: Who’s going to drop it first? The Battle of Midway was forever transformed by the devastating appearance of a U.S.-led naval task force from the twenty-first century. Since that day, state-of-the-art warships have prowled the Pacific, armed with the latest instruments of mass destruction, as the warring powers of 1942 scramble to be first to wield the weapons of tomorrow against their enemies. Russia and Germany form a deadly alliance, while Admiral Yamamoto moves to seize Hawaii and invade Australia. Suddenly it’s a whole new war with unimaginable high-tech tools, and high-stakes inter-national betrayals from Tokyo to Washington to the Kremlin. As the world trembles on the brink of anni-hilation, Churchill, Stalin, Roosevelt, Hitler, and Tojo confront extreme choices and a future rife with possi-bilities—all of them apocalyptic.
Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and t.
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
Explores the proto-cinematic visual culture of Los Angeles that set the scene for modern Hollywood. Los Angeles was a cinematic city long before the rise of Hollywood. By the dawn of the twentieth century, photography, painting, and tourist promotion in Southern California provided early filmmakers with a template for building a myth-making business and envisioning ideal moviegoers. These art forms positioned California as a land of transformative experiences and catapulted the dusty backwater town of Los Angeles to the largest city on the west coast by 1915. Photography aided the Southern Pacific Railroad Company in opening the region to the rest of nation. Painters gave traditions that were fading in Europe a new lease on life in the California sun, with signature colors and techniques that would be adopted by L.A. real estate companies, agribusiness, and health retreats. Tourism infused the iconography and signature styles of art with cultural mythology of the state’s colonial past, offering proto-cinematic experiences to those who ventured west. Author John Trafton explores how Hollywood, an industry based on world-building, was the product of these art forms in the land of sunshine. A more complete story of the American film industry’s ascendency in Los Angeles emerges when one considers how the City of Angels cultivated its self-image through pre-cinema narrative art.
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