This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Marco Polo and his book may seem to have been well served by scholars, yet the majority have been concerned to write about his travels in Asia, what he did or did not see, and how useful he is as a source on the East. John Critchley’s subject, on the other hand, is the text of Polo’s book itself and the political and ideological context - the crusades, the Mongol missions, the French presence in Italy - in which it was put together by its author(s), and read by its audience. The homogeneity of the ’original’ Franco-Italian text and the accepted relationship between this text and the Latin recensions is tested by computer analysis. An examination of vocabulary and other textual features draws out the different attitudes and contributions of Polo himself and his various editors and translators. Critchley’s book will be of interest not only to those concerned with the history of later medieval Europe but also to specialists in medieval Asia, who will find it useful to know about the background and composition of so famous and frequently cited a work. On pourrait penser que Marco Polo et son livre ont été amplement débattus par les spécialistes en la matière, cependant la majorité a surtout écrit à propos de ses voyages en Asie, ce qu’il avait ou n’avait pas vu et sur son utilité en tant que source de références sur l’Orient. Le sujet traité par John Critchley par contre, est le texte même du livre de Polo, ainsi que le contexte politique et ideologique - les croisades, les missions mongoles, la présence française en Italie - dans lequel il a été composé par son ou ses auteurs et dans lequel ses lecteurs ont pu le lire. L’homogeneïté du texte franco-italien d’origine et le rapport accepté entre celui-ci et les révisions latines ont été analysés par ordinateur. Un examen du vocabulaire et d’autres caractéristiques littéraires fait transparaître les différences d’attitudes et de contributions entre Polo
The Garbage Crawler, The Prophetess of York, A Pitman in Atlantis are an enthralling trio of plays set for the radio and the stage, concerning myth, legend and science fiction. In The Garbage Crawler, we find Zachery, who has only ever known his room and the robotic voice that controls his life. He escapes into a sea of rat-infested, foul-smelling garbage through a chute, where he is discovered by a Finder. His destiny and that of the city he comes to come into question as he becomes a Finder himself and looks to liberate the city. Set in York in 1833, The Prophetess of York is 19-year-old Hannah Beedham, a self-professed 'common sinner'. She experiences a glorious vision of God himself, but the people of York denounce her as a drunk and a witch. However, local man James Sturdy believes her, as do some from all over who pay tribute to the 'Prophetess'. A Pitman in Atlantis sees John Bell fall from a sea defence wall in Yorkshire and wake up in a foreign hospital, only to find he has landed in Atlantis. He begins working in a silver mine in the underwater city while fellow Englishmen work to try and find a way for John to return to his wife and the world on the surface.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Over 100 poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were hugely popular and important in their day but few are available today. This is a collection of some of those poems from the 19th century.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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