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Lignans are widely occurring plant compounds and are closely related to lignin, which forms the woody component of trees and other plants. The lignans are characterized by their dimeric composition from cinnamic acids, and they are attracting increasing attention as a result of their pharmacological properties. The volume surveys the chemical, biological and clinical properties of lignans as well as providing information on their isolation, purification, identification and chemical synthesis.
Afloat at Last" by using John Conroy Hutcheson takes readers on an exciting journey with younger sailor Dick Leslie. Dick wants to depart his solid lifestyles on land and look for his wealth at sea, that's how the story goes. With willpower and quite a few pleasure, he sets out on an existence-converting adventure that places him within the center of marine existence. Dick Leslie units sail and faces the huge barriers and remarkable sights of the sea. The story paints a clear photo of the hardships and victories that sailors face, showing what life is absolutely like on a deliver. Dick's persona modifications as he faces and enjoys many dangers and issues at some point of storms, interactions with different human beings, and the rhythm of day by day existence at sea. Hutcheson skillfully crafts a story that consists of action, friendship amongst sailors, and the unpredictability of existence on the waves. "Afloat at Last" is a thrilling tale that shows how robust and flexible people are who paintings in the maritime world. It takes readers on an exciting adventure, displaying how brave and determined a young sailor is as he offers with the difficult situations that arise in existence at sea. It's a captivating check out the wide range of reviews that sailors have.
“[A] vivid, massively researched history of ‘hyper-masculine’ sensibility . . . An instructive and provocative view of men’s dark side.” —Peter Filene, Men and Masculinities Are men truly predisposed to violence and aggression? Is it the biological fate of males to struggle for domination over women and vie against one another endlessly? These and related queries have long vexed philosophers, social scientists, and other students of human behavior. In Brutes in Suits, historian John Pettegrew examines theoretical writings and cultural traditions in the United States to find that, Darwinian arguments to the contrary, masculine aggression can be interpreted as a modern strategy for taking power. Drawing ideas from varied and at times seemingly contradictory sources, Pettegrew argues that traditionally held beliefs about masculinity developed largely through language and cultural habit—and that these same tools can be employed to break through the myth that brutishness is an inherently male trait. A major re-synthesis of late nineteenth- and early twentieth-century manhood, Brutes in Suits develops ambitious lines of research into the social science of sexual difference and professional history’s celebration of rugged individualism; the hunting-and-killing genre of popular men’s literature; that master text of hypermasculinity: college football; military culture, war making, and finding pleasure in killing; and patriarchy, sexual jealousy, and the law. This timely assessment of the evolution of masculine culture will be welcomed and debated by social and intellectual historians for years to come. “Pettegrew’s book remains rigorous and passionate in its narration of the historic appeal as well as the immediate dangers of de-evolutionary masculinity.” —American Historical Review
Long-lost manuscript becomes a Queensland First after 145 years. Faced with losing his centuries old family estate to debt, Tom Hurstbourne headed to colonial Australia to make his fortune. He had no idea that the Shrewsbury lawyer he left in charge of his affairs would snatch this chance to exact the ultimate revenge on Tom, the last of the Hurstbourne dynasty... Brisbane Editors, Gloria Grant and Gerard Benjamin, transcribed the manuscript and wrote its introduction and contextual notes.
This is a book for lovers of Victorian literature, but it is also a bracing antidote for those less enthusiastic readers who may have found Dickens a little too melodramatic, Thackeray too allusive, Trollope too protean, and Hardy too pessimistic. For both kinds of readers Hall's book offers the hope of redemption, a thoroughly engrossing ramble through the literature of the enduring Victorian galaxy.
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