Horror novelist Peter Straub creates highly personalized fiction with an allusiveness and ambiguity that deny the genre's explicit nature. For him, the Gothic style is to be created and recreated in a changing world--Faustian pacts, buried secrets, haunted places, ghosts, vampires and succubi take on strange new shapes and effects. Stephen King describes Straub's style as "a synthesis of horror and beauty." Drawing on interviews with Straub and featuring an exclusive interview with King, this study explores the work of the author who has been called "a writer of rare wit and intelligence in a field beset with cynical potboilers" (Douglas E. Winter, Washington Post, October 14, 1984).
Landscapes are frequently seen as fragments of natural habitat surrounded by a 'sea' of agriculture. But recent ecological theory shows that the nature of these fragments is not nearly as important for conservation as is the nature of the matrix of agriculture that surrounds them. Local extinctions from conservation fragments are inevitable and must be balanced by migrations if massive extinction is to be avoided. High migration rates only occur in what the authors refer to as 'high quality' matrices, which are created by alternative agroecological techniques, as opposed to the industrial monocultural model of agriculture. The authors argue that the only way to promote such high quality matrices is to work with rural social movements. Their ideas are at odds with the major trends of some of the large conservation organizations that emphasize targeted land purchases of protected areas. They argue that recent advances in ecological research make such a general approach anachronistic and call, rather, for solidarity with the small farmers around the world who are currently struggling to attain food sovereignty. Nature's Matrix proposes a radically new approach to the conservation of biodiversity based on recent advances in the science of ecology plus political realities, particularly in the world's tropical regions.
What lurks in the damp recesses of urban existence? These new tales of weird fiction are a blend of urban horror, pulp noir and dark fantasy. Lovecraftian horrors and Cthulhu Mythos monsters have never been this gritty. From haunted Kingsport across the globe to shadowy Berlin and the otherworldly music of Bangalore. From kind, sexy neighbors to cyberpunk paranoia an The King in Yellow. A journalist's search with unexpected results. What really happened to Walter Gilman, and what is the origin of the witch Keziah Mason? And witness humanity fail against the forces from beyond. From weird sounds to screams of madness. Entropy. Chaos. Disorder. Death. Beneath cities, on the outskirts of ruined, aeon-old cities and INSIDE cities. The stench, the decay, the hopelesness... it is everywhere. Welcome to URBAN CTHULHU: NIGHTMARE CITIES.
H. P. Lovecraft’s aliens are extra-terrestrial, terrestrial & trans-dimensional entities, totally unlike any other aliens in science fiction literature. In contrast, Isaac Asimov's and William Gibson’s aliens are human created positronic robots and virtual reality constructs, or 'idols'. Lovecraft’s great theme is alien indifferentism, tinged with a malevolence that escalates into an existential, apocalyptic threat against humankind, while for Asimov and Gibson, alien inclusionism is the norm. The robots and the VR idols integrate into society and their influence appears to be beneficial. But this is only on the surface. In this book, John L. Steadman demonstrates that there is ultimately little difference between alien indifferentism and alien inclusionism in the fictional works of these three great writers. For in fact, the robots and the VR idols evolve into monsters whose actions bring about outcomes which are every bit as terrifying as anything in Lovecraft’s work. Humans tend to be isolates ('alien'-ated). The reader is invited to question this, and to consider the possibility that an alien perspective, or platform, might, perhaps, be crucial if we intend on seeing ourselves clearly and understanding exactly what it means to be human.
Where does the nightmare begin and reality end? Chaos is about to take over the world. The armies of the Elder Gods and the Great Old Ones are ready for the final, epic battle. Can the Spectral Squadron save mankind from certain doom? How far will Darius go for the sake of fame and fortune? Will he risk the loss of a friend? Of his sweetheart's love? Of his honor? Is he willing to risk the existence of humankind? One of the world's most famous horror writers is dead, leaving his magnum opus unfinished. A dedicated fan is planning to finish the epic-no price is too high. What malignant spirit is curling upward from his whiskey glass? In the Wonderworld amusement park, secrets of the world's most ancient mountains start to surface. Not all screams in the park are of delight. An ivy-covered hall on a picturesque campus gives no hint of the torments visited upon the helpless creatures within. John Mayer is a new, exciting writer in the weird tale and pulp fiction tradition.
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