A collection of twenty-five years of research on theatre styles from around the world, Theatre, The Search for Style contains interviews with over twenty acclaimed directors on the Commedia Dell'Arte, Peking Opera, Kabuki and Noh theatre, Sanskrit, The Spanish Golden Age, Greek theatre, American Musical Comedy, Phedre, Chekhov, Brecht, and Racine.
Celebrating the debt artists owe to their predecessors, these two plays - an original by Mitchell, and a translation from Eugene Labiche's "Money's a Meddler", seek to illustrate the obvious and not so apparent chain of influence from writer to writer, that stretches across the ages.
Hailed as one of the finest examples of aviation research, this comprehensive 1984 study presents a detailed and scrupulously accurate operational history of carrier-based air warfare. From the earliest operations in the Pacific through the decisive Battle of Midway, it offers a narrative account of how ace fighter pilots like Jimmy Thach and Butch O'Hare and their skilled VF squadron mates--called the "first team"--amassed a remarkable combat record in the face of desperate odds. Tapping both American and Japanese sources, historian John B. Lundstrom reconstructs every significant action and places these extraordinary fighters within the context of overall carrier operations. He writes from the viewpoint of the pilots themselves, after interviewing some fifty airmen from each side, to give readers intimate details of some of the most exciting aerial engagements of the war. At the same time he assesses the role the fighter squadrons played in key actions and shows how innovations in fighter tactics and gunnery techniques were a primary reason for the reversal of American fortunes. After more than twenty years in print, the book remains the definitive account and is being published in paperback for the first time to reach an even larger audience.
Analysing data on eighteen countries, this book systematically and comparatively evaluates norms, attitudes, and opinions concerning democracy and its consolidation and presents readers with a pan-Latin American examination of the region's contemporary political culture.
In this, the first biography of Archibald Campbell Tait since his son-in-law, Randall Davidson's in 1891, John Witheridge tells the story of how a Scottish outsider became Queen Victoria's favourite Archbishop of Canterbury, and the most powerful since Laud in the seventeenth century. Following his childhood in Edinburgh and education at Glasgow University and Balliol College, Oxford, Witheridge describes how Tait's life was shaped by faith, duty and diligence, as well as by harrowing experiences of illness and death. Tait was never content to be an ecclesiastical dignitary, but was ready to intervene and give a lead in the many conflicts, theological and political, that defined his fourteen years at Lambeth. While not always successful, Tait's leadership of the Church during a period of controversy at home and challenge overseas, bravely accomplished against a background of personal tragedy, makes him a landmark figure in the history of the Church of England.
The Idea of Anglo Saxon England, 1066-1901 presents the first systematic review of the ways in which Anglo-Saxon studies have evolved from their beginnings to the twentieth century Tells the story of how the idea of Anglo-Saxon England evolved from the Anglo-Saxons themselves to the Victorians, serving as a myth of origins for the English people, their language, and some of their most cherished institutions Combines original research with established scholarship to reveal how current conceptions of English identity might be very different if it were not for the discovery – and invention – of the Anglo-Saxon past Reveals how documents dating from the Anglo-Saxon era have greatly influenced modern attitudes toward nationhood, race, religious practice, and constitutional liberties Includes more than fifty images of manuscripts, early printed books, paintings, sculptures, and major historians of the era
Jesus died, not peacefully in bed, but on the cross, the instrument of execution used by the Romans to keep potential disturbers of the established political order in their place. Until the pioneering work of Jürgen Moltmann, the cross has been the “elephant in the room” in Christian political theology. This book explores the difference Jesus’s crucifixion makes (or should make) to Christian political theology, by examining the crucifixion in the theologies of the Mennonite John Howard Yoder and the liberation theologians Leonardo Boff and Jon Sobrino. In the light of the cross and of the kenotic God revealed by the cross, questions of political power are explored, and a kenotic political ethic outlined. In conclusion, suggestions are made as to how the contemporary church can live out a cruciform, or cross–shaped, political spirituality and ecclesiology.
Marketing is a universal activity that is widely applicable, regardless of the political, social or economic systems of a particular country. However, this doesn't mean that consumers in different parts of the world should be satisified in the same way. The 4th edition of International Marketing has been written to enable managers and scholars to meet the international challenges they face everyday. It provides the solid foundation required to understand the complexities of marketing on a global scale. The book has been fully updated with topical case studies, examples of contemporary marketing campaigns, the most relevant discussion topics as well as the most up-to-date theories, references and research findings. It is this combination of theory and practice that makes this textbook truly unique, presenting a fully rounded view of the topic rather than an anecodotal or descriptive one alone. The book includes chapters on: * Trade distortions and marketing barriers * Political and legal environments * Culture * Consumer behaviour * Marketing research * Promotion and pricing strategies * Currencies and foreign exchange Accessibly written and designed, this book is the most international book on marketing available that can be used by undergraduates and postgraduates the world over. A companion website provides additional material for lecturers and students alike.
Screen Savers II is John DiLeo's three-part grab bag of classic movies, beginning with his extensive essays about ten remarkable and underappreciated movies, as in the first Screen Savers, and representing a variety of genres and stars such as Barbara Stanwyck, James Stewart, Ginger Rogers, and DiLeo favorite Joel McCrea. Part Two collects and categorizes posts from DiLeo's classic-film blog screensaversmovies.com, containing his musings on classics revisited, sleepers and stinkers, films old and new, plus his memorial tributes to Hollywood notables. Part Three might be called a delayed bonus round to DiLeo's 1999 quiz book, with all-new matching quizzes. Can you identify the films in which a character writes a book titled Hummingbird Hill; Fred Astaire dances with Betty Hutton; a character named Sean Regan is important but never seen?
In Who Betrays Elizabeth Bennet? John Sutherland unravels 34 literary puzzles in a sequel to his bestselling works Is Heathcliff a Murderer? and Can Jane Eyre Be Happy?. As well as exploring new conundrums Professor Sutherland revisits some previous puzzles with the help of readers who offertheir own ingenious solutions, and set fresh posers for investigation. Victorian drug habits, railway systems, sanitation and dentistry are only a few of the areas that shed light on the motives and circumstances of some of literature's most famous characters: Elizabeth Bennet, Betsey Trotwood, Count Dracula, Anna Karenina, Alice and many more come under the spotlightin John Sutherland's highly entertaining collection. 'Sutherland puts humanity and the human, logic and curiosity, back into criticism . . . His respect for the realism of texts inspires, inspirits and delights.' Valentine Cunningham
Temporariness is a scandal in our culture of monumentalism and its persistent search for permanence. Temporariness, the time of the ephemeral and the performative, the time of speech, the time of nature and its constant changesthese times have little cultural purchase. In this volume two practitioners and theoreticians of time, space and the word embrace the notion of temporarinessseeing in it a site for a renewal of ways of thinking about ourselves, our language, our society and our environment. This collage of fragmentary genres approaches the notion of mitigated presence to build an atlas of intersections attentive to our own temporariness as the site of aesthetic and ethical responsibility. This book is a scintillating meditation on the temporality of human lives and the contemporary possibilities of humanistic writing. John Kinsella and Russell West-Pavlov explore the conjunctions of memoir, theory, poetry, anecdotes, journal entries and other fragmentary forms in their conversations about the political realities of the world and the imperatives of human survival. They write across hemispheres, they interanimate the specific experience of place and history in Germany, Ireland, Western Australia, the Adriatic coast, Africa, New England. 't?mp(?)r?r?n?s is the chance collaboration of two writers and intellectuals that could never have come into existence before it did and that can never be repeated. Philip Mead, University of Melbourne
This selection of movies that won no Hollywood awards includes some that are famous like Garbo's "Queen Christina" and "A Woman of Affairs," William Wyler's "Carrie" and "Detective Story," Fritz Lang's "Metropolis," John Farrow's "California," Hitchcock's "Young and Innocent," John Ford's "Wee Willie Winkie," Albert Lewin's "Pandora and the Flying Dutchman," Mae West's "She Done Him Wrong," and DeMille's original version of "The Ten Commandments"; some that deserve to be famous like "Tonight and Every Night," "Sunnyside Up," "Ambassador Bill," "Diplomaniacs," "The Nitwits," "Fallen Angel" and "Rhythm on the Range"; and some that had no chance at all like "The Noose Hangs High," "Words and Music," "The Bohemian Girl," and 'Wagon Wheels Westward." Special added feature: a monograph on one of Hollywood's greatest directors, Henry Hathaway.
Oil, Democracy, and Development in Africa presents an optimistic analysis of the continent's oil-producing states. With attention to the complex histories, the interactions of key industry actors and policy makers, and the goals of diverse groups in society, this contribution fills a gap in the literature on resource-abundant countries. John R. Heilbrunn presents a positive assessment of circumstances in contemporary African oil exporters. The book demonstrates that even those leaders who are among the least accountable use oil revenues to improve their citizens' living standards, if only a little bit. As a consequence, African oil producers are growing economically and their people are living under increasingly democratic polities. Heilbrunn thus calls for a long-overdue reassessment of the impact of hydrocarbons on developing economies.
Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.
On first publication in the 1960s, "Honest to God" did more than instigate a passionate debate about the nature of Christian belief in a secular revolution. It epitomised the revolutionary mood of the era and articulated the anxieties of a generation.
John Burgess explores the distinctive qualities of Christian identity by demonstrating how baptism, the Eucharist, and the Commandments are basic points of orientation for Christians. He challenges the church and its members to identify and claim key practices and disciplines of faith to deepen baptismal identity and give the Christian life solid form today. His work ultimately seeks to stimulate pastors, educators, and church leaders to encourage the church to practice ways of life together that will lead to a more faithful living of the Christian faith.
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